If someone were to play a word association game with you and said “Deicide”, what would be the first word to pop into your head? Would it be “claymation”? Nah, I didn’t think so. For me, it would be “motherfucking”. As in “MOTHERFUCKING DEICIDE!!”
But the game may change after you watch the band’s new video for “Conviction”, a song off Deicide’s 2011 album To Hell With God.
Jesus, where to start? Actually, we could start with Jesus, because he’s in the video. He’s not having a good day, because Glen Benton is on his tail, hell-bent on nailing him to a church door and then sending him straight to hell.
I guess Christians who aren’t familiar with Deicide will be offended by this, but it’s not exactly Benton’s first offense. I mean, the guy has branded an inverted cross on his forehead at least 12 different times and 20+ years ago he wrote a song called “Crucifixation”, the first line of which was “Give praise to Satan, he has won.” And that was only the beginning. The damnation of Christ has been a constant Deicide drumbeat for two decades. But now we get the message in claymation. I gotta admit, I didn’t see that coming.
I guess I won’t be surprised if the video causes fresh uproar among people who take Deicide’s schtick seriously, even when a video like this makes it even harder to do that. Maybe after 20+ years, the by-now calculated sensationalism still works. We’ll see.
Don’t get me wrong — the music is still badass, and I am still going to see Deicide when they play here in March with Jungle Rot, Abigail Williams, Lecherous Nocturne, and Super Happy Story Time Land. I just don’t get the urge to do a fist-pump when I watch this video. The urge I feel . . . is to giggle. The video is after the jump.
So, this new Metal Injection-conceived web page called Tom Araya Scream has been making the rounds of the interhole since it appeared yesterday. It’s a clever idea, and if Slayer is, like, still your favoritest metal band ever, dude, SLAAAAAAAYER!!!! (while throwing two-handed horns), then you’ll probably be punching this button on your smartphone all weekend to get a few seconds of Tom Araya’s tinny scream.
However, if you’re to the point in your metal-listening life (as I am) when this scream has begun to sound sort of . . . what’s the word? . . . anemic? . . . by comparison to the kind of really ugly, vicious, bile-vomiting screams and roars you really enjoy, then Tom Araya Scream is more useful as a template for something . . . better. And no, I’m not talking about Bruce Dickinson or Rob Halford.
Like, how about Lord Worm Scream . . . such as the vein-exploder that starts at about the 3:45 mark of Cryptopsy’s classic “Open Face Surgery”? (after the jump)
(The time has come. What time is that? Why, it’s the time when we begin publishing our own series on the best metal of 2011 — lists created by our writers, guest contributors, and members of metal bands who we’ve specially invited to share with us their lists. And what better way to start than by turning to Phro for the kick-off?)
Ahhh . . . 2011, how quickly you came and . . . went? Are going? Let’s just stick with came for now.
What a year it has been! I think. I don’t really remember it. I think there was something to do with tentacles and a few zombie girls. Seriously, someone please make the whole zombie/vampire/werewolf thing stop happening. Please. I’m begging you. I can only take so much pithy teen angst foisted upon poor hapless creatures of the night. GIVE THEM BACK THEIR BALLS, DAMNIT!!!
Seriously. And wizards, too. Enough of that shit.
Oh, right, and there was music, too. Particularly metal music. Particularly good metal music. (Anyone who ever utters the words, “It’s been a bad year for metal,” should go out behind the chicken chopping shed and punch themselves in the throat with a rooster. You fucking lazy scum fucker.) But it`s the end of the year, and it’s not enough to simply say there was a lot of it. You people from the Internet want proof all of the sudden! You freaks with your memes and your porn and your meme porn and your porn memes. And your rules!!! So many rules! Well, I have a new rule for you. Rule number 0.5. It states, quite clearly: anything that can be made into furry-rape-scat porn should be made into furry-rape-scat porn and then broadcasted on CNN, FOX, and MSNBC until foxes look sexy. (But only when they`re covered in poop.)
Poop, poop, poop, poop . . . poop . . . poooooooooooooop . . .
Just catching up on news here. But I’ll throw in some new music I heard this morning, too. The bands featured in this post: Thy Catafalque (again), Gire, Threat Signal, Solace, RedScream, and Deicide.
THY CATAFALQUE / GIRE
Just a few days ago, we posted a short feature that included this two-person band named Thy Catalfalque as a result of my first serious effort to get into their music — and man, have I gotten into it. I get more out of it the more I listen, like peeling back the proverbial onion, except without the watering eyes. To my good fortune, this led to a few e-mail exchanges with the band’s principle creative force, Tamás Kátai.
To date, Thy Catafalque have produced four albums and a demo, with a new album to be released in the future by Season of Mist. The last two albums (the ones I’ve been listening to) were released by Epidemie Records and have become a bit hard to find, at least if you want physical copies, though Epidemie will be re-releasing Róka Hasa Rádió on November 30, but this time in a jewel-case edition with an 8-page booklet (versus the original, nearly sold-out digipack version).
Thy Catafalque isn’t Tamás Kátai’s only musical project. He also handles keyboards, programming, lyrics, and more for another long-running Hungarian band called Gire, who have six demos to their credit plus a 2007 self-titled debut album (which features that eye-catching album cover above). The Gire debut album is also hard to find, but Tamás helpfully pointed out that it can be downloaded from this location — so, of course, I did that.
I’ve only just started listening, and I have a feeling that, as on the albums from Thy Catafalque, no one song on this album is going to tell you very much about the rest of them. But of the tracks I’ve heard so far,this is a mixture of eviscerating death metal, catastrophic sludge, industrial red-lining, and meteoric, experimental guitar extravaganza. I’m deadly serious. This is a stupendous head-check. (more after the jump . . . .)
In retrospect, I over-promised in today’s first post. Only three of the songs in that post qualify as skull-rattlers. I’m worried that the fourth one may have allowed your skull contents to settle back into their usual place. Have to fix that.
Lo and behold, I just saw two more videos that will finish the job I tried to start in the first post. One is high-quality footage of Deicide playing live in Denver on March 2. Clips of the entire concert have just been uploaded to YouTube. I picked footage of Deicide performing “Conviction” — one of the songs off the new album, To Hell With God. I’m so bummed I missed this tour when it came through Seattle last weekend. Death fucking metal! Fucking death metal! Metal fucking death!
The second video is for a song by an Albuquerque, NM, band called Noisear. The song is called “The Last Spark of Resistance”. It’s from Noisear’s second full-length, Subvert the Dominant Paradigm, which was released last month on Relapse Records. I haven’t yet heard the album, but this song will give your cranium a thorough death-grind drubbing. The video isn’t terribly original – scenes of natural and man-made apocalyptic occurrences – but as Hobbes said of the life of man in a state of war, the song itself is “nasty, brutish, and short.”
Both clips are after the jump . . .
On February 15, the infernal majesty of DEICIDE will unleash hellfire on our fragile world with Century Media’s release of the tenth album in their storied career, To Hell With God. Today, we are proud (and duly humbled) to provide the exclusive premiere of the closing track from the new album, called “How Can You Call Yourself A God?”
As we wrote yesterday, this is a red-letter day for us. Not only is this our first world premiere of a song, it’s a song by one of death metal’s true icons — a band whose name every devoted deathmetalhead knows, a band who helped brick and mortar the foundations of a genre on which so many other bands have built their own work.
Deicide put the “fuck” in “I don’t give a fuck”. They put the “bad” in “bad-ass”. They may have put the “ass” in “bad-ass”, too. They represent all that is unclean about NO CLEAN SINGING. In a nutshell, for us, getting to premiere a Deicide song is like a fever-fueled, ringing-wet, nightmarishly horrific dream come true.
In debuting a track from the new album, we’re joining MetalSucks, who premiered “Hang In Agony Until You’re Dead”, and Invisible Oranges, who premiered “Into the Darkness You Go”, in helping to introduce the new album to all of you. We have a few words about the song itself — plus the fucking song — right after the jump.
HAPPY NEW YEAR! Did you see what we did? We had to change the logo for this edition of SICKNESS. Because 2010 is behind us, and the new year lies ahead.
We spent the last 30 days, as we’ve been doing for the last year, collecting news blurbs and press releases about forthcoming new albums from bands we know and like, or from bands that look interesting, even though we don’t know them yet. And in this post, we’ve cut and pasted the announcements and compiled them in alphabetical order.
All of our previous monthly updates can be found via the “Forthcoming Albums” category link on the right side of our pages, and because we’re not keeping a cumulative list, you might want to check the last couple months of these posts if you want to get a full picture of what’s coming. The list that follows, in alphabetical order, are albums we didn’t know about at the time of our last installment when November ended, or updated info about albums we’d previously heard were on the way. And be forewarned: This is a really long list. There’s a massive slag of new metal coming our way, and man, does it look hot.
So, without further ado, let’s get started. See if there’s anything on the list that makes you moist, or tumescent, or just generally slobbery.
ABORTED: “Good news is that we are starting pre-productions for our upcoming record on January 4th. This means we will demo all the songs for the record, make sure everything sounds good and make the necessary adjustments to make sure they are all more lethal than a chainsaw in Mr. Leatherface’s hands. We’re all very excited about the material thus far and can’t wait to get this over with and proceed to the actual recordings later this year. Expect a fall 2011 release through our culprates in mayhem Century Media.”
AGNOSTIC FRONT: “The Godfathers of New York Hardcore, Agnostic Front, have just finished recording their highly anticipated follow up to their 2007 release, Warriors. The yet to be titled album features 13 new powerful and anthemic songs laid down by Erik Rutan (Madball, Goatwhore, Cannibal Corpse) at his Mana Recording Studio in Tampa, FL under the watchful guide of producer Freddy Cricien of Madball. The record was mastered by Alan Douches (Nile, Mastodon) and will be released in Europe of March 4, 2011 and in North America on March 22, 2011.”
(the list continues after the jump . . .)
Another month has passed. The fall season is approaching — unless you live in Los Angeles, which is pretending that it’s Phoenix in August. Fuck is up with that? It’s like that town has been placed in a cosmic microwave and the user likes his burritos very well done.
On the other hand, we’ve had way too many grey, chilly days in Seattle this September, which is traditionally one of the best months of the year. The weather gods have clearly dropped acid over the last 30 days and forgotten which end is up. But eventually they will get themselves straight, remember which season is approaching, and get ready to just blast the fuck out of our whole country with a vicious winter. Won’t that be fun?
No, it won’t be fun. It will suck like a new-born piglet at dinner time. But one pleasant constant will remain true — there will be new metal, regardless of how foul the weather becomes. And that brings us to another monthly installment of METAL IN THE FORGE, a forge being the old name for a place where a blacksmith heats metal and works it into the shape of something useful.
And that’s what we’re interested in — new metal that will be useful in scrambling our brains, or uplifting us to a place where it really doesn’t matter what the fucking weather is doing.
What we do in this series of posts is update the list of forthcoming new albums we first posted on January 1. (All the other updates can be found via the “Forthcoming Albums” category link on the right side of our pages.) Below is a list of still more projected new releases we didn’t know about at the time of our previous updates, or updated info about some of the previously noted releases.
Once again, we’ve cobbled together news blurbs from other sites, or from press releases, about bands whose past work we’ve liked, or who look interesting for other reasons. Perhaps needless to say, these are bands that mostly fit the profile of music we cover on this site — the kind that would like to tear your head off.
So, after the jump, in alphabetical order, you’ll find our list of cut-and-pasted items from various sources since our last update about forthcoming new releases.