Apr 232020
 

 

(Here’s Andy Synn‘s review of the new album by the Polish band Koronal, which will be out on April 29th.)

It’s pretty common knowledge by now that we here at NCS Inc. tend to focus more on the underground, and underappreciated, bands and artists from the Metal scene.

That’s not to say we have anything against the bigger or more well-known names (heck, I’ve reviewed several of them myself over the last few weeks) but igenerally these bands, for the most part, don’t really need our coverage – in most cases they’ve already got the benefit of a label’s PR machinery and resources behind them, and even when they don’t you tend to find that they’ve already crossed a certain threshold, popularity-wise, which makes them essentially “too big to fail”.

It’s different for the smaller bands though, and it’s here where I/we generally feel like we can do the most good and make the most difference by introducing our readers to new bands, bands who they might not otherwise have stumbled across on their own, to them grow and establish their fanbase.

Over the years we’ve all developed particular favourites of our own – personally I’m still waiting for new stuff from Martriden, Sanzu, and Sunlight’s Bane, to name but a few – but I know I’m not the only one of us who has been looking forward to hearing more from Polish post-Meshuggah crew Koronal, whose superb second album is scheduled for release next week. Continue reading »

Apr 232020
 

 

Let’s get a couple of things out of the way, one obvious and another maybe not so obvious: Bastardizing the Purity is bestial black metal that’s unforgiving and unrepentant, and it will not appeal to great swaths of listeners, but rather will cut them down like wheat before the scythe. That’s the obvious point (and a point that could be made about everything we premiere — nothing will appeal to everyone, though admittedly the fanbase for this album is a much narrower cadre of adherents than usual). If it doesn’t appeal to you, that doesn’t mean there’s something wrong with you, but nor does it necessarily mean that there’s something wrong with the music of Blasphamagoatachrist (even though they do often sound psychotically barbaric). Different music serves different needs.

The less obvious point, or at least one less obvious to people who just have no taste for this kind of rampaging sonic warfare, is that it isn’t all alike. There are gradations of quality, just as there are for any other sub-genre of metal, not noticeable to people who want nothing to do with it but discernible to those whose needs this feeds. The rest of this introductory review is for the latter group of people. Everyone else can politely show themselves out, though you’ll be welcome to come back another day.

And by the way, if you’re perplexed by the band’s name, ask yourself this question: If you were members of Blasphemy, Goatpenis, and Antichrist, and you decided to join forces, what else would you call your collective endeavor? Continue reading »

Apr 232020
 

 

2020 has been a miserable year for hundreds of millions of people world-wide, but a great year for the Italian black metal duo Hornwood Fell (guitarist/vocalist/bassist Marco Basili and drummer Andrea Basili). On March 3rd they digitally released an 80-minute, two-part concept album named Cursed Thoughts. Since ten it has been picked up by Kadabra Music for a June 26 release in a 4-panel digipak CD edition, and no wonder, because it is a spectacular accomplishment that musically extends well beyond the (continually expanding) boundaries of black metal.

The first part of Cursed Thoughts (tracks 1-6) explores Les Fleurs Du Mal (“The Flowers of Evil”) by Charles Baudelaire, and the second part (tracks 7-13) takes the poems of Edgar Allan Poe as its inspiration. The band have explained: “We were inspired by two great poets who speak of human despair. Inner monsters and ghosts, horror and pain. Two authors with different voices, with whom we have imagined and played with, and made different musical lines with the intent of evoking human and earthly energies.”

We have already reported on the advance release of the song that opens Part 1 of the album (“The Joyous Defunct“), and today we have a lyric video for “The Giantess“, which closes Part 1. Continue reading »

Apr 232020
 


Devil With No Name

 

I compiled this round-up three days ago. Different things prevented me from posting it until today, including distractions from my day job, bad things happening to people close to me, and just the general malaise I’m feeling under the current awful circumstances we’re all living with. A lot of other new music has emerged since I originally chose these songs, but I’m not going to sacrifice more time by trying to figure out what to add and what to drop.

The list consists of music from a dozen bands. I alphabetized them and divided this into three parts, four bands in each one. I have some other posts to finish for today, so these won’t roll out one after another. There’s always the chance I won’t even get all three parts up on the site today. The same factors that delayed this roll-out haven’t gone away.

All of us here hope all of you are well and safe, and that you’ll find something to like in this round-up. Continue reading »

Apr 222020
 

 

(This is Andy Synn‘s review of the new album by Sweden’s Katatonia, which is set for release on April 24th by Peaceville Records.)

It’s probably worth pointing out, right at the start, that City Burials is not – despite what you might read elsewhere – the best album of Katatonia’s career.

Neither, however, is it their worst, as some others, angry that the band haven’t produced exactly what they wanted, would have you to believe.

What it is, is an intriguing, emotive, yet oddly uneven, collection of songs which vary in tone and texture – some erring more towards the band’s classic brand of metallic melancholy, others leaning more towards gleaming, gloomy goth-pop – but which are all, ultimately, tied together by the sublime vocals of Jonas Renske, who gives what could very well be a career-best performance. Continue reading »

Apr 222020
 

 

(In this new interview Comrade Aleks spoke with members of the Swiss death/doom band Funeralopolis, whose latest album will be released on April 27th by Memento Mori.)

Despite being named after an Electric Wizard song back in 2009, Funeralopolis perform hard-as-hell death doom on a verge of slowed-down death. And if you’re tired of waiting for a new Asphyx or Autopsy release, you should give a chance to this band of punishers from Switzerland. Especially now, when after being on stage for about 10 years, the guys have recorded a killer full-length album, their first one, …Of Deceit And Utter Madness.

Let’s hope that Memento Mori Records will be able to release it on April 27th as it’s scheduled. Meanwhile we had a cool chat with Sodomator Of The Doomed Venus a.k.a Nico (bass), Chanting Ghoul of Ravenous Redemption a.k.a. Thuri (guitars, vocals), and Invoker of the Ancient Deathtune a.k.a. Pascal (guitars). Be ready for horrors of death and doom! Go! Continue reading »

Apr 212020
 

 

Expunged is a new Canadian death metal band, barely a year old at this writing, but their debut self-titled EP which we’re premiering today quickly blasts away any idea that its members are newcomers just taking their first tottering steps. And indeed they are not tyros.

The band is the brain-child of W.D., who has been the principal member of Dead Soul Alliance, and before that the guitarist of Evolution Fail, whose demo was released in 1997. Joining him in Expunged are drummer K.F. from the old-school death metal band Töteblut and vocalist/bassist J.S. (aka Jo “Steel” Capitalicide from Ice War, among other bands).

The experience shows on this new EP. It is a stunningly good musical house of horrors, one that draws influence from a range of Swedish and Finnish death metal bands going back to the late ’80s and early ’90s. But rather than sounding like some kind of retrograde re-hash, Expunged is an electrifying experience, one that delivers cold, crushing power, lunatic frenzies, ghastly atmosphere, and the kind of melodic and rhythmic accents that make these five songs memorable. Continue reading »

Apr 212020
 

 

We don’t often devote our premieres to mere teasers of new music — in fact, today may be the first time we have ever done it. But in this case we couldn’t resist. What you’re about to see is a video that reveals details about an exciting new band as well as a taste of the explosive and electrifyingly brutalizing sounds they are concocting in the unusual recording process that has now become a necessity in these times of viral plague.

The name of the band is Instigate, and it first drew our excited attention because of the people who are in the line-up. As the video explains, the idea for Instigate sprang from the mind of guitarist Stefano Rossi Ciucci, who is a member of the Italian death metal band Bloodtruth, whose music we have featured more than one at NCS, most recently in our December 2019 premiere of a video for a track off their ravaging 2018 album Martyrium, released by Unique Leader Records.

Rounding out the Instigate line-up are Bloodtruth bassist Riccardo Rogari, vocalist Stefano Borciani from Demiurgon, and drummer extraordinaire Kevin Talley, who has performed with the likes of Suffocation, Dying Fetus, Misery Index, and Chimaira. Continue reading »

Apr 212020
 

 

(We present Andy Synn‘s review of the new album by California’s Ursa, which was just released yesterday.)

While NCS may have a reputation for focussing mostly on Death and Black Metal, the truth is that we don’t like to limit what we cover to just a small sub-set of styles. As long as it’s got a sufficient metallic component, and a certain level of quality, we’ll be more than happy to give it a shot.

Over the years we’ve become particularly fond of the doomier side of Metal, in all its grim and gloomy varieties, to the point that you’re guaranteed at least one (or more) slot dedicated to dark, doomy goodness in every one of my/our year-end lists.

Last year it was the sublime Carnal Confessions by Fvneral Fvkk which took the honours, and in 2018 the medal went to Dor by Clouds, while 2017 saw albums from Loss, Foscor, and Paradise Lost all make the cut (and, FYI, I’m only just now realising how Doom-heavy that particular list was).

So far 2020 has already delivered its fair share of doom-laden delights, from the rugged, riff-heavy swagger of the new Solothus (which I touched upon briefly here last week), to the grandeur and gravitas of Loviatar’s Lightless (which hopefully I’ll get around to covering properly sometime soon), and several more which I’m sure I’m forgetting about.

And now it’s time for URSA to stake their claim with the release of Mother Bear, Father Toad. Continue reading »

Apr 212020
 

 

We have a lot of things planned for today at our site, including an album review, a couple of premieres, and a gigantic round-up of new music, but I’m getting a slow start on readying any of those posts for publication. But then I saw that Hail Spirit Noir had revealed the first excerpt from their new album, and that solved the problem of how to begin the day without further delay.

We don’t usually feature only one new song in a post unless it’s a premiere, but our affection for this Greek band runs deep, as does curiosity about what this new album will sound like, given the fascinating shifts in style that have already occurred over the course of Pneuma (2012), Oi Magoi (2014), and Mayhem In Blue (2016). Of course, as the band’s first three albums have already proven, one song drawn in isolation from the rest of an HSN release doesn’t completely represent what the rest of the record will sound like, because the band have an adventurous streak in them.

But beyond what can be gleaned from the new song that debuted today (“The First Ape On New Earth“), we do have this accompanying statement by the band about the album, the title of which is Eden In Reverse: Continue reading »