Dec 302016




(NCS contributor Grant Skelton prepared four year-end lists that we’ve been posting this week, and this is the last of them. The first one focused on thrash, the second one on death metal, and the third on doom.)

The term “miscellaneous” carries with it certain negative connotations. We tend to think of “miscellany” as something that’s an afterthought, something with a chink in its greatness, if even a small one. But that isn’t the case here.

I created this post for 2 reasons. First, several of the bands in this list defy classification so much that I opted not to include them in a particular “best of” genre list. Second, I found that I didn’t have enough metal from a particular genre to warrant doing a “best of” list specifically for that genre.

It pleases me to say that 4 of the albums on this list are black metal albums. I’ve dabbled in black metal before. But as the year has drawn to a close, I’ve been making a point to listen to more. So if you’re a relative novice to black metal (like me), I believe you’ll find several bands in this list that will be worth your while. So let’s get started.



Ravencult – Force Of Profanation

By black metal standards, I found this album very accessible. The thrash ethic is obvious, which was one of the first things I noticed about it. My favorite track, “Merciless Reprisal”, is like a concentrated version of self-mutilation. Just add blood and the song instantly manifests like a straight razor to the jugular. An album like Force Of Profanation is proof that black metal can be vengeful and fast without sounding like it was recorded in an underwater karaoke bar.

Recommended Tracks: Merciless Reprisal, Altar Of Impurity, Into Depths, Tormentor Of Flesh





Worm Ouroboros – What Graceless Dawn

I’d heard of this band before I listened to What Graceless Dawn. For me their name was a bit misleading. I thought “Worm Ouroboros” sounded like a sci-fi technical death metal band whose lyrics contained poorly-masked ripoffs of Robert Heinlein and Frank Herbert novels. While the band does appear to take its name from a fantasy novel (by E.R. Eddison), do not misinterpret Worm Ouroboros as a fantastical band. Their music is deeply human. Brittle, frail, quivering, and raw. Raw like a chancre that you can’t stop tonguing. It’s soft, unearthly, and enigmatic.

Recommended Tracks: Ribbon Of Shadow, Day, (Was It) The Cruelest Thing





Killswitch Engage – Incarnate

As I Lay Dying are kaput. All That Remains have evolved from what was once something akin to melodic death metal into… whatever blatherskite they’re releasing now. So in my book, Killswitch Engage are pretty much the only ’00s metalcore band worth following. And as much as I still revel in the (first!) self-titled album and Alive…Or Just Breathing, Incarnate has incredible songs on it. Some of the best that KSE have written.

Recommended Tracks: Ascension, Cut Me Loose, Embrace The Journey…Upraised, Until The Days







Eneferens – In The Hours Beneath

A fresh, last-minute discovery I listened to just prior to making this list. Eneferens is a single-musician project created by Jori Apedaile of Montana. You can call this project atmospheric black metal if you desire, but there’s much more to be had on In The Hours Beneath. The album opener “Morning” is a sober, sad shoegaze dream. But the second track,”Chrysanthemum”, is blistering molten lead right in your ear, especially after the 2-minute mark.

This is a disc I’d suggest for people, like me, who think they don’t (or can’t) like black metal. I have become a believer.

Recommended Tracks: Listen to the whole thing. It’s worth it. No seriously.






VIII – Decathexis

Among the most eccentric music I heard this year that didn’t bulldoze me with its own eccentricity. A little FYI for the curious and inquiring minds: in Freudian psychoanalytic theory, decathexis is the withdrawing of your emotional output into something. Also, the band name is pronounced “eight.”

At rock bottom, you’ll get black metal here. But you’ll also get bizarre and jazzy changes in time signature, sampling, ambient auras, and industrial grooves. Saxophone solos. Yes. Saxophone solos. NCS staffer Austin Weber wrote about VIII in October, in which he succinctly stated that Decathexis “continues to blow my fucking mind.”

Recommended Tracks: There are only 3 tracks on the album. My personal favorite is track 2, “Diagnosis.”





40 Watt Sun-Wider than the Sky

40 Watt Sun – Wider Than The Sky

I added this album to this particular list because of vocalist Patrick Walker’s expressed distaste with the band being labeled as “doom metal.” I had the pleasure of writing a review (here) of this album back in October. And now that winter is here, I can’t seem to stop listening to it.

Recommended Tracks: Each and every one.






Crimson Moonlight – Divine Darkness

Way back when, I wrote about Crimson Moonlight’s song “The Suffering.” That song finally appeared on the album Divine Darkness, which was released in February. This year, I tried to venture further into black metal. Divine Darkness was my first step. It rips, it hacks, it rends limb from torso. For me, a spectacular foray into black metal in 2016.

Recommended Tracks: I Am Tribulation, Kingdom Of The Wolf, The Suffering, In Silence In Chains






Thrawsunblat – Metachthonia

A folky, atmospheric black metal band whose third album I haphazardly came across on Bandcamp before learning it was reviewed and premiered at NCS. I must confess I’m still soaking this release in, but it stuck with me after just a single listen.

Recommended Tracks: Dead Of Winter, In Mist We Walk, Fires That Light The Earth


  1. “An album like Force Of Profanation is proof that black metal can be vengeful and fast without sounding like it was recorded in an underwater karaoke bar.”

    Which is exactly the problem with it…black metal should never sound “clean”

    • Black Metal should sound however its creators want it to sound.

      How else would we be able to get into arguments over what is, or isn’t, “true”?

      (Number of stabbings does not count)

      • The creators CAN make it sound however they want…whether they SHOULD is another story.

        …and I never argue with anyone over whether something is “true” or not….I simply assume anyone who thinks differently from me dosnt know what theyre talking about 🙂

        • Yeah, since BM is mostly about rebellion, strict adherence to what BM ponyboys and ponygirls (credit goes to a certain Steely man) think it should sound like is a perfect exemplification of this rebellious stance, ROR (Japanese version). Saying stuff like “Only raw BM is tr00/trve BM” is exactly like repeating “4 legs good, 2 legs better” (that’s really something antiwhatever, blah blah blah). Essentially, BM is NOT about sound quality or melodies/tunes played by a band, FYI.

  2. FWIW Unearth are still kicking bottom.

  3. I’ve loved the last two Killswitch albums 🙂

  4. Quality production and pure, palpable sound can be as much a part of the album as the songs themselves. Wouldn’t you agree?

    • I think it depends on the style…If a band uses a lot of melody or show a lot of technical ability then I think they can benefit from cleaner production. On the flip side, I think the more primitive styles of extreme metal lose something if you clean up their sound too much.

  5. i want to love the thrawsunblat album, there is just something so offputting about the sound / mastering on this release.

 Leave a Reply

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>



This site uses Akismet to reduce spam. Learn how your comment data is processed.