Aug 242021
 

(Here, Comrade Aleks presents his interview of members of the Ukrainian band Mental Torment, whose new album Ego:genesis will be released on September 29, 2021.)

Mental Torment (Kyiv, Ukraine) was born 12 years ago. Back then the doom/death scene in the ex-USSR territories had already started to grow and develop, yet the guys took their time. Thus Mental Torment’s debut album On the Verge… saw the light of day in 2013. They pointed in the direction they wanted to follow, and though such a doom/death piece couldn’t offer any innovative ideas, it was ok. The band was silent for a few years playing occasional gigs and announcing a rotation in the lineup but out of nowhere Metallurg Music proclaimed the release of Mental Torment’s sophomore work, ego:genesis.

The official press kit sounds curious: “The album will bring a fresh view of the traditional Doom Metal genre. From acoustic ballads and funeral vibes to sludgy and modern progressive music.”  As you know “traditional doom” is associated with clean-singing bands whose names are known to any doom-cultists, and at the end of the day I tell you that the second part of this official statement is correct, as Mental Torment really add the afore-mentioned sludge and post elements to a classic doom death fundament.

So, ego:genesis turns to be absolutely another new chapter in the band’s discography, and Mental Torment‘s collective mind is ready to give us some clues about how all of this happened. Continue reading »

Aug 202021
 

 

(The subject of this very extensive and engaging new interview by Comrade Aleks is Adam S., the lyricist and chief songwriter of the distinctive Slovak metal band Malokarpatan, though he also discusses another personal project with an album in the works.)

If you haven’t heard any of Malokarpatan’s albums, I bet you know about them anyway – no one could skip over the eye-catching artworks of Stridžie dni (2015), Nordkarpatenland (2017), and Krupinské ohne (2020). Slovakian pagan traditions shine through these authentic covers, and as you might surmise, the guys write their lyrics in their mother tongue. You’ll find translations easily enough, for example at Metal-Archives, and should find them if you’re searching for new poetic discoveries.

But probably we should start with the curious fact that Malokarpatan perform an authentic (again authentic!) mix of reckless yet tricky, non-trivial, heavy and black metal. Heathen energy, the pounding pulse of the wild, and a haunted atmosphere complete a sonic canvases filled with details and nuances…

I’ve found Malokarpatan in my “need-to-interview” list, and though their last record Krupinské ohne saw the light of day nearly one year ago, I believe you don’t need to wait for another official release to talk with a band you like and respect. I’m grateful to Malokarpatan ideologist and chief song-writer Adam S. for this deep and entertaining interview. Continue reading »

Aug 122021
 

 

(Comrade Aleks has brought us another excellent interview, this time with a member of the Spanish death metal band Bizarre, whose debut album Invocation Codex is set for release on October 29th by Transcending Obscurity Records.)

There’s a Russian proverb “To run ahead of the train”, which means to make haste and do something earlier than it’s really needed. But I’ve had another “Lovecraftian” period these recent months and found Bizarre’s Invocation Codex promo in my mailbox with the label’s description “Lovecraftian horror”. I couldn’t skip it!

The album is scheduled for October 2021, but as another proverb says – “Strike while the iron is hot” (and “steel is strongest so say we all”). These death metal variations on a theme of “holocaust of ecstasy and freedom” are performed in a savage and uncompromising way, and no bullshit – this four men from Spain are competent in the things they do.

I got in contact with Bizarre’s guitarist Juanpa “Evilead”, and he confirmed the band’s interest in an interview. but… things turned slightly another way and in the end we have this nice chat with GermánObszen” (guitars, bass). Continue reading »

Aug 102021
 

 

(Comrade Aleks brings us his interview with Ismaeel Attallah and Youssef Saleh from the Egyptian band Crescent, whose latest album was released at the end of last month by Listenable Records.)

Highly influenced by Swedish Black Metal in their early days, Crescent from Cairo, Egypt never hurried and have worked out their image patiently and carefully since 1999. This attitude and the band’s place of origin explain why it took so much time ’til they managed to finish their first album Pyramid Slaves in 2014. They didn’t wake up famous the next day, but a contract with Listenable Records and a few big festivals were in their hands.

Crescent totally changed direction with their sophomore album The Order of Amenti (2018), yet some pieces of black metal were left in their body though death metal influences were far stronger. And if you are wondering how this Egyptian blackened death metal sounds today, then Crescent’s new big work Carving the Fires of Akhet is your best chance to dig it out. Ismaeel Attallah (vocals,guitars) and Youssef Saleh (guitars) are our guests tonight. Continue reading »

Aug 032021
 

 

(Comrade Aleks brings us many illuminating interviews, but this one hits a high level, much like the music. The discussion comes with our thanks to Max Johnson from the U.S. black metal band Noltem, whose debut album is set for release on October 15th by Transcending Obscurity.)

Elegant and fluid atmospheric black metal from Connecticut-based Noltem was exposed by Transcending Obscurity Records just a month ago, but their first revealed tracks, “Illusions in the Wake” and “Ruse”, are just teasers for the whole album which will be released physically very soon. Vast soundscapes taking form from breathtaking harmonies, piercing vocal lines, and a wide palette of dark moods are delivered by this trio with flawless effectiveness and high competence.

Noltem is recommended for fans of Agalloch and Panopticon, and I agree with this reference, though you’ll find that their individuality reaches out beyond this fluid sub-genre’s borders. Max Johnson (guitars, bass, keyboards), John Kerr (drums, vocals), Shalin Shah (bass)… who will enlighten us and reveal the driving force behind Notlem? It seems that Max is on line tonight. Continue reading »

Jul 232021
 

 

Comrade Aleks continues his recent excursion into interviews of artists with a bit of black in their veins, and his eloquent correspondent today is the man behind the Russian band Рожь, whose name means “Rye” and whose newest release is Вечное (“Eternity”).

The band’s logo is into English but its Cyrillic original title “Рожь” (which really means “Rye”) could be found everywhere. This one-man band from Russian Karelia was successfully hiding from our radars for a few years, and yet its debut full-length Вечное / Vechnoe (“Eternal”) couldn’t pass unnoticed even though it’s a DIY release.

Black metal, extreme doom metal, and echoes of shamanic folk ambient are entwined in one intensive hymn of death, decay, and cold soil. Dynamic and vivid, this album emits unstoppable waves of energies whose amplitudes vary from nihilistic negative to soaring ethereal tunes.

It’s time to dig out Rye’s roots with its founder Vladimir Frith. Continue reading »

Jul 202021
 

 

(This is an interview conducted by Comrade Aleks with the man behind the Scottish Celtic/atmospheric black metal band Ruadh, whose latest album Eternal was released earlier this month by Northern Silence Productions.)

If you want to ask someone about the modern black metal scene, I’m the last person you should approach, as I never was a huge fan of shrieks, blast beats, goats, etc. It’s too fast most of the time, and I don’t know how you guys listen to it. But there are bands who attract even my attention with a twist of their ideology or even their music.

Ruadh caught me with the cover art for its third full-length album Eternal, released by Northern Silence on the 9th of July. Joan Llopis Doménech’s painting drew me to Tom Perrett’s music, and look – now I dig both of his first two albums Sovereign (2019) and The Rock of the Clyde (2020) too. That’s a true evidence of art’s magic power! Isn’t it?

If you were searching for new Scottish atmospheric black metal, then you have it, and Tom Perrett has a few things to tell. Continue reading »

May 182021
 

 

(Karina Noctum brings us this new interview with the vocalist/lyricist of the Norwegian black metal band Ulvehyrde, whose excellent debut album was released last month on the Dusktone label.)

Ulvehyrde started in 2018 and they have recently released their first album, called Englemakersken. The band attracted my attention because they have a cold-tempered sound leaning toward Western Norwegian BM style, while at the same time infusing the necessary groove to keep it interesting.

Naturally, I had to find out more about them, so I talked to Sorath Northgrove, who also plays in Vulture Lord and Hagl. Continue reading »

May 052021
 

 

(We welcome NF, a new contributor to NCS. He has brought us the following interview of Fredrik Söderberg of the Swedish band DAWN, who should need no introduction, as well as lots of photos, some of which are being published for the first time.)

******
Fredrik, thank you for taking the time to do this interview. It is an absolute pleasure to be having this conversation with you. Let’s go back to the very origin of DAWN. How, where, when, and why did DAWN come to be?


-Fredrik rehearsing-

Fredrik: Thanks for your support. It’s an honor to have this conversation with you today, I really appreciate it! Continue reading »

Apr 302021
 

 

(In this new interview, Comrade Aleks has brought us a discussion with one of the members of the Dutch band Urfaust, whose latest album was released by Ván Records on April 16th.)

Black metal never was my cup of tea, but there are bands who hold my attention for years, and Urfaust from the Netherlands is one of them. They are able to perform both atmospheric and quite strict raw stuff, but at the end of the day Urfaust has kept its grim individuality (in secrecy) for years.

Performing as a duet since 2003, VRDRBR (drums) and IX (guitars, vocals) seem to be always busy filling their discography with new recordings and even though their up-to-date full-length Teufelsgeist (2020) saw the light of day in November 2020, the band already has a curious new volume – Compilation of Intoxications — released literally a few days ago as I write this. Teufelsgeist is meditative to some degree, an ambient-laden ritual. Why not to talk about it and other Urfaust-related themes?

VRDRBR is here and he has some enlightening things to say. Enjoy, I’m going to keep hydrating! Continue reading »