Oct 062017
 

 

The weekend is nearly upon us. And before we close the books on the work week and begin whatever we cook up for the site on Saturday and Sunday, I thought I’d collect a few recent and recently discovered items of interest — two items of news at the outset, and then five new songs. I should mention that we also have two more premieres coming today… don’t miss those!

MORBID ANGEL

Morbid Angel being the iconic band that they are, even their belching after a sumptuous meal would provoke strong and inconsistent reactions among a vast fan base. Just imagine the reactions to yesterday’s announcement of a new album, one whose name begins with a “K” and is framed by the cover art you see above.

I usually don’t read extended comment threads on the internet, unless they appear on this site, because it’s like walking at night through a park littered with dog turds where the owners didn’t have the common courtesy to put them in flaming bags. But I read a few yesterday on Morbid Angel’s announcement. Continue reading »

Apr 292017
 


Schammasch – photo by Andrea Stoppa

 

Happy Saturday. I’m continuing an effort to catch up on things I spotted over the last week but didn’t have time to write about. For this Part 2, I decided to include mostly news items, and leave a lot of the remaining new music I’d like to recommend for Part 3. Not sure when I’ll get Part 3 done, maybe in time to post later today but most likely for tomorrow.

The first three items here are announcements of new albums, with artwork. The last three are new tape and CD releases that provide reminders about very good releases that originally appeared last year or early this year. And sandwiched in the middle is a bit of recommended new music.

SCHAMMASCH

Here at NCS we’re big fans of the Swiss band Schammasch. And so it was exciting to see the band’s announcement this morning that they plan to release a new trilogy of records as the follow-up to last year’s Triangle trilogy. The new series will be entitled The Maldoror Chants, and the first album — The Maldoror Chants: Hermaphrodite — will be released on the 9th of June. Here’s the cover art, along with the band’s description of the new trilogy: Continue reading »

Feb 242016
 

paroxsihzem art

 

Some bands hit the nail on the head so hard in picking a name for themselves that it goes right through the wall and out the other side like a bullet. Paroxsihzem is one of those bands. On their new MLP, Abyss of Excruciating Vexes, they have reached new heights of convulsive sonic violence. Yet in the song from the MLP that you’ll soon hear, they prove their ability to create music that’s insidiously addictive as well as cataclysmic.

Isolation” is a typhoon of frenzied riffs, a torrent of double-bass thunder, a lightning strike of shrieking solos, all of it shrouded in a thick fog of distortion. Through the hurricane of sound, the lyrics are methodically intoned by a gruesome, cavernous voice.

But while you’re being tossed and battered by this thick, black storm of savage sound, you’ll find some things to hang onto (for dear life): the rhythmic snap of the snare drum; the sinuous rise and fall of the lead guitar (like poison coursing through the veins); the deep thrum of the bass. Continue reading »

Dec 042014
 

 

When I first learned that Vault of Dried Bones would be releasing an album-length split by Adversarial and Paroxsihzem, entitled Warpit of Coiling Atrocities, I simultaneously experienced both a thrill and a chilling sensation, like a burst of adrenaline as the blood started freezing in my veins. I haven’t yet heard the complete results of this destructive alliance, but I have heard two of the songs on Warpit, and I got the thrill/chill all over again, big time. Now you’ll get a chance to hear them, too, as we  bring you the premiere of one song by each band from the split.

Both of these Toronto bands’ last releases came out in 2012 — Adversarial’s split with Antediluvian (reviewed here) and Paroxsihzem’s self-titled debut album. Both of them were hellholes of violence and depravity, which is to say they were excellent. So are these two songs. Continue reading »

Oct 302012
 

Here’s another daily round-up of tumultuous metal (and artwork) that caught my attention while I rooted around the interhole over the last 24 hours. In no particular order:

MITOCHONDRION

These Vancouver-based beasts have two releases on the near horizon. First, Dark Descent Records will be releasing a 7″ single named Antinumerology that includes two new Mitochondrion songs: “Insummation” and “137 (Antinumerology)”. The striking artwork has been created by Richard Friend (Loss, Father Befouled), and you can see it on the right (click the image to see a larger version). I haven’t found a release date yet, though it looks like sometime in 2013.

Second, Siege Engine Records will be releasing a double LP version of the band’s 2011 album, Parasignosis. The label is giving away a free test press copy of the LP, though you have to be on Facebook to enter the contest. To do that, “Like” the Siege Engine Records Facebook page and then click on the “Contest!” link toward the top of the page and enter the e-mail address associated with your Facebook account.

The artwork for the LP was created by Alexander L. Brown, and apparently will include a Parasignosis poster that looks stunning (not sure if this will be sold with the LP or separately). A detail from the poster is up above. A photo of the whole thing is just after the jump, and more detail shots can be seen here. This is really great work. Continue reading »

Oct 282012
 

Here’s a smattering of powerful music and eye-catching album art I heard and saw yesterday that helped make a wet, gray, cold Seattle day more tolerable — despite the fact that all of the music displays the results of blackening.  But I still want my summer back.

VASSAFOR AND PAROXSIHZEM

I was snooping around the Dark Descent web site looking for news about a release I’ve been expecting. While I was there I spied the two album covers you see at the top of the post. I knew little about the bands, but I thought the album covers were very cool. If you click on them, you’ll see larger versions.

The one on the left is for an album entitled Elegy of the Archeonaut, which collects selected tracks by an Auckland, NZ band named Vassafor. The album will be released at the end of this month and includes music from Vassafor’s early releases as well as unreleased versions of songs and covers. Coincidentally, one of those covers is Vassafor’s version of Beherit’s “Beast of Damnation”, which was also covered by Beyond Mortal Dreams in their excellent EP that I reviewed earlier this week. The killer album cover was created by Aaron Aziel, who’s also from Auckland.

I learned that Vassafor released an album earlier this year named Obsidian Codex, and I found two tracks from it on Soundcloud, both of which can be downloaded for free HERE. More about those after the jump.

The art on the right is for a forthcoming, self-titled debut album by a Toronto blackened death metal band named Paroxsihzem. It’s also scheduled for release by Dark Descent at the end of the month. I haven’t yet found who created the artwork. The artwork was created by the band’s vocalist, Krag. Intrigued by the artwork, I found a Paroxsihzem track called “Nausea” for streaming on Bandcamp. Continue reading »