Islander

Jun 092021
 

 

When last we wrote about the Finnish black metal band Marras the occasion was the premiere of a song from their strikingly good 2019 debut album Where Light Comes to Die. A new album, Endtime Sermon, provides the occasion for us to revisit them, through yet another premiere. Like the first album, this second one will be released by Spread Evil Productions. It’s destined to hit the streets on July 9th.

A story lies behind the song we’re presenting today, “As Night Gets Darker“. It’s a story inspired by Finnish writer Boris Hurtta, who just passed away in February 2021, and thus the song is a tribute to him. The band tell the tale as follows: Continue reading »

Jun 092021
 

 

Last night I had time to bounce around among the links I had saved to new songs, but still only scratched the surface. I decided to select these six recent tracks, five of which come with videos, in anticipation that they will bounce you around too.

ERDVE (Lithuania)

My friend Rennie exclaimed this on starkweather’s FB page about the first item in today’s collection: “Erdve and Season of Mist have launched another video attack. ‘Sugretinimas‘ is obscenely heavy. Something like Cop era Swans crossed with a death metal guitar tone pushed to Endon levels of noise. Jesus fucking Christ.” Continue reading »

Jun 082021
 

 

Last year Dying Victims Productions released Raw Nights, a 20-minute vinyl/digital record that combined the German band Karloff’s new EP and the tracks from their debut demo. After encountering it, I wrote: “Karloff’s formulation of raw punk and black metal is undeniably sinister, and it runs like a wild wolf-pack on the hunt (or an angry gang marauding through mean streets), but it has made me feel not just glad to be alive, but kind of rapturous too. Its feral, stripped-down attack and high-voltage energy appeal at a primal level, and the immediately infectious nature of the songs makes them easy to stick with, and to use as a means of lighting a fire to any playlist whenever they pop up.”

It was thus exciting to learn that Karloff were following up Raw Nights with a debut album entitled The Appearing, which will also be released by Dying Victims (on July 30th), and we’re just as excited to now premiere a video for an album track named “Hate Consumer“. Continue reading »

Jun 082021
 

 

Peace-loving people who believe that problems should be patiently worked out through calm discussion and empathetic understanding should stop reading now and go elsewhere. Listeners who are looking for melody and nuance in their music should head for the exits too. On the other hand, if you’re really pissed off, about anything, and you’re looking for a way to channel raw fury, or just happen to be in the mood for a violent sonic beating, you’ve come to the right place.

To satisfy yearnings for catharsis through bludgeoning, we present a video for “Unfit Coward“, the closing track off the new album by the Floridian deathcore band Kill the Imposter, which is aptly named The Violence Sessions. The album was released on May 28th through The Legend Agency and has been leaving deep smoking craters in concrete ever since. Continue reading »

Jun 072021
 

 

Lo and behold, I had enough time today to prepare a second round-up of new music today. I wasn’t sure I would, which is why they’re not labeled Part 1 and Part 2, but things worked out. The first installment was really all-over-the-place musically. This one is much more concentrated on various forms of death metal, though not exclusively so.

OXYGEN DESTROYER (U.S.)

These Kaiju-conjuring death-thrashers from Seattle made a radioactive impact with their 2018 debut album Bestial Manifestations of Malevolence and Death, and now they’re about to do it again with their sophomore full-length, Sinister Monstrosities Spawned by the Unfathomable Ignorance of Humankind. Two songs are out in the world so far, the latest of which detonated last Friday. Continue reading »

Jun 072021
 

 

In February of this year the band Knives from Bilbao, Spain, released an explosive new record named Collapse. In advance of that release we featured its first single, “The Unknown“. With lyrics that expelled politically charged fury in blisteringly furious tones, that song melded punk cadences and bone-grinding riffs delivered with massive, chainsawing distortion, and coupled that with bursts of blaring melodic defiance and feverish bass outbursts, as well as a hellish breakdown.

That opening single truly was an electrifying discharge. But the balance of the tracks on Collapse proved to be equally thrilling, albeit in somewhat different ways. For example, the opener “Martyr” begins in soul-stricken and haunting fashion but then becomes a rain of megaton warheads, and then a fierce, galloping charge, and then a spasm of violence. It will give your spine a vigorous jolting, but also includes spit-fire soloing and the kind of rocketing, sky-high melodic riffing that gets hearts pounding.

And from there the band used Collapse to elaborate on their riveting brand of death/punk from one track to the next, bringing to bear one crusher after another, deploying humongously heavy chugs, incendiary leads, blood-spraying vocals, and gripping melodic accents (both grim and glorious) that keep the emotional intensity in the red zone.

Today it’s our pleasure to premiere a video for yet another song off Collapse, one entitled “Was It Worth It?“, which we hope will introduce still more listeners to Knive’s tumultuous talents. Continue reading »

Jun 072021
 

 

Today’s roundup of new music and videos is a real hodgepodge (or perhaps you would prefer mishmash) of metallic creativity. At least one of the entries is a massive hodgepodge unto itself. A full trip through all of them may leave you shaking your head — hopefully in wonder.

SKEPTICISM (Finland)

2021 marks the 30th anniversary of this pioneering funeral doom band, remarkably with its original line-up still intact. To celebrate their long survival, they have a new album named Companion that’s ready for release on September 24th by Svart Records. The first single, “Calla“, emerged last week with a beautiful and haunting video made by Tuomas A. Laitinen that perfectly suits the music and the equally haunting words, which incorporate references to pale calla lilies in a story of longing and closure. Continue reading »

Jun 062021
 

 

I nearly didn’t include the new Mayhem and Darkthrone songs in this column, because I thought anyone who would visit us today would have already heard them. Plus, as is generally true of NCS as a whole, I tend to focus on less-heralded bands than the ones whose names are household words. On the other hand, those are two of black metal’s most influential bands, and getting new songs from both of them in the same week seems like something especially noteworthy, especially for a column like this one. So, they’re both here.

After that I shifted the focus to more obscure names, and by coincidence almost all of them are UK groups.

MAYHEM (NORWAY)

Atavistic Black Disorder/Kommando is a Mayhem EP that will be released on July 9th by Century Media. The dual title signifies that the EP includes three original tracks (“Voces Ab Alta,” “Black Glass Communion,” and “Everlasting Dying Flame”) as well as covers of classic punk tracks from Discharge (“In Defense Of Our Future”, Dead Kennedys (“Hellnation”), Rudimentary Peni (“Only Death”), and the Ramones (“Commando”). The song that emerged last week is one of those original tracks, which was initially recorded during the band’s Daemon sessions. Continue reading »

Jun 062021
 

 

Following up their 2016 debut EP Light the Torches, the German black metal band Fiat Nox will release their first album on June 25th through The Crawling Chaos Records. The album’s well-chosen name is Archive of Nightmares, and today, in a rare Sunday premiere for our site, we’re presenting a stream of the title track.

The label describes the album this way: “At the spiritual core of the music lies the profound and abysmal side of man, as he – inextricably bound to a world ensnared in perpetual descent within the maw of night – cannot but revel in negativity”. Those words are equally well-chosen, because the music is itself abysmal, but revels in madness. The song we’re premiering today is a great example of the band’s sinister powers, presenting a multi-faceted work that’s hallucinatory, hopeless, tormented, and viscerally pulse-pounding. Continue reading »

Jun 042021
 

 

Desolate subjects and a desperate mission animate the music on Kvadrat’s debut EP Ψυχικη Αποσυνθεση (“mental decay”), which we’re now premiering in full. Rather than embracing folklore or mysticism, this Greek black metal duo grapple with the kind of severe personal estrangement that reduces a mind to a frightening and hopeless prison, a vessel of fear, frustration, pain, and desperation, capable of producing not only depression but also hatred and a desire for oblivion.

The lyrics speak of life denying us light, of time melting all hope, of toxic rain flooding the paths of salvation, of sounds of hysteria ringing from bottomless pits of madness, and of rising fires of destruction as a last resort.

And with that subject matter in mind, the music pours gasoline on the gates of an unwelcoming reality, and ignites it, perhaps as a way of shedding light on the causes of terrible predicaments, or as a violent means of freeing lost souls from mental paralysis.

Be forewarned: This music asks no quarter and gives none. These four songs are absolutely breathtaking in their intensity and sonic power — dense, near-overwhelming, onslaughts of sound capable of swallowing a listener whole — but they are somehow also strangely mesmerizing. The music rings as well as ravages, and while it’s unnerving in its discordance, it can also seem heavenly — if the heavens were on fire. Continue reading »