Jun 222019


(After being on hiatus for a while, Andy Synn‘s Waxing Lyrical series returns today with answers to Andy’s standard questions by Jeff Bryan of the Canadian band Gomorrah.)

I’ve been an avid follower of Canadian death-dealers Gomorrah ever since I stumbled across their sophomore album, The Haruspex, way back in 2016.

More recently I spent some of my own time waxing lyrical about their third, self-titled, record which – spoiler alert – is very likely going to make an appearance in my personal end of year list at this rate.

Therefore you need to understand that when I reached out the band to take part in this column I did so not just as a highly respected, dare I say beloved, Metal writer… cough… but as an honest to god fan.

So you can imagine how pleased I was when the band’s vocalist Jeff Bryan agreed to provide this short but sweet insight into how the lyrical side of the band has come together over the years. Continue reading »

Mar 222019


(Here’s Andy Synn‘s review of the new album by the British Columbia death metal band Gomorrah, which is being released today.)

While I definitely could have written about this album long before now (seeing as how the band’s representatives were kind enough to send me an early promo copy on request), I decided to wait until today to publish my review as I wanted everyone reading it to be able to listen to (and, ideally, purchase) the full record straight away.

Because while I can’t guarantee that all our readers are going to fall in love with Gomorrah (the band and/or the album) as much as I have, chances are that the band’s bombastic, blast-tastic brand of high-yield, high-octane Death Metal will appeal to an extremely wide cross-section of our regular audience. Continue reading »

Mar 092019


I had a weird 24 hours that began Thursday night and ended last night. Not weird enough to be entertaining if described in detail (though it did involve me never making it home until Friday morning), but weird enough that it left me frantically scrambling just to write the two premieres I’d committed to do yesterday, and no time for anything else NCS-related.

Saturday morning arrived with no ideas about what I might do for a Saturday post (and no Waxing Lyrical from Mr. Synn), but it turned out that my NCS comrades had left various exclamatory pieces of news at our on-line meeting ground, and another friend had enthusiastically fired off a link in my direction, and all of that proved quite sufficient for this round-up.


It would go too far to say that we are primed to reflexively shower every Fleshgod Apocalypse release with praise. We have pointed out a few mis-steps by the band here and there. But it’s also true that we get pretty excited whenever something new surfaces (years and years ago there was a running joke at the site that as soon as I finally received the great mountains of gold that Nigerian princes were offering me via e-mail, I would bribe FA to become the NCS house band and play at my home whenever I wanted, which might prove to be every other day). Continue reading »

Feb 242016

Gomorrah-The Haruspex


(Andy Synn reviews the new album by Gomorrah from western Canada. Full music stream included.)

Are you a fan of Origin? Cattle Decapitation? Carnifex? Blood Red Throne?

How about massive, mechanised Death Metal with hints of Deathcore brutality and a poisonous undercurrent of blackened, industrial effluent?

Then do I have an album for you… Continue reading »

Nov 272015



Many metal bands have chosen the name Gomorrah, but only one is based in the Okanagan Valley town of Kelowna, British Columbia. Since originally coming together in 2006, the band have altered their style of music, and their new second album reveals the current state of their malicious and malformed development. Entitled The Haruspex, it will be released in January by Canadian label Test Your Metal Records, and today we bring you the premiere of a track from the album named “Sitra Achra“.

The band’s line-up consists of vocalist Jeff Bryan and guitarist Bowen Matheson, and on this new album they’re joined by drummer Casey Long-Read. Bryan and Matheson had this to say about the song you’re about to hear: Continue reading »

Aug 102014

Earlier today I posted a review of the Denver Black Sky 2014 festival, which I had the pleasure of attending last weekend with a fine group of old and new friends. I was already a fan of most of the bands on the two-day line-up, but the festival also introduced me to some excellent new discoveries. And two of them were the first two groups we heard on August 2 — Khemmis and Gomorrah.

If I had time, I’d write about more of the bands I heard for the first time in Denver, but I damn sure wanted to say something about these two, because they made such a memorable beginning to such a great weekend of music.


Khemmis make their home in Denver, and to date their available recorded output consists of a 2013 self-titled EP.  The cover of the EP is excellent — and it appeared on one of the two shirts that my friends and I bought after their set at Black Sky: Continue reading »

Aug 102014

Last weekend (August 2-3) I spent two beautiful days in Denver attending the Denver Black Sky Festival. For someone who had never attended a metal festival of any kind before this year, I’ve had three great experiences in a row — MDF in May, Gilead Fest in July, and now Black Sky in August. I’d like to say I deserved it, but who would I be fooling?

The festival took place at The Gothic Theater and at Moe’s BBQ, both located in the same block on S. Broadway. I made the trip with three compatriots from Seattle, and we met my NCS comrade Badwolf from Toledo in what became an MDF reunion (and an unanticipated turning point for BadWolf’s life). We spent Saturday and Sunday at The Gothic, and missed some bands we ideally would have wanted to see at Moe’s, but had to make some tough choices.

The Gothic is a very cool, spacious, multi-level, vaulted-ceiling venue, with a wrap-around balcony on the second level, a big floor, and a great main stage with good lighting. The festival organizers set up a second stage opposite the main one, just in front of the bar at the rear of the floor. They called it “In the Round”, because its location enabled the audience to stand all around the stage; you could stand behind the second stage as well as in front of it (and you could also look down on it from the balcony above). Continue reading »