Mar 252021
 

 

(In this interview Comrade Aleks spoke with Chainarong Meeprasert — bassist, vocalist, and co-founder of the Thai death/doom band Shambles — about the band’s past, present, and future.)

As a tireless doom metal researcher I was surprised when I found that Shambles had been hidden from my radars.

This Bangkok-based gore-thirsty outfit was founded in Thailand back in 1997. The guys tried to express their addiction to Satanism and Darkness through brutal death and black metal, but in the end they chose a path of heavily death-influenced doom metal with huge influences of Incantation and like bands.

After a series of demos and splits Shambles recorded the Realm of Darkness Shrine full-length in 2016. They didn’t stop, and new releases like the Primitive Death Trance EP (2017) and a split with Japanese AnatomiaAbyssal Doom Oriental (2020), followed.

Recently we talked about Shambles’ past, present, and future with one of the band’s founders, Chainarong Meeprasert (bass, vocals). Continue reading »

Mar 192021
 

 

(We present Comrade Aleks‘ interview of two members of the superb death-doom unit Rotting Kingdom from Lexington, Kentucky, whose debut album was released one year ago by Godz Ov War Productions.)

A year ago Godz ov War Productions released a debut full-length album A Deep Shade Of Sorrow by the Kentucky-based band Rotting Kingdom. The album got quite a lot of positive feedback, and it seems to have been the obvious reaction to clear and artistic old school doom-death (with a noticeable emphasis on the second). First-class growling, a truly grim sound with lots of weight and melody, and tangible macabre passion mark this material, making the album a remarkable journey into the absolute ruin of Rotting Kingdom.

Brandon Glancy (drums) and Chuck McIntyre (bass) guide us to the Kingdom’s heart. Continue reading »

Mar 172021
 

 

(We present Karina Noctum‘s new interview of drummer extraordinaire Derek Roddy.)

It was time to catch up with Derek Roddy (Serpents Rise, Nader Sadek, Malevolent Creation, Nile, Hate Eternal). We talked about drumming, but also more about his band Serpents Rise and the making of Nader Sadek’s latest EP The Serapeum (premiered in part and reviewed at NCS here), which was a collaboration with Karl Sanders (Nile) and Morean (Dark Fortress), among others — as well as other interesting endeavours. Continue reading »

Mar 152021
 

 

(We present DJ Jet‘s fascinating interview of Lasota, vocalist and guitarist of the Polish pagan metal band Varmia, whose new album bal Lada (recorded under very unusual conditions, as you will learn) was released on March 12th by M-Theory Audio.)

When forming the band in 2016 what was your mission or vision for this band?

Hi. Well the goal at the time was very simple. I had the album written and it had to be recorded. The concept was to do it live in a makeshift studio to avoid the “usual studio” vibe. So we ended up in an old barn that we rented for two weeks. After that I started to think how to release the album and that it would be great to play these songs live. Everything went together smoothly and people seemed to like it. So we put it out, settled as a band, and started to play the shows.

I always felt that this would be far more than just a single shot “project” (hate this term). Varmia appeared to me as a beast that needs to be fed. So we have been feeding it since 2016 now. Continue reading »

Mar 022021
 

 

(Not long ago we published Aleksha McLoughlin‘s review of the excellent self-titled debut album by the Finnish death metal band Revulsion, which was released on February 5th by Transcending Obscurity Records, and Aleksha has now followed that up with a live recorded interview of Revulsion members Atte Karppinen (drummer) and Tuomas Alatalo (bassist), a transcription of which you’ll find below.)

 

What was it like signing up to Transcending Obscurity Records? They have some great bands on their label, like Gaera and De Profundis.

It was exciting, of course; our first signing and immediately to an international label. We obviously had heard about them through Sepulchral Curse and Sadistik Forest, we know the guys from that band. So we already had friends who had signed up with them. It was quite a clear choice in that sense because we already had an idea of what they could do and what kind of connections to the industry they had, how we could get our music out there.

We were surprised how quickly Transcending Obscurity Records responded to our questions about the signing. Yeah, it didn’t take long for him to reply. He was like, “Let’s get this album out there, let’s get you guys some visibility”. Because it’s obvious today, in this kind of competitive environment, with a lot of bands, labels and everything like that, it’s hard to get your voice out there and get your band seen and stand out. Continue reading »

Feb 262021
 

 

(We present Comrade Aleks‘ interview of Yves Allaire, the man behind the Quebec black metal band Nordicwinter, whose newest album Sorrow will be released by Hypnotic Dirge on March 26th.)

I’m the wrong person if you need to know something new about black metal, but from time to time some blackened promos hit my mailbox. This time it was Nordicwinter, a Canadian one-man band started by Yves Allaire about 15 years ago. I found its relatively new album Desolation among a few fresh releases from Hypnotic Dirge and was attracted by Nordicwinter’s bleak and atmospheric sound. Also Yves tends towards mid-paced themes with some cold, almost epic melodic lines, and I dig such depressive themes that avoid the faster side of black metal.

The winter is almost done, so let’s keep it here a bit longer with some Canadian black metal. Continue reading »

Feb 242021
 

 

(This time Comrade Aleks interviews one of the members of the unorthodox Peruvian metal band Kranium, whose roots go back to the early ’90s and whose new album Uma Tullu (which you can stream below) was released on December 1st, 2020.)

Kranium is a legend of the Peruvian underground. The band was formed in 1985 as Murder but since 1986 it’s been known as Kranium. Their early material tended towards savage a thrash/death meta, but years passed, some members left and others joined the band, and their first full-length Testimonios finally was released in 1999. The story behind its making is long and far from easy, as Kranium drew the attention of the Swedish label Plasmatica Records  who promised to fund their recording sessions but had a hard time, and lack of money prolonged recordings for almost three years.

This material appears to be a mix between traditional doom metal with a bit of a raw edge, lyrics in Spanish, and arrangements of traditional Peruvian instruments. I’m surprised that this album is a kind of “lost gem”, forgive me this cliché, and I hope Kranium’s new and authentic-as-always album Uma Tullu (released in December 2020) will reach more listeners all over the world.

The band’s lineup has changed, yet its core remains the same: Eloy Arturo (guitars, songwriting) is one of the founding members, and Mito Espíritu (guitars, wind instruments, charango) has been in the band since 1991 (there was a break for a few years, but it doesn’t make a difference). Dennis Yamazato (drums) has played in Kranium since 2005, and Ian Chang (bass) since 2010. Our current guest Christian Meléndez (vocals, keyboards) is a relatively new member — his experience in Kranium is “just” ten years. But he’s quiet a talkative collocutor, and I’m glad we had this interview. Continue reading »

Feb 182021
 

 

(In January of this year Dark Essence Records released the highly anticipated third album by the Norwegian black metal band Endezzma, and in this new interview Karina Noctum spoke with the band’s vocalist M. Shax about the production, themes, and artwork of the album.)

This interview with Shax, the vocalist of the Norwegian Black Metal band Endezzma is focused on their latest album, The Archer, Fjord and The Thunder, released back on January 21st. This release is definitely worth checking out if you are fond of the Norwegian BM style as it includes lots of sonic goodies.

******

How long did it take for you to write The Archer, Fjord and the Thunder?

We started working on the new album as soon we released The Arcane Abyss. I guess it took two years in the making.  It was an intricate and intense process since this album, sound-wise, is the most multi-layered one we have done. Continue reading »

Feb 162021
 

 

(We present Comrade Aleks‘ extensive and extremely interesting interview of Oliver Verron (founder of Temple of Baal) about the French traditional doom band Conviction that he also founded, whose self-titled debut album was released by Argonauta Records in January of this year.)

Once upon a time men from bands like Temple of Baal, Ataraxie, Mourning Dawn and Corrosive Elements gathered together and… it all ended with a traditional doom metal album!

A long story short, but the French Conviction was founded by one of Temple of Baal’s founders, Oliver Verron, back in 2013 and it took some time before he found proper companions who shared his taste for good old doom. What’s Conviction about? How did they avoid all of their extreme metal backgrounds in this band? And what’s the story with the French doom scene?

You’ll find answers to these questions and more in the interview with Oliver. I’ve enjoyed reading this, and I hope you’ll like it too. Continue reading »

Feb 122021
 

 

(With pleasure, we present Comrade Aleks’ extensive interview with Fedor Kovalevsky of the Tunisian extreme metal bands Vielikan and Omination, whose critically acclaimed new album NGR was just recently released by Hypnotic Dirge Records.)

This Tunisian funeral doom-death project offers high quality material. Created in around 2016 by Fedor Kovalevsky (who has Ukrainian roots), Omination consistently developed ’til it became the size of a trio consisting of Fedor at the helm and his bandmates from progressive death outfit VielikanZied Kochbati and Nassim Toumi. With a full lineup and the support of Hypnotic Dirge Records, Fedor presents Omination’s second full-length NGR (New Golgotha Repvbliq), which has been out since the 5th of February.

The last times are upon us! So be forewarned! And don’t forget to take a listen to NGR. Continue reading »