I spent almost all last night writing an album review that isn’t even intended for publication on this site. More about that eventually. But the point for now is that I didn’t have time to finish other projects that were intended for appearance here this morning. Rest assured, they’ll be coming. But for now, I just want to quickly throw you two songs. Figuratively speaking, it’s like throwing you a couple of house-sized granite boulders. Catch!
The first is a lyric video for “Evoken Vulgarity”, which is a song from Effigies of Evil, which is a stupendous album from Finland’s Hooded Menace, which was officially released yesterday, which I’m still hell-bent on reviewing . . . some day. If you wanted to explain to someone how a song could be both horrifying and beautiful, this would be a good example to give them. Though beauty is indeed in the eye of the beholder.
And in my eye, not only is the song beautiful, but so is the album cover. Click on the image above to see an even bigger, more awesome picture of the art.
The second song is “Bails (Of Flesh)”. It’s by a two-man Seattle band named Bell Witch, and it’s from their debut album Longing, which Profound Lore will be releasing on November 13. “Bails (Of Flesh)” is over 20 minutes long. Yesterday, Profound Lore began streaming the first 11+ minutes of the song. I don’t know about you, but if I’m ready to hear a song that’s 11 minutes long, and it’s as great as this one is, I’d be ready for all 20 minutes of it. So although I’m grateful to hear half of it, I’m also pissed I don’t get to hear the rest. Okay, “pissed” might be a little strong. More like hungry for more . . .
because the song is both horrifying and beautiful. Wait a minute, I said that already. So I’ll say this: it’s both soul-sucking and soulful. Also, devastating. And the Bell Witch album cover (by Bryan Proteau) is also cool. Continue reading »