Islander

Sep 072015
 

Bloodway-Mapping the Moment With the Logic of Dreams

 

My calendar says it’s Labor Day here in the U.S. I am a law-abiding citizen, and therefore I will do as commanded, and labor. But it’s not exactly hard labor. It’s just writing about a lot of excellent new metal that I heard over the weekend. Also, our pal Grant Skelton made it even easier by writing one of the following features himself (I’ll point out which one when we get to it.) This collection is a fine example of the diversity of metal — hope you’ll enjoy it, while you are laboring.

BLOODWAY

When I last wrote (here) about Bloodway, the Romanian group led by talented graphic artist Costin Chioreanu (Twilight13 Media), it was to praise a song called “Walking Past Near the Lighthouse” (and its accompanying video) from the band’s then-forthcoming album Mapping The Moment With The Logic Of Dreams. The album is now out, and in recent days the band released another video for the album’s second track, “The Transfinite Castaway”. Continue reading »

Sep 072015
 

Sanzu-Heavy Over the Home

 

(Andy Synn introduces our premiere of a new song and video from Australia’s Sanzu.)

If you’ve been paying even the slightest amount of attention to our site in recent months, you’ll no doubt be aware that Painless, the debut EP by Australian mechanoids Sanzu, is easily one of my favourite releases that I’ve heard this year. So much so in fact that not only did I immediately order myself a copy of the CD (that’s right… a real, physical copy!), I also plonked down some cash for a pre-order of the band’s at-that-point-untitled debut album.

So it probably won’t surprise you to hear that I’m extremely excited that NCS is able to bring you the debut song, and video, from that very same album, the enigmatically titled Heavy Over The Home.

The song in question – “Those Who Sleep In The East” – is a stunningly heavy piece of relentless sonic intensity… all rumbling, piston-powered guitar work, scorching, blowtorch vocals, and explosive, artillery-fire drumming, designed to simultaneously mesmerise and pulverise the audience over the course of almost six minutes of weapons-grade metallic firepower. Continue reading »

Sep 062015
 

Confessional

 

(Father Synn returns after 4 weeks of intense purification so that he may once again hear all your disgusting metal sins. Please leave them in the Comments so all that “purification” won’t be wasted.)

Rejoice my children, for I am returned to you from my wanderings! 40 days and 40 nights in the wilderness… or at least, it feels like that. Time flies when you’re drinking/carousing/shirking your priestly duties…

So once more I come before you burdened with the weight of truths yet untold and words yet unspoken. Let me be as a light to you in the darkness, a balm to your wounded soul, a… canary in a particularly pungent coal mine.

Let me lead you. And where I go, thou shalt follow, into the arms of metallic salvation! Continue reading »

Sep 062015
 

Fluiteraars-Luwte

 

(Leperkahn rejoins us with a round-up of new songs that have struck a chord.)

We cover a lot of stuff here at NCS. Hell, I can barely keep up with it myself. However, even more goes on in the wide world of metal than the busy staff could ever hope to cover (and normally, I’m too lazy to move my arse and actually put fingers to keyboard). Alas, here are a few tracks that I’ve been really hyped up on, though sadly lack of time has prevented us from giving them proper coverage.

FLUISTERAARS

Early last year BadWolf published a review of Dutch black metal band Fluisteraars’s debut album Dromers. That review was my introduction to the band, and my, what an introduction it was – three extended tracks of harrowing, melodic lo-fi black metal (and I’ll be damned if “De Doornen” didn’t stick in my head like one of Frankenstein’s bolt things). “De Doornen” ended up earning a spot in the Most Infectious Songs list for 2014, and also ended up on my year-end list.

Luckily for us, Fluisteraars have returned, with a new album entitled Luwte (apparently Dutch for “Lee”, though I’m not sure what that could signify) due out on Eisenton on September 25th. At the Bandcamp page for the album a track is currently streaming, an eleven-and-a-half song entitled “Stille Wateren” (“Still Waters” – three quarters of college-level German prepared me to figure that one out without the services of Google Translate). The track is anything but still in its first half, however, as Fluisteraars have unleashed another torrent of scathing melodic BM riffs, shifting from one to the other seamlessly, all punctuated by some soul-cleaving rasps on the vocal front and drums that are evidently try to stir up a tsunami. Continue reading »

Sep 062015
 

Rearview Mirror

 

It seems that Immortal are no more. Last year Abbath declared the band at an end, and having lost a legal battle to secure rights to the name, he is forging ahead under his own. Meanwhile, Demonaz and Horgh announced last month that Immortal will continue without Abbath, and that the two are at work on a new album to be released by Nuclear Blast.

Who knows whether these now separate formations will create music worthy of the band’s past glories. Rather than engage in fruitless speculation, let’s listen to some of those instead. Continue reading »

Sep 052015
 

Into Darkness-Sinister Demise

 

Germany’s Into Darkness trace their roots to the mid-’90s. Their debut album, Misfortunal Odes in D Minor, was released in 1997. The next full-length, an album named Dysphoria, appeared in 2012 — and now, 20 years after the band’s original formation, they are releasing a third album. The new one bears the title Sinister Demise, though the album reveals in striking fashion that Into Darkness are very much alive and as ferocious as ever. As an introduction to what Into Darkness have now wrought, we bring you the premiere of the album’s third track, “Throne Of A Thousand Miseries“.

The new incarnation of Into Darkness is still anchored by founding vocalist/guitarist Sebastian Längerer, but he is now joined by two newer faces — drummer Robert Witzel and bass-player Andreas Rigo. Together they form a well-oiled machine, and a very wicked one — and on this album they are joined by guest appearances from members of Necrophagist, Obscura, Blotted Science, and Nervochaos. Continue reading »

Sep 052015
 

Dead To A Dying World-Litany

 

I have some round-ups of new and newly discovered music to send your way today and tomorrow. By coincidence, much of what I found yesterday that hit me hard were songs that in very different ways lay the mantle of doom upon your shoulders, and those are all collected here. The music pulls you in, and draws you under; the light recedes while the surface grows more distant. There’s a lot of heaviness (and wretchedness) in what follows, and a lot of sublime beauty as well. The final song in the collection, while not metal except perhaps in spirit, may be the most beautiful of all.

DEAD TO A DYING WORLD

I’m not sure how we reached the 5th day of September, 2015, without ever previously featuring Dead To A Dying World on this site. We hang our heads in shame. It’s time to make amends.

Four years after their debut album, this seven-piece Dallas band have a new full-length named Litany that will be released on October 16 by Gilead Media and Tofu Carnage Records in the U.S. and by Alerta Antifascista in Europe. It features cover art by the talented Sera Timms.

Yesterday, Decibel premiered a 16 1/2 minute song named “Beneath the Loam”, and the title tells you something about the atmosphere of the music — but far from everything. Continue reading »

Sep 042015
 

SHadow Woods Metal fest

 

Way back in April of this year I discovered the Shadow Woods Metal Festival, an open-air and camping festival then being planned for the Mountain Lake Summer Camp in Fannettsburg, Pennsylvania, in the heart of the Appalachian Mountains. Apart from the attractive setting, what really spiked my interest was the phenomenal line-up of bands who were scheduled to appear. I’m writing now to provide a few updates — the dates are the same, the line-up is even more impressive, but the venue has been changed. It’s still something I would damned sure attend if I weren’t on the other side of the continent.

Now the festival will take place — on September 25-27, 2015 — in White Hall, Maryland, about 30 minutes north of Baltimore. The exact street address will be provided to ticket purchasers. Camping and workshops on topics such as runes, guitar maintenance, and yoga will still be offered without additional charge, and artists and record labels will also have merch areas alongside several onsite food stands.

There aren’t a lot of tickets left. The festival will only sell 350 tickets, three-quarters of those are gone, and there will be no sales at the gate. This is a 21-and-over show, and it’s BYOB. To get advance tickets online, go here:

www.shadowwoodsmetalfest.com

Now, let me remind you about the line-up, which has evolved since I first wrote about it. Continue reading »

Sep 042015
 

All Hell-The Red Sect

 

My trip to Alaska for my fucking day job proved to be a quick one. I got back home to Seattle late last night, about 36 hours after I left. If I’d had any sense, I would have gone right to bed. Instead, I spent time listening to new music, following up on links that friends sent me. And now here I am, five hours of sleep later, pecking on my keyboard about what I heard. By chance, what I enjoyed the most were songs in the vein of black metal, and so we have another Shades of Black collection. As usual, the music is quite diverse.

ALL HELL

My friend and NCS contributor Leperkahn messaged me about the promo of a new album by a band named All Hell that he had just received, with these words:  “Trust me when I say stop whatever you’re doing and listen to it, or at least the track at this link, immediately”. Continue reading »

Sep 042015
 

Under the Pledge of Secrecy-Black Hole Mass Evolution

 

(Andy Synn looks back at three albums from 2014 that we sadly neglected to review.)

Despite what you all clearly think, even your humble Metal overlords here at NCS aren’t completely infallible. Try as we might, sometimes even we miss out on stuff amongst the hustle and bustle of this thing we call life.

Case in point: I’m still discovering albums from last year (and the year before that… and the year before that…) which we failed to adequately cover properly, and which I’m metaphorically kicking myself for having missed.

So, in the interest of correcting such heinous oversights, I’ve decided to wax lyrical about three albums which went cruelly unappreciated here at NCS during the chaos and confusion of last year, each of which offers something very different to tease your musical tastebuds! Continue reading »