Nov 042013
 

Doom comes in many flavors, but at the core of the sound there’s always a black hole, no matter what else may be draped around it. It’s just a question of how big that light-sucking core happens to be. On the forthcoming Southern Lord split LP by Noothgrush and Coffins, it’s massive.

NOOTHGRUSH

My introduction to Oakland’s Noothgrush came in 2011 via Southern Lord’s The Power of the Riff tour, a limited run of west coast dates that marked the band’s return after splitting up in 2001 (and their first show in Seattle since 1997). Reading again what I wrote about the show (here) reminds me of what a revelation the band’s music was:

“Imagine this: You’re chained in an iron receptacle, and through vents in the bottom, hot paving tar slowly flows in. Inexorably, at a glacial pace, it covers your feet, it climbs up your legs, it reaches and passes the part of your body that does all the thinking, it covers your abdomen and your chest, your arms strain at their chains and you scream as the tar boils the flesh away until it reaches the empty cavity on top of your shoulders and pours into your ears, mouth, and nose, suffocating you in a blistering black agony. Your last sensations are the smell of your own incinerating flesh and the shrieking chants of this band’s vocalist…. Sick, sloooooow, sludgy, and ultimately irresistible.”

Pelican, who performed later the same night, posted this on their Facebook page right about the time Noothgrush finished their set: “Good lord, Noothgrush are heavier than a knapsack full of anvils.” Continue reading »

Jul 022013
 

Here’s a collection of selected items your humble editor witnessed and heard while stumbling around the interhole yesterday. As usual, the stuff is all over the musical map.

BLACK CAP MINER

Black Cap Miner is the side project of West Virginia vocalist/guitarist Chris Ojeda of the mighty Byzantine (whose 2013 release ought to get some kind of award for comeback album of the year). The objective of the project is to get you to headbang like it’s 1988. To be more precise, OJ and friends are recording covers of some old school thrash songs. But not just any songs, and not just any friends. Check out his list of guest performers:

JAMES MALONE (Arsis)
GREG BURGESS (Allegaeon)
TONY ROHRBOUGH (Byzantine)
JAY HANNON (Gizmachi)
KYLE THOMAS (Exhorder, Trouble)
CHRIS POLAND (Megadeth)
CHUCK BILLY (Testament)

I think a robust HOLY SHIT! is in order, don’t you?  I mean, not to take even one little thing away from Chris Ojeda, but that’s a mighty fine group of comrades to assemble for the recording of some thrash. Continue reading »

May 172013
 

I recently plastered this album cover by Chris Moyen on our site in an EYE-CATCHERS post, for obvious reasons. It’s the cover for The Fleshland, the new album by Japan’s Coffins, which is one I’ve been eagerly anticipating. The album will be released by Relapse Records in NorthAm on July 9 (and can be pre-ordered here).

Yesterday the band premiered a lyric video for a song from the album named “The Vacant Pale Vessel”. I was really thrilled to see that they had named a song for me. I didn’t realize they even knew who I was!

I was even more thrilled when I heard the song. My gawd, it just oozes illness — a festering, suppurating mass of death-doom. It’s rancid and raw, and it compels the head to bang and the bodily fluids to leak in slow congealing flows from every orifice as the organs liquify. And oh my, that guitar solo . . .  and the crushing dirge that follows it  . . . and the horrifying vocals . . . and, just everything. Listen to it after the jump. Continue reading »

May 092013
 

I’m getting a late start on the day and didn’t write a post last night that would be ready to start things off this morning. I stopped at my favorite watering hole at the end of the work day and lions got me. I shouldn’t call my friends lions, but once I used the term “watering hole”, images of prey animals being mauled in the savannah immediately came to mind. I felt well and truly mauled by the time I fell into bed late last night.

While I recover from too much drink and smoke, I thought I’d give you something to gaze upon. This is a collection of recent artwork completed by various artists for forthcoming metal albums or merch. We’ve featured the work of most of these artists before, and I follow what they’re up to, because they kick ass, figuratively speaking of course. There will be new music accompanying some of the art, too.

The first piece, above, is by Japanese master Toshihiro Egawa. It’s something he did for a Russian band I’m pretty high on, 7 H.Target. They’ve now finished a second album, Psy Slam Damage, which is coming out May 16 via Coyote Records. But Egawa’s artwork isn’t for that album. It’s an illustration for the next album . . . 0.00 Apocalypse . . . which will feature vocals by Mirus (ex-Katalepsy) and will be released by Sevared Records sometime later this year. Mark Cooper has also created artwork for the album, and this post will include something by him, too. Continue reading »

Jul 212012
 

I suppose our first post for this Saturday could have been about something melodious and harmonious, but when you start Friday with Hellish Outcast and then move on to the likes of Hell United, Skeletal Spectre, and Sophicide, it’s tough to change course, especially after a Friday night of blowing it out for the weekend. So we’re just gonna roll with the feeling and stay immersed in the kind of metal that comes for you hard, with raking claws and gnashing fangs.

In this post, new music from Spasmodic (Sweden) and Coffins (Japan) and the re-issue of a classic by Demoniac (New Zealand).

SPASMODIC

Spasmodic gave the world a four-song EP in 2010 by the name of Carve Perfection, which was a compilation of earlier material. They have also finished recording an 8-song demo album called Mondo Illustrated, for which they’ve been seeking label support for a release.

Three days ago they unveiled one of the songs from the latest demo, “Wanda La Put”. It features guest vocals by Emperor Magus Caligula, formerly of Dark Funeral. It’s fucking nutz. It’s a blast furnace of big razor-edged riffs, pummeling rhythms, and wolf-bark vocals (the kind of wolves that leaped in packs out of Hades). The heat comes off this song in waves, and the groove carves like a megawatt laser. Continue reading »