SEEN AND HEARD: BENEDICTION, DESTRUCTION, FOREIGN PAIN, KLANEN, MISANTHUR, UNHOLY VAMPYRIC SLAUGHTER SECT, VIRIAL

 RANDOM FUCKING MUSIC  No Responses »
Aug 112021
 

 

Lo and behold, I again found time to prepare a round-up, right here in the middle of the week, thanks to the fact that our album premiere today was written by Mr. Synn instead of moi (and if you haven’t read that and listened to the new Fawn Limbs record, don’t forget to do it).

For today’s collection of new songs and videos I again decided to include a mix of both very well-known names and deeply underground ones, again arranged in alphabetical order. I enjoyed them all, and hope you will too.

BENEDICTION (UK)

It’s great to see Benediction performing in this video, a reminder of how much we have missed from the plague-driven banishment of shows. The song, as you may already know, is a grim and ravaging heavy-hitter that kicks into a savage scamper before slowing into a doomed musical apocalypse. And man, Dave Ingram‘s deep, fully rounded growl is (as always) spine-tingling. (He also made this video.) Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): FAWN LIMBS — “DARWIN FALLS”

 Album Reviews, Premieres  2 Responses »
Aug 112021
 

(Andy Synn wrote the following review and introduction of our full streaming premiere for the new album by the trans-Atlantic band Fawn Limbs, which will soon be released by Roman Numeral and Wolves And Vibrancy.)

Even those who love Metal at its most brutal, its most technical, its most chaotic, must admit, when push comes to shove and their back is against the wall, that the pursuit of extremity, pure extremity, purely for its own sake, ultimately leads to an inevitable and inescapable evolutionary dead end.

Or, should I say, an almost inescapable dead end… because while it’s true that over-specialisation will ultimately limit the growth of any species band – once you’ve attained a certain level of maximum brutality, terminal velocity, inhuman technicality, where else do you have to go? – certain artists, certain entities, have still managed to discover new and unique ways to survive, and even to thrive, while continuing to push their own limits in different, but no less extravagant, ways.

The secret to achieving this, of course, is realising that extremity isn’t a linear scale. It’s a spectrum. One which extends in multiple directions and allows for multiple interpretations and expressions of what it means to be truly “extreme”.

Which brings us, at last, to the new album from Fawn Limbs, which finds the terrible trio choosing a new, yet also disturbingly familiar, path to follow, which leads to a place called… Darwin Falls. Continue reading »

AN NCS PREMIERE: ÆPOCH — “AMNESIA”

 Premieres  No Responses »
Aug 102021
 

 

The Ontario progressive death metal band Æpoch are returning to the fray with a new line-up and a new EP set for release on September 10th named Hiraeth, and we’re presenting a track from it today. But before we experience “Amnesia“, we’ll share the band’s description about the chilling tale narrated through the music, which will illuminate the song you’re about to hear:

“Hiraeth is a concept EP about a character who has awoken in a post apocalyptic type environment with no memory of who he is or how he got there. He begins to wander in the desolate wasteland desert for days without any food or clean water. His body and mind grow weak from malnutrition and he begins to hallucinate. He eventually stumbles upon what appears to be fertile land. He sees a looming and eerie silhouette of some sort of decrepit totem. He becomes fixated on the monument.

“As he approaches, he gazes upon its carved trunk he notices the foul smell from all around him. This is the smell of the decaying flesh of those who walked this path before him, their minds consumed by the demonic spirit of the monolith. This creature, we call ‘The god of rot’ in the songs and the god of rot infects the mind of its victims, enthralling them to its will. The god of rot feeds off of the life source of its victims by having them sacrifice themselves once they are fully enthralled in a way similar to seppuku (Japanese samurai ritual suicide) and dress its limbs in their innards before they expire. The cover art depicts our protagonist approaching the god of rot.” Continue reading »

SEEN AND HEARD: ALUSTRIUM, FLUISTERAARS, JOURNEY INTO DARKNESS, SERMON OF FLAMES, SEEDS OF PERDITION, SHED

 Metal News, RANDOM FUCKING MUSIC  1 Response »
Aug 102021
 

 

If a blogger like me could pull together roundups of recommended new music on a daily basis, it would be a lot easier to keep my head above the constantly rising musical tides. But sadly I don’t have enough time for that, and so I wind up doing things like this and this as the week ends and the weekend begins. Which is to say that what you’re about to embark on has become a rarity — a roundup early in the week. And this one, again arrangd alphabetically, turns out to be a real roller-coaster ride. Enjoy!

ALUSTRIUM (US)

The lead-off item is a new video (with a message) for a song that’s a head-spinner, one that melds barking growls and caustic screams, darting symphonics and scintillating drumwork, feelings of jolting hostility and jittery tension, a jazz-like interlude, and abundant flurries of flickering and fret-leaping guitar. Deep drilling tones give the music a cold, grim, and desolate mood as the song draws to a tragic and haunting end. Continue reading »

AN NCS PREMIERE: RUNESPELL — “VENGEANCE REIGN”

 Premieres  2 Responses »
Aug 102021
 

 

The creative fires that burn in Australia’s Runespell seem unquenchable. Since the Unhallowed Blood Oath debut full-length in 2017, the band has released significant new works every year, including 2018’s Order of Vengeance, 2019’s Voice of Opprobrium, and the 2020 split with Forest Mysticism, Wandering Forlorn. And, like clockwork, Runespell has completed a new album that will be released on September 10th of this year by Iron Bonehead Productions, which has ushered forth all of the previous releases as well.

Runespell has already staked out a musical territory that presents (in the accurate words of the press materials) “grandiose melancholy given majestic flight” coupled with “bloodlusting energy no matter the tempo — widescreen in its vast landscapes yet fiercely focused….” And the new album displays those qualities again, but does so in ways that are perhaps even more dazzling in their extravagance, more unearthly in their aura, and more heart-stricken in their melodic moods. Witness the track we’re premiering today, “Vengeance Reign“. Continue reading »

AN NCS INTERVIEW: CRESCENT

 Interviews  1 Response »
Aug 102021
 

 

(Comrade Aleks brings us his interview with Ismaeel Attallah and Youssef Saleh from the Egyptian band Crescent, whose latest album was released at the end of last month by Listenable Records.)

Highly influenced by Swedish Black Metal in their early days, Crescent from Cairo, Egypt never hurried and have worked out their image patiently and carefully since 1999. This attitude and the band’s place of origin explain why it took so much time ’til they managed to finish their first album Pyramid Slaves in 2014. They didn’t wake up famous the next day, but a contract with Listenable Records and a few big festivals were in their hands.

Crescent totally changed direction with their sophomore album The Order of Amenti (2018), yet some pieces of black metal were left in their body though death metal influences were far stronger. And if you are wondering how this Egyptian blackened death metal sounds today, then Crescent’s new big work Carving the Fires of Akhet is your best chance to dig it out. Ismaeel Attallah (vocals,guitars) and Youssef Saleh (guitars) are our guests tonight. Continue reading »

AN NCS VIDEO PREMIERE: VELA PULSAR — “REVERENCE OF BEING”

 Premieres  No Responses »
Aug 092021
 

 

Vela Pulsar began as a transcontinental collaboration between Ryan Mueller from Toronto and Samantha Holmes from Portland, Oregon. When the project became more serious and Samantha proposed creating an album, Ryan recruited his brother Cam to handle the drums (both brothers are also members of A Flock Named Murder) — and thus they recorded their debut record Memoirs of Unbecoming, which was digitally released last December, adorned by the haunting cover art of Marie Cherniy.

The music is a hybrid of symphonic and post-black metal that’s both ravishing and profound. Over the course of three long tracks it creates wide-ranging sensations of turmoil, longing, and transcendence that are all artfully constructed and emotionally involving at a visceral level. What we have for you today is a lyric video for one of those three tracks, “Reverence of Being“. Continue reading »

AN NCS PREMIERE: OCCULSED — “LURID PLACELESS ECHOES”

 Premieres  No Responses »
Aug 092021
 

 

In what other genre of music but death metal could adjectives like “grotesque”, “putrid”, “abysmal”, and “abhorrent” be used as compliments? None come to mind. But of course even in the realm of death metal those adjectives are complimentary only when the music has other qualities that make it viscerally exciting and memorable. Simply wallowing in a choking vat of formless excrement and vomit does not alone become pleasurable, even for people whose tastes run hard to the more disgusting offshoots of old school death.

Which brings us back to Occulsed, and the second song we’re ghoulishly happy to premiere from their debut album Crepitation of Phlegethon in the run-up to its September 17 release by Everlasting Spew Records. The music of Occulsed merits all those adjectives above, but it’s also so well-constructed and maliciously well-realized that it becomes addictive (as well as foul). Continue reading »

SHADES OF BLACK (PART 2): DØDSFERD, TUMBA DE CARNE, WALDGEFLÜSTER

 Album Reviews, SHADES OF BLACK  No Responses »
Aug 092021
 

 

As you can see, this is Part 2 of the weekly column I began yesterday. Because I’m hurrying to finish it before turning to the usual Monday flurry of activity at our site, I’ll dispense with any further introduction and get right to the music.

DØDSFERD (Greece)

On August 10th this Greek black metal band will commemorate its 20th anniversary of existence by releasing a new album named Suicide and the Rest of Your Kind Will Follow Part II, which arrives a dozen years after Part I. It consists of two long songs, the first of which premiered yesterday at Metal Addicts through a video made by Nikolaos Stavridakis (VisionBlack), which builds upon artwork created by Georgios Gyzis (aka Bacchus of the black metal band Grab). Continue reading »

SHADES OF BLACK (PART 1): KATAVASIA, FLESIA, KORGONTHURUS, REMAH, SÔLT

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  2 Responses »
Aug 082021
 

 

After spending a ton of time listening to new songs and writing about many of them in the two enormous roundups I posted on Friday and Saturday I despaired of being able to do very much with this week’s SHADES OF BLACK column. But I got a second wind and became inspired by the varying sounds you’re about to discover.

In this two-part edition the bands whose music I chose include some old personal favorites and some very promising newcomers.  My second wind is dying, so you’ll most likely have to look for Part 2 on Monday.

KATAVASIA (Greece)

These Greek black metal luminaries, whose lineup includes members drawn from Varathron, Hail Spirit Noir, Aenaon, Melan Selas, and Agnes Vein, have a new two-track EP headed our way, and the first of the two songs — “Descending to Acheron” — has now surfaced. Continue reading »

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