Visions is the third album by Anomalie, set for release on March 17th by Art of Propaganda, and it is the most distinctive, the most ambitious, and the most engrossing and enthralling Anomalie album yet. It’s our pleasure today to bring you the premiere of a video for the album’s opening track, “Vision I: Towards the Sun“.
Something about a wood-burning fire under a night sky is spellbinding, perhaps because it invokes ancient memories from our most distant and primitive ancestral past. The sight of flames draws us in, and sends our minds wandering. Time passes, without our even realizing it. The experience can be mystical. It’s thus entirely fitting that the video you’re about to see puts the song in such a setting — because the song itself draws the listener in, fires the imagination, and becomes a mystical experience. The time passes without realizing it.
(For the 82nd edition of THE SYNN REPORT, Andy reviews the discography of Anomalie, including the new album Visions, which is set for release on March 17 — and from which we will be bringing a very special premiere… soon.)
Recommended for fans of: Harakiri For The Sky, Insomnium, Ghost Brigade
As I’ve mentioned before, there’s a certain clique of bands based in and around the Germany/Austria area who, because they’re influenced by Black Metal but don’t fit neatly into that particular box, are often mislabelled as “Post Black Metal”, either through a misapprehension of what that term actually refers to, or through sheer laziness on the part of the writer/reviewer.
This loose collective of acts, many of whom are frequent touring partners and who often share live members, exists on a spectrum, with the most overtly blackened artists (Der Weg Einer Freiheit, Agrypnie) occupying one end of the scale, while the other end of things is home to acts like Post-Metal/Post-Hardcore types Thränenkind and the sadly underrated Todtgelichter.
In between these two extremes we find bands like shimmering shoegazers Heretoir (whose new album I’ll be reviewing very soon) and NCS-favourites Harakiri For The Sky, along with today’s featured artist, Austria’s own Anomalie, whose mainman Marrock has performed live with several of the artists mentioned above, and whose latest album – scheduled for release on the 17th of March – goes some way towards finally justifying the “Post Black Metal” tag which has dogged the band ever since their first release.
I have a large collection of new songs I want to share with you, large enough that I’ve divided it into two parts. The second part (coming tomorrow) will be even longer than this one, especially because the odds are high that by the time I write it, more good new things will have surfaced that I’ll want to add.
In 2015 the German band Cranial made their debut with an EP named Dead Ends released by Moment of Collapse Records. The release initially drew attention because Cranial’s line-up includes connections to the late, lamented Omega Massif through the presence of guitarist Michael Melchers. And then it drew more attention because of the impressive quality of the music.
On February 10, Moment of Collapse will release Cranial’s new album Dark Towers, Bright Lights, and yesterday brought the debut of an immense advance track that we’re now able to bring you right here.
On November 20, Art of Propaganda will release Refugium, the second album by Austria’s Anomalie, a band founded in 2011 by multi-instrumentalist Marrok (Selbstentleibung, Harakiri for the Sky). As a further sign of what the album holds in store for listeners, today we bring you the premiere of Refugium’s second advance track, “Untouched Walls“.
The ringing chords and low-end thunder that launch the song in dramatic fashion seize the attention immediately, with Marrok’s flesh-scarring howl magnifying the music’s chilling intensity. But that’s just the start of what becomes a changing, multi-hued musical journey — one that never loosens its grip even as it moves through a dynamic array of sounds and moods.