Dec 022021
 

(DGR provides both a very short and also a much longer review of the new album by the Polish band Dormant Ordeal, which will be released tomorrow [December 3rd] by Selfmadegod Records.)

Do not sleep on Dormant Ordeal‘s newest release The Grand Scheme Of Things.

There’s your review.

Seriously.

By following the site for a while you’ve been subjected to the absolute torrent of music that we’ve reviewed over the years. We do this on purpose, partially because we collectively have tastes that spread far and wide, and by maintaining the cadre of writers that we do it pretty much insures we’ll cover a tremendous amount of ground throughout the year. However, when we do sync up around a certain band we tend to bang the drum for that band hard and take them up as one of our causes.

Poland’s Dormant Ordeal are one such group and have been for a while now, at least since the release of their previous album We Had It Coming all the way back in 2016. That album’s take on relentless death metal was so filled to the brim with sharp grooves, hammering drums, and non-stop guitar assaults that it was kind of shocking it didn’t seem to make as much of an impact as it should have. We shouted out the disc constantly, even including it amongst our various end-of-year lists that year and awarding it one of our ‘most infectious song’ awards before that list inevitably managed to suffocate under it own weight.

Hell, during one of our GimmeMetal invasions we even closed out one of our programs with the two-parter of “Derangement Zone pt 1′ and ‘Derangement Zone pt 2’ from that disc.

Needless to say at this point, our history with Dormant Ordeal runs pretty deep – which is why the group’s newest album The Grand Scheme Of Things has been in damn near constant rotation since the moment it landed on our fire-charred desks. Continue reading »

Nov 202021
 


Dormant Ordeal

 

I didn’t completely neglect NCS during the 10 recent days when I was in Iceland. I did write some premieres, though not as many as usual, and I did regale readers with tales of my Ascension Fest adventures. What I did not do was pore through the several hundred emails that hit the NCS in-box every day, looking for new music that might be worth writing about, or searching for new tracks and videos through other usual sources.

And I spent almost no time actually listening to anything other than the sounds that bombarded me at the fest for four days and nights, not for lack of interest but because I forgot how little sitting-in-my-room-time-with-nothing-to-do I actually have at festivals, especially when every other day I had to make time for a covid test.

So here I am at the end of the first (partial) week following the return home from the land of fire and ice. The thought of trying to completely catch up with all the new songs and videos that surfaced since my vacation began two weeks ago is a ridiculous one, especially because a sister-in-law and brother-in-law are house-guests this weekend. I did a little trolling through the waters yesterday, and had saved a few links from before I left, and from that I still had too much to listen to this morning. I did the mental equivalent of throwing darts, and this is where they landed: Continue reading »

Apr 202018
 

 

(Andy Synn returns to his irregular series devoted to things that come in five’s, the focus of this one being metal album art.)

The phrase “never judge a book by its cover” was obviously uttered by someone who’d never found themselves stranded in a busy bookshop and frozen by indecision over which of the many, many options to spend their hard-earned cash on.

Of course while I agree with the sentiment in principle – style is no substitute for substance after all, and a shiny package is no guarantee of superior contents – the truth is that human beings are very visual creatures, and an eye-catching cover, one which hints at the themes and manifest delights contained within, can be the difference between finding a new reader and being consigned to the bottom of the bargain bin at the end of the month.

The same obviously applies when we’re talking about albums too. Yes, the move towards a primarily digital market has had an impact on the means and methodology behind how new albums are accessed and presented (though apparently physical sales have been rebounding quite a bit recently), but the importance of good album art still shouldn’t be understated. Continue reading »

Jan 242017
 

 

Well, I did it again. I let two days go by without posting a further installment of our growing list of Most Infectious Extreme Metal Songs. Unfortunately, I don’t have time at the moment to double up, as I did the last time I fell behind. If the day goes well, I might be able to add Part 17 before the day ends.

Once again, I perceive a sense of musical belonging between the three songs I’m grouping together, although there are important differences among them and I’m not sure I could articulate the connections even if I had more time.

ABBATH

The self-titled debut album by the former frontman of Immortal landed very early in 2016, and I think it convincingly answered the questions and doubts of most fans who had been left with a bad taste in their mouths from the public squabbling among the former Immortal brethren — because the album is damned good. Continue reading »

Oct 042016
 

dormant-ordeal-we-had-it-coming

 

(Andy Synn reviews the new album by Poland’s Dormant Ordeal.)

Don’t you just hate it when someone steals your thunder? Case in point, I’ve been jamming We Had It Coming, the second album by Polish brutalisers Dormant Ordeal, for a good while now, waiting for the right time and the right opportunity to write about it, only for the ne’er do wells at Invisible Oranges to sneak in and feature the album at the top of their most recent From The Bandcamp Vaults column. The blaggards.

Still, I suppose it actually might save me some time and effort in the long run, as their write-up – particularly the phrase “influenced by fellow Polish legends Decapitated with a touch of Ulcerate” – is pretty much entirely on point, and I’m not sure exactly what else I can add.

But, then again, there’s every chance that many of our readers won’t also be IO readers, and I do so love to pontificate about albums that I love… Continue reading »