SEEN AND HEARD: BELL WITCH, SUMMONING, INCANTATION, OBITUARY, BOLT THROWER, BLASPHEMY, SXUPERION, SERPENTS LAIR, FIREBREATHER, ORBSEVEN

 Album Reviews, Metal News, RANDOM FUCKING MUSIC  6 Responses »
Aug 082017
 

 

This is, obviously, a humongous round-up of things I’ve recently discovered. I’ve organized it in this way:

First up there are two news items that feature imagery and info about eagerly anticipated new releases but no music. Then I’ve got new videos and music streams by (or related to) a quartet of venerable and revered bands, followed by new advance tracks from two younger favorites who are returning with new releases this year. And then I’ll close this out with music from two bands whom I’ve just discovered.

BELL WITCH

On most days I post a piece of usually dark or surreal artwork on our Facebook page. I keep an archive of what I’ve posted over the years, as a way of trying to avoid repeating myself. In that archive I’ve counted 22 paintings by the Polish artist Mariusz Lewandowski that I’ve posted over the years since I began doing that, which I think is proof of how strongly I like his creations. But as far as I can recall, he has never created artwork for the cover of a metal album… until now. And his cover for the new Bell Witch album will surely stand as one of the best album covers of the year, if not THE best. Continue reading »

ULCERATE / BELL WITCH / AGELESS OBLIVION -– LIVE AT THE CHAMELEON, NOTTINGHAM OCT 11, 2015

 Concert Reviews  4 Responses »
Oct 162015
 

Ulcerate-Bell-Witch-Ageless-Oblivion-UK-Tour-2015

 

(Andy Synn attended the performances of Ulcerate, Bell Witch, and Ageless Oblivion in Nottingham, England, on October 11 and turns in this report, with his own videos of the show.)

Though my erstwhile compatriots may have been attending the sun and shenanigans of California Deathfest without me last weekend (seriously, where was my invite? I thought we were friends!?!) that doesn’t mean that yours truly was without suitably metallic diversions of my own, as I was lucky enough to bear witness to the titanic Death Metal maelstrom known as Ulcerate rolling through my town, leaving a trail of shattered lives and lacerated ear-drums in its wake.

The story gets even better though, as the New Zealend three-piece were accompanied on their pilgrimage of pain by gloom-heavy doomsters (and perennial NCS darlings) Bell Witch and uber-riff-mongers Ageless Oblivion (whose album Penthos I picked as one of my absolute favourite releases of last year).

Not only that but the venue they played, The Chameleon, is the sort of intimate, DIY place that packs a lot of character, and a frankly massive soundsystem, into a very small space, meaning there’s nowhere to hide from the overwhelming onslaught of sonic punishment unleashed by the bands.

You know how an explosion that occurs in an enclosed space is ten times more devastating than one that occurs out in the open? Well that sums up the night quite nicely. Continue reading »

THE MUSIC OF BELL WITCH FEATURED IN UPCOMING AUDIO STORY

 Metal News  6 Responses »
Oct 132015
 

Bell WItch-Four Phantoms

 

(As many of our readers already know, NCS contributor Grant Skelton is a budding writer of dark fiction, and now, as he explains below, he has some great doomy music to accompany his creations as well as inspiring them.)

Doom. Indisputedly one of the most metal words in the English language. It’s a very simple, monosyllabic utterance. It has only four letters. But “doom” carries with it a subterranean labyrinth of macabre connotations. In the metal world, it conjures images of abandoned cemeteries, perverse religious iconography, shadowy horned monstrosities, and a scummy chalice of nihilism.

Doom metal is a genre I’ve really grown to love in the last year. This site has led me to discover doom bands whose music has become personal, and even sentimental to me. And now we’ve finally made it into the throes of autumn, a season where nature itself decays. And how beautiful is that decay! Continue reading »

DIVE INTO THESE FULL STREAMS: BELL WITCH AND DRUDKH

 Metal News  3 Responses »
Apr 212015
 

 

Just a couple of quick notes before I sign off for today:

BELL WITCH

I’ve already said my piece (here) about Four Phantoms, the new album by Seattle’s Bell Witch. In a nutshell:

Four Phantoms will dismantle your defenses, reduce your bulwarks against the bad days to a pool of molten slag, leave your vulnerabilities exposed, and touch those raw places you try to hide. How it can do this and yet leave you feeling transcendent is a wondrous mystery. Continue reading »

BELL WITCH: “FOUR PHANTOMS”

 Album Reviews  14 Responses »
Mar 292015
 

 

Four Phantoms is unspeakably sad, an extended lament so vast and panoramic that it seems more like an expression of bereavement for the loss of an entire race than for that of an individual soul. Yet it is also sublime, as if Bell Witch had swum endless fathoms down beneath an ocean of grief, down to the pristine alabaster core of human loss resting in the blackness, and surfaced again to erect it like a monument, gleaming with cold light under a half moon.

You’ll have to forgive me for these flights of verbal grandiosity (there will be more to come). The music is the kind that carries your imagination away. It induces introspectiveness. Its emotional impact is profound. In my case, it makes me search hard for words that are grand enough to suit the music; I’m sure I’ll fail, but it’s too late for you to stop me from trying.

The music is slow, spare, and seemingly simple. There are probably more notes and beats in a few measures of tech-death frenzy than in an entire song on Four Phantoms — and of those four songs, two are more than 10 minutes in length and two last more than 22 minutes. But what Bell Witch do with their seemingly simple tools is to build something exalted, yet with a weight that’s almost too much to bear. Continue reading »

SEEN AND HEARD: BELL WITCH AND CULT OF ENDTIME

 Metal News, RANDOM FUCKING MUSIC  3 Responses »
Mar 262015
 

 

I’ve finally reached what should be the last day of the project for my fucking day job that has kept me away from home for the last month and severely interfered with the all-important task of spilling my guts about metal on this site. I really can’t wait to get home.

I have a ton of new music to catch up on, but I probably won’t immediately dive back into blogging for a day or two since I also have about a thousand hours of sleep to catch up on, assuming my wife still recognizes me and will let me in the house.

I had a bit of free time this morning, so I pulled together this small round-up of music that grabbed me by the throat as I made a quick dash through the interhole looking for new songs.

BELL WITCH

I’ve been anxiously awaiting the time when a first advance track would emerge from Four Phantoms, the new album by Seattle’s Bell Witch, and it happened yesterday. The song is “Judgement, In Fire: I — Garden (Of Blooming Ash)”, the second of the album’s four long tracks (and at 10 minutes, it’s the shortest one). Here’s the complete track list: Continue reading »

ENSLAVED, YOB, ECSTATIC VISION, AND BELL WITCH: LIVE AT EL CORAZON (MARCH 11, 2015)

 Concert Reviews  8 Responses »
Mar 232015
 

(BadWolf brings us this review of a live performance in Seattle by Enslaved, YOB, Ecstatic Vision, and Bell Witch, with photos by Madison Leiren.)

My Wednesday evening at El Corazon on March the 11th was, in many ways, a redemption shot. I was there to see local Seattle funeral doom merchants Bell Witch, as well as Philadelphia’s uncategorizable Ecstatic Vision, Eugene Oregon’s doom wunderkinds YOB, and Norway’s progressive black metal institution Enslaved.

To begin, here is my list of grievances to be resolved that evening:

First, grievances with myself: Continue reading »

SEEN AND HEARD: BELL WITCH AND PAOLO GIRARDI, SARPANITUM, KJELD, LO!

 Listmania, Metal News, RANDOM FUCKING MUSIC  15 Responses »
Feb 092015
 

 

I’m so glad to be back home after three weeks in the bush, by which I mean Delaware. Finally, to sleep in my own bed, in which I woke up once an hour beginning about 2 a.m. and whined, because the time zone change is fuckin’ with me.  In other words, I slept like a baby. But it really is good to be home — although it appears I’m going to have to do this extended travel thing all over again in three weeks, which blows. But I’ll bitch about that more thoroughly when the time comes. For now, let’s discuss happier subjects….

BELL WITCH AND PAOLO GIRARDI

This first item of news really cheered me right up — the marriage between one of my own most fervently anticipated releases of 2015 and one of my favorite artists. As you can see above (and click that image to enlarge it), maestro Paolo Girardi has created the painted cover art for the new album by Seattle’s Bell Witch — Four Phantoms. It is beautiful, and I have no doubt that Four Phantoms will also be beautiful, in the way that the pale, cold skin of a bewitching corpse is beautiful. Continue reading »

NEW ALBUM NEWS: PSYCROPTIC, BELL WITCH, BLOTTED SCIENCE

 Metal News, RANDOM FUCKING MUSIC  3 Responses »
Oct 282014
 

 

While wading through the interhole yesterday I discovered quite a few gems floating shining like tiny beacons of light in the ever-present fecal flow. To avoid over-taxing your attenuated attention spans I’ve divided this collection of nuggets into two posts, this being the first.

PSYCROPTIC

Psycroptic and Prosthetic Records announced their union yesterday. Prosthetic will be released the band’s new self-titled album worldwide next spring (EVP Recordings will be handling the release in Australia, New Zealand, and Japan). And once again we can begin scratching our heads about the decision of a band with a full and widely admired discography to self-title an album. What do that mean?

Although next spring is very far away, yesterday’s announcement also included the news that on November 4 the band will release a digital single from the new album, a song named “Echoes To Come”. And there’s a teaser of music from this single as well — which you can hear right here (all 19 seconds of it): Continue reading »

LIVE IN SEATTLE: MITOCHONDRION, LOSS, WORM OUROBOROS, AND BELL WITCH

 Concert Reviews  23 Responses »
Nov 112012
 

Last night, November 10, 2012, a couple of friends and I ventured out in a butt-freezing Seattle night to catch the live performances of Profound Lore stable-mates Mitochondrion, Loss, Worm Ouroboros, and Bell Witch at The Highline bar. This was the second stop on a West Coast tour by Loss and Worm Ouroboros that will have different bands sharing the stage with them as the tour progresses.

Before leaving home I spent an hour finally studying the user manual for my hot-shit digital camera in an attempt to improve the quality of my live-show photos. I even typed up a cheat sheet about various settings that seemed like they would be useful, because the shit was so complicated that I knew I’d never remember it. And then I left home without the cheat sheet — and I was 100% right: I couldn’t hardly remember any of it. But I took pics anyway, and the best of a sorry lot are in this post.

I met my friends at a Vietnamese restaurant before the show. I’ll call her S and him O. O is a metalhead and a vocalist who’s working on a new DIY album. He has eclectic tastes and a preference for physical formats; his latest purchases are CDs by Inquisition, Kreator, and Sargeist. S listens to some metal, but she’s not really into the head-wrecking stuff. I think Worm Ouroboros was the main draw for her last night.

I’d never had Vietnamese food before. I followed their lead, except ordering twice as much food as they did because I wanted to explore. It was damned good, and I ate most of it. With my fucked-up ankle and a bloated belly, I tried to convince O to carry me on his back for the two-block walk to The Highline, y’know, as a test of friendship. He passed the test, merely chuckling instead of telling me to go fuck myself. Continue reading »

 Older Entries  Newer Entries