Andy Synn, Author at NO CLEAN SINGING

Andy Synn

MIZMOR/THOU – MYOPIA

Apr 272022

(Andy Synn invites you to open your eyes, and your ears, to the morbid magnificence of Myopia, the recently-released collaborative album by Mizmor and Thou)

I am, as has been well-documented by now, something of a sceptic when it comes to so-called “supergroups”, whose main impact on “the scene” tends to be just taking up space and column inches which would be better off given over to less well-known (and better) bands.

There are exceptions to this “rule”, of course, and the common factor between them seems to be a real sense of collaboration, a partnership driven by an irresistible need to create, as opposed to the crass commercial aspirations or lazy self-aggrandisation which tends to fuel the majority of these shallow vanity projects.

Thankfully, as you may already have guessed, this new collaboration between Mizmor and Thou – written and recorded in secret and released without any prior fanfare to coincide with their joint-performance at Roadburn Festival last week – falls firmly into the former camp, and finds the two bands joining forces to create a singular piece of anguished, blackened art that truly feels far, far greater than the mere sum of its parts.

SPILL YOUR GUTS – THE WRATH IT TAKES

Album Reviews 2 Responses »

Apr 262022

(Andy Synn says it’s time to get rowdy with the new album from Shanghai’s Spill Your Guts)

Two of my favourite things about music are discovering new artists/albums and sharing them with other people.

And, let me tell you, I’ve been antsy to share these guys with you ever since I stumbled across them last week.

So let’s not waste any time and get right to it, shall we?

TE RUKI – MARAKO TE RUKI

Album Reviews 5 Responses »

Apr 252022

(Andy Synn once again proves himself a man of the world with this review of the magnificent debut album by Te Ruki)

There’s absolutely no denying it these days – Black Metal has truly become a worldwide phenomenon.

From its humble beginnings the genre has spread out to practically every corner of the globe, constantly evolving and mutating, forming new local scenes and embracing local sounds along the way.

And while much (physical and digital) ink has been shed debating why, and how, this happened, for me the answer is quite simple – whether intentionally or not, those crazy kids who first kicked off the whole movement ended up tapping into something truly primal, something so primitive and fundamental to the human condition that it connects with people of all ages and races, colours and creeds.

Of course, there will always be those who don’t approve of how far the genre has travelled from roots, but to me there’s something almost magical – not to mention deeply ironic – that the so-called ultimate “outsider’s” music has gone on to connect so many different people together through their common humanity.

Plus, let’s face it, if Black Metal had never left the basements and bars of Norway then we’d never have gotten to hear Marako Te Ruki… and that’s not a world I want to live in.

VANUM – LEGEND

Album Reviews 5 Responses »

Apr 212022

(The living legend himself, Andy Synn, has thoughts about the epic new album from Vanum)

There’s this idea, prevalent among a lot of Metal fans (hell, among music fans in general, let’s be honest) that every band’s newest album has to be better than the one before, otherwise it’s considered a failure.

And I know what you’re thinking… of course it should be better. That’s just the way things should work. Only, no-one ever seems to want to take a moment to stop and think about what exactly “better” means.

Does it mean heavier? Faster? More technical? Does it mean more melodic? More popular? More accessible?

We always say that music isn’t meant to be a competition – but when we do so we’re usually talking about competition between bands, not about bands competing against themselves.

But the older (and, ahem, “wiser”) I get, the more I realise that the point of any album, any piece of art, is not to be “better” than the one which came before it, but to best represent the artist themselves, who they are and what they are trying to say (in whatever medium) at this precise point in their lives.

So when I say that Legend isn’t a “better” album than 2019’s Ageless Fire, I’m also not saying that it’s “worse”. It is, simply put, a perfect companion piece to it’s career-defining predecessor – one which showcases a more morose and melancholy side of the band – and a more than worthy addition to the group’s legacy.

AN NCS PREMIERE: FERAL LIGHT – PSYCHIC CONTORTIONS

Album Reviews, Premieres 4 Responses »

Apr 202022

(Andy Synn presents a review, and full premiere, of the new album by Minnesota’s Feral Light)

Let me tell you a bit about how premieres work here at NCS.

Generally speaking, a label (or a band) will contact us at some point in advance of the release date of whatever they want us to host – whether it’s a single, a video, or a full album stream – and ask us directly if we’d like to handle a premiere for them.

Before we say yes we have to check two things – firstly, do we have time and space in our schedule to actually do the hosting (the more lead-in time we have the better, obviously)? And, secondly, do we actually like the music enough to want to host it?

This latter question is definitely the more important of the two. After all, we only want to promote things that we honestly think are good – we do have some integrity, after all – so we need to be sure that what we’re premiering is something that’s definitely worth your time, and ours.

Every so often, however, things just seem to line up and we’ll get offered a premiere for something which we were already writing about… which is exactly what happened in the case of Psychic Contortions, the upcoming fourth album (set for release this Friday by I, Voidhanger) from Feral Light.

A PANACEA FOR THE POST-TOUR BLUES

MISCELLANY 2 Responses »

Apr 182022

(Andy Synn has a few thoughts to share, and a few bands to recommend)

As some of you may know, I’m in a band. And you may also know that we just spent this last weekend “on tour”.

Of course, I put “on tour” in scare quotes because, in reality, it was just a quick three-date weekender, and nowhere near the epic, continent-spanning effort those words often imply, but it was still our first chance to get back out “on the road” in a long, long time.

Even though it was only a short (but sweet) run of dates, however, we’re still all feeling the post-tour blues right now, especially considering the third (and final) show of the run was easily the best and we were all really settling into our groove and ready for more.

Alas, it was not to be (though we’ve got more dates in the works for June, and then we’re hoping to get across the channel for some EU dates in September/October, and even possibly looking to the US at some point next year) but we’re still left with a lot of really good memories, made a lot of new fans, sold a fair bit of merch (including several copies of the new vinyl edition of our latest album) and got to meet and see a handful of new bands to boot.

And it’s those bands I want to talk about today.

AN NCS PREMIERE: CLEARxCUT – SONGS OF DESIRE ARMED

Album Reviews, Premieres 2 Responses »

Apr 152022

(Andy Synn presents Songs of Desire Armed, the upcoming second album by CLEARxCUT)

While my love of Hardcore has been well-documented by now, there are still certain things about it which don’t always sit right with me (and I don’t just mean karate-dancing in the pit, whose ignorant, “look at me”, attitude has always seemed antithetical to the communal mindset of the genre).

In particular, despite supposedly being founded on principles of brotherhood and community, a lot of Hardcore bands/fans can be rather elitist and exclusionary – especially when it comes to emphasising the “brother” part – and while there have been a lot of moves towards changing this in the years since I first got into the genre, there’s still a fair way to go until Hardcore as a whole will be able to truly say that it practices what it preaches.

There are, however, still a lot of bands who both talk the talk and walk the walk, and CLEARxCUT – a vegan, anarchist, anti-fascist and straight-edge Metallic Hardcore collective made up of, among others, both current and ex-members of Implore, King Apathy, and Heaven Shall Burn – are unequivocally one of those bands, expressing their beliefs and ideals not to exclude or impugn others but to engage and inspire by example.

XAOC – PROXIME MORTIS

Album Reviews No Responses »

Apr 142022

(Andy Synn reviews the long-gestating debut album from Xaoc)

Look, I like Death Metal. You like Death Metal. We all like Death Metal.

And if you like Death Metal (and I know you do) then you need to listen to this album.

WRETCHGOD – STYGIAN BLOOD RITUAL

SHORT BUT SWEET No Responses »

Apr 112022

(Andy Synn uncovers a shiny new gem of an EP by Nebraska’s Wretchgod)

There’s a good chance that I won’t be around at NCS much this week, due to pressing business with my own band.

That being said, I couldn’t pass up the opportunity to pen a few words about Stygian Blood Ritual, the debut EP from abyssal Blackened Death Metal quintet Wretchgod.

AN NCS PREMIERE: MOANHAND – BLEEDING BIRD

Premieres No Responses »

Apr 072022

(Andy Synn presents a brand new single from Moanhand – whose debut album, Present Serpent, was one of his top releases of 2021)

It’s impossible to begin writing today’s article without acknowledging the terrible elephant in the room.

It was just last year that I found my listening time dominated by numerous bands and albums from Russia, but now, in light of the ongoing invasion of Ukraine and the seemingly daily reports of new and fresh atrocities being committed there, that seems like a lifetime ago.

Some of you, I’m sure, will be very much against the idea of us covering any Russian bands right now, but one thing that has become clear to me – after seeing all the protests, hearing all the bands, artists, and organisations speaking out against the invasion – is that the Russian government is not the Russian people, and the voices inside Russia decrying this war deserve to be heard.

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