In just about every review of an album by Black Crucifixion there seems to be an obligatory history lesson, and there will be one here too, because in the case of this band the historical context may actually matter. And there are other reasons to appreciate their history, which we’ll come to.
At the same time, the road traveled by this band has led them to a very different place than where they began in their songcraft almost 30 years ago, as it has in the case of such other early black metal stalwarts as Ulver, Satyricon, Ihsahn, Tom G Warrior in his Triptykon days, Enslaved, and Carl-Michael Eide under the banner of Virus. What doesn’t seem to have changed is Black Crucifixion‘s devotion to the devil. Continue reading »