May 302012
 

Ihsahn’s fourth solo album, Eremita, is scheduled for release on June 19.  Almost a month ago, I received from Candlelight Records a link that allows me to stream the album, but not download it. I know the label isn’t singling me out or implying that NCS is untrustworthy, but I have a hard time listening to an album when I have to be tethered to my computer to do it. I’m constantly moving between safe houses, and so I need to be able to listen on my music player. Consequently, I still haven’t heard Eremita.

But I’m no less interested in the album, in part because it’s Ihsahn and in part because of the line-up of guest artists: drummer Tobias Ornes Andersen (Leprous), saxophonist Jorgen Munkeby (Shining – Norway), guitarist Jeff Loomis (ex-Nevermore), and vocalists Devin Townsend, Einar Solberg (Leprous), and Heidi S. Tveitan (Star of Ash).

Yesterday, Guitar World began streaming a song from the album called “Introspection”, which features guest vocals by Devin Townsend. I heard it for the first time through that stream (see above re moving between safe houses). I have mixed feelings about the song. Continue reading »

May 302012
 

(DemiGodRaven reviews not one, not two, but three albums, with lots of music included. Get your ass in a comfortable place and wade in . . .)

It’s been known for quite a while now that I do have a bit of a soft spot for certain brands of electronica music. It’s never been something that I’ve felt a huge need to dig into too deeply, but the surface-level groups that I have found I’ve enjoyed quite a bit. Of course, this spills over into my enjoyment of some of the more violent genres such as Industrial (and I have been listening to Ministry’s Relapse…which is a hot mess. Hopefully I’ll get something going on…that) and the various aggrotech styles, but occasionally I do enjoy walking on the lighter side of things.

Lately I’ve been constantly spinning three different releases, all of them great in their own different ways, and since Islander has given me somewhat of a pulpit, a megaphone, and enough rope to hang myself with, I figured I’d take the opportunity to just make one gargantuan post here so that the more metal of us can easily gloss over it rather than do three posts and basically have you guys screaming for my execution. As such, this motherfucker is going to be long-winded as all hell, so prepare your anuses gentlemen, shit is about to get real.

CelldwellerLive Upon A Blackstar (CD release)

You guys had to have seen this coming from a mile away. There was literally zero chance that I wasn’t going to talk about something that Celldweller was up to if I was going to take up valuable post space for a bunch of electronica discs. Although the Blu-Ray/DVD release of this specific disc has been consistently delayed to the point of being something of a tragic comedy [it will begin shipping on June 12, 2012], the audio version of this album has been available for a little. A little clarification as to why I feel this live album is important enough to write about first. Continue reading »

May 292012
 

Yes, you read that correctly. There is a Wintersun album update, and there is more to it than simply stating, “there will be a new Wintersun album someday . . . .”

Specifically, after 8 years since this Finnish band’s impressive debut, there will be two albums: Time I and Time II. Each album will contain approximately 40 minutes of music — 80 minutes of new Wintersun altogether.

Per the press release we received, the mixing and mastering of Time I is scheduled for completion in July, with release planned for the early fall. Time II will be released in 2013. We expect to see videos and teasers over the summer.

There’s also this tour news: Wintersun have been confirmed to headline this year´s edition of the so-called HEIDENFEST tour kicking off in October, with support from Korpiklaani, Varg, Trollfest, and Krampus — and after that, Wintersun plans to tour the world. Well, they plan to tour parts of the world, but I don’t know which parts yet. For more info about HEIDENFEST, go here. Continue reading »

May 292012
 

What a nice way to start this new day . . . seeing a video of Kartikeya rehearsing a new song called “Vayu”.  No vocals yet, but man, this sounds very fucking nice.  It appears that this will be released as a single on June 22, and will feature guest appearances by Keith Merrow and Aleksandra Radosavljevic. Should be interesting, to say the least.

Check out the video after the jump.  And if, by some remote chance, you don’t know about Kartikeya already, click this link and read one of our 5,000 previous posts about the band. Continue reading »

May 292012
 

(Andy Synn reviews the new album from Sweden’s Marduk.)

This is set to be a big year for black metal, with both the new gods and the old primed for a resurgence.  Both the Swedish progenitors of primal, black metal orthodoxy are set to return in glory, with the satanic discipline of Dark Funeral set to be unleashed sometime before the year’s end, and now, harbingers of the apocalypse Marduk returning to the fray with this, their 12th album of aural devastation.

Remember that 2012 will see the end of all things, and in Marduk we have been given standard bearers of our own destruction, a fitting soundtrack to the final storm that will wipe this world clean of humanity’s infectious influence.

There is a clear distinction between the sound and feel of this album and that of its predecessor. Where Wormwood was arguably a fouler, dirtier sounding record, with an uncomfortable, decaying warmth to it, Serpent Sermon is far colder and more brittle, with more starkly presented dynamics, ready to snap and scar at a moment’s notice.

The production of this record serves to further highlight and accentuate the differences between the two albums. Whereas its predecessor was a roiling cauldron of filth and malice, thick yet fluid, Serpent Sermon is all shards and shadows, bleached bones and hard edges. That’s not to say that it doesn’t flow. It’s more akin to comparing two paintings of the same object, done in entirely different styles – one, a horrid and flowing concoction of hand-painted miasmas, the other a vivid hand-drawn nightmare of figure and form. Continue reading »

May 282012
 

Here in the U.S., it’s Memorial Day, a national holiday established long ago to commemorate the men and women who have died while serving in the United States Armed Forces.

Even though my own long-dead father was himself a decorated Marine Corps vet and my brother-in-law is a veteran of the Gulf War, I’m embarrassed to admit that it took me a while to separate my feelings about people who served in combat from my feelings about the wars in which they served — or about war in general. About the only time I feel warlike is when I’m listening to warlike metal. I think the last war that was worth fighting (for my country) was the one in Korea, and sometimes I’m not even sure about that one.

I did finally realize what should be obvious to people smarter than me — that soldiers and sailors and airmen do not start wars or decide which wars are worth fighting. They simply do their duty, and they become maimed, suffer mental trauma, and die because of decisions made by others who put them in harm’s way. They deserve to be honored for reasons that have nothing to do with whether the causes in which they sacrifice themselves are worth their sacrifices. They deserve to be remembered and supported even when the conflicts in which they have served are insupportable.

Memorial Day should be a day not only for remembering the dead but also for remembering the living — not only people who are currently serving in the Armed Forces but also veterans. The U.S. has done a piss-poor job of supporting its military veterans. Our government is willing to spend trillions of dollars to finance wars and huge defense establishments, but what we spend to support people after they’ve served their purpose and been discharged — especially those who have been disabled during their service — is shameful. Continue reading »

May 282012
 

(Here’s a round-up of recent news and music from DemiGodRaven about Katatonia, Æther Realm, Fear Factory, Shadows Fall, and The Browning.)

Katatonia’s new album: Dead End Kings (August 27th)

Over the past two weeks Katatonia have done a pretty interesting publicity bit on their Facebook page by putting up a picture of what looked like a dead tree branch in some snow and then slowly adding letters and more to the branch, eventually revealing that it was something more of a dead shrub and that the letters would spell an album title and release date for the group’s new upcoming disc.

Now they’ve completed the whole picture, and yes, it’s got branches on it alright, but it is something more than that. It’s looks like a dead bird wearing a crown, and the album title for their new disc will be Dead End Kings. It has an August release date, appearing a day later in the US than in Europe, but the difference of a day really isn’t that huge when you have the internet essentially spreading everything around at light speed. The moment anything from this album is out I’m sure it’ll be all over youtube, so if you have to wait a day you can find solace in at least streaming the songs that way. The image for you folks to check out is above, all Facebook banner-styled. Continue reading »

May 282012
 

(We’ve been discovering a lot of good new Icelandic bands recently, and Azoic is the latest. In this post, Phro reviews their debut album, Gateways.)

So, this evening, I opened up my e-mail inbox at PhroMetal (shameless self promotion alert) to find a message from…Iceland? Wow, that’s pretty cool. I don’t know anyone in Iceland. I’m pretty sure I’d have a hard time just trying to find it on a map. (I’m really bad at cartography.)

Anyway, the e-mail was from a band called, Azoic. I don’t know what that means, but it sounds like the kind of noise that the Joker would make if he accidentally inhaled a balloon filled with laughing gas after being punched in the gut by Batman. They were nice enough to ask me to review their new album, Gateways. (I’m not sure if they’ve read anything I’ve written before, because, really, if they had, they’d probably know better than to send me anything besides death threats. But they included a download link, so, hey, I’m not complaining.)

The e-mail called them a black/death metal band. I think that’s pretty accurate, though also functionally vague. (Which really isn’t their fault. Genre labels are important and helpful most of the time, but once we start breeding subgenres with subgenres, we usually end up with mutated bastard children who have difficulty establishing personalities beyond what their parents gave them.) So, we’re gonna have to get our fingers poopy and talk about this album from the butthole out. (That means we’re going deep, hard, and probably somewhat uncomfortably.) Continue reading »

May 272012
 

We’re pretty high on Abigail Williams around here. NSC writer Andy Synn got a very early listen to their 2012 album Becoming and praised it in this review. It’s an ambitious album, crafted with care and intelligence, and I highly recommend it, too.

The band’s frontman, Ken Sorceron is an interesting dude. He marches to the beat of his own drummer and he’s smart, informative, and entertaining when he talks about his music and “the business” of metal in the current age. At some point earlier this year he set up an account on Formspring, which is a social network where people make themselves available to answer questions from the public and the answers are available for everyone to see.

Recently, Sorceron referred to it in a Facebook status as something he was starting to prefer as an alternative to interviews. So I had a few minutes to kill and went over there to read all the questions and answers. Sure enough, it is sort of like reading an interview. Some of the questions are lame, and some of the questions (and answers) presuppose more inside knowledge of the band than I have, but overall I thought it was a very interesting and informative read.

If more metal musicians started doing this, it would put blogger interviewers out of business. In one place, you could find every question worth asking (plus many not worth asking) and all the answers, frozen on one site for all to see. I think it’s a cool idea. In Sorceron’s case, it may save him the time of enduring repetitive interviews. In my case, it saves me the time of trying to conduct an interview — because I’m just going to post the whole thing right here after the jump, through the magic of multiple screen captures.

Is this lazy of me?  Well, fuck yes, of course it is.  “Lazy” is one of my middle names, and for good reason. Continue reading »