Oct 022014
 

 

(Here we have DGR’s review of two grind blasts.)

WORSE

Worse hail from lovely San Francisco, California and are a band who have been kicking around in my inbox for some time — a result of my random discovery of the group Dakhma. The two bands seem to be friends with one another so it isn’t too shocking to see arrows pointing in their direction. One of the reasons it took a little bit for me to write about them was that their EP slotted in so well with my listenings that it was like I had always listened to it and it was always there, leading to a lot of, “I wrote about that, right?” scenarios. Plus, I wanted to get these guys in alongside some more music to really set the post off like fireworks.

Worse, to put it politely, sound like a musical temper tantrum led off by a drum count on each song, and their self-titled release is a quick blast of violence. If you have ever been to a city that is really packed together, you’ll often come across houses that are listed as three bedrooms, 2 bathrooms, and they are three stories tall. It’s because each floor is essentially a bedroom. Listening to Worse, it sounds like the band are set up in one of those houses and recorded their first release by setting the drum kit and guitars on the top floor, counting off to begin the song, and then proceeding to kick those fucking things down the flight of stairs and have somebody scream over the sound. Continue reading »

Sep 292014
 

 

(DGR wrote this review of the debut album by Black Crown Initiate from Pennsylvania, which will be released tomorrow — Sept 30.)

It feels like music moves in ten-plus-year generational cycles, especially when it comes to heavy metal. This seems stupidly obvious, but the fact that it still continues unabated is pretty spectacular — because it allows people to sit around and prognosticate like true intelligentsia when it comes to even the most banal of subjects. You’ll have discs that come out right about the time a new generation can pick up on it and have their minds blown. In turn, they draw heavy influence from that specific time frame, and when it becomes their own turn to take the stage, it’s like watching the previous cycle re-incarnate, combined with some of the current sounds that are popular. And so, the sound iterates, especially in the case of heavy metal, as things move incrementally in different directions.

The past few years. especially, have really put the various spectra of death metal into the spotlight as both tech-death and progressive death have seen numerous new entries from young bands, groups who over the past decade have taken in so much of what began in the early aughts and now seek to put their own mark on it. Reading, Pennsylvania’s own Black Crown Initiate are one of those bands who have seemingly had the stars align for them. They are a young band who succeeded in finding the almost perfect combination of songwriting talent, musicianship, and artistic bravery to stretch well beyond their own genre conventions and managed to make quite the loud entrance with last year’s EP Song Of The Crippled Bull. You could tell, especially by our own review, that if Song Of The Crippled Bull was anything to go by, Black Crown Initiate were going to have a lot of heat behind them.

And so, we find ourselves looking to the band’s label debut, The Wreckage Of Stars, and if you haven’t quite figured out where this introduction is heading yet, let’s summarize it for you: There is a reason you’ve probably been hearing a lot about Black Crown Initiate over the past year, and if Wreckage Of Stars is anything to go by, you’re going to be hearing a hell of a lot more of them in the years to come. Continue reading »

Sep 042014
 

 

(In this post DGR reviews three pissed-off short releases.)

It’s pretty well known that a huge chunk of the heavy metal spectrum serves as catharsis, a way for us to scream out our daily rage or miseries — the expulsion of energy otherwise pent up that some folks might let lash out or otherwise ruin their day.

In my case, I’ve always had a few go-to songs after a particularly rough work day (because really, I’m not getting pissed off at home), but lately it seems like that list has gotten bigger and bigger, especially as I keep digging deeper into different underground scenes in an effort to find stuff to share with you fine folk.

Right now, that sweet spot for the white-hot, rage-induced thrashabout that usually happens as the result of some sort of bullshit has been where the grind scene tends to slam headfirst into the hardcore punk scene, where musicians seem less interested in what they are actually playing and more in creating a swirling vortex of sonic destruction.

In the case of this post, two of the three releases serve that particular purpose. And the third? Well, the third is just a meaty slab of death metal that I felt like sharing because it would allow us to do a little bit o’ world traveling. Continue reading »

Feb 272013
 

 

(DGR provides some thoughts about the band Long Distance Calling as a prelude to their new album, which has recently become available for streaming.)

This one is more of a personal share because I know for a fact that Long Distance Calling probably don’t line up with much of this site’s stated ethos (although to be fair, we’ve had to explain the No Clean Singing thing being like the speed limit – a suggestion) but Long Distance Calling are a really good group of musicians who haven’t failed me yet when it has come to making enjoyable music.

I first got into these guys with 2006’s Avoid The Light – which saw Jonas Renske of Katatonia performing on the song “The Nearing Grave” —  and found out that the rest of their disc was entirely instrumental, something I had only known groups like Scale The Summit to do. It was a similar atmospheric, progressive approach but seemed less reliant on atmosphere and more on melody.

I plowed through the group’s back catalog and then enjoyed the hell out of their self-titled disc when it hit back in 2011. Now we find ourselves in the opening of 2013 and the group are releasing a new album entitled The Flood Inside, and there have been some big changes. Continue reading »

Jan 102012
 


VULGOOOOOOOOOOOOOOORE

(DemiGodRaven [ex-The Number of the Blog] rejoins us today for this piece of timely commentary.)

It’s on occasions like this when I tend to take pause for a bit and reflect upon things in life. Rarely do you find yourself putting pen to paper without any purpose other than to meander throughout the English language (or your language of choice) and as a result say absolutely nothing.

It’s as if your brain absolutely refuses to give you anything resembling a cognizant thought out of an almost inferno-like spite because you’re attempting to challenge the damned thing. Thus, you find yourself in the endless cycle of tapping your fingers on the table, pen on paper, and zero to show for it. The world spins on and suddenly a half hour has passed. Then it is a full hour, and there has been something in the back of your mind that resembles a constant buzz. It resembles white noise at best, and at worst it resembles something off of Morbid Angel’s latest release, and it occurs to you that you know the exact cause of what in the world has been preventing you from writing anything worth a fuck. There hasn’t been an amazing piece of work from Morbid Angel’s latest as of yet.

Well…until now that is. Continue reading »