Feb 192016
 

VI band

 

(Argentinian journalist Matías Gallardo rejoins us with this interview of INRVI, the man behind the French black metal band VI, which took place last fall.)

Before showcasing his talents as a bass player in Aosoth and Antaeus, guitarist and vocalist INRVI started VI back in 2007, a project that released an acclaimed EP in 2008 and a split with Aosoth two years later, only to remain silent until last year’s magnificent debut, De Praestigiis Angelorum. Without losing his distinctive French black metal DNA, INRVI translated his tortured existence into one of the most vicious yet epic albums of last year. Now, the man behind VI told us how it all came to be.

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Why the name VI?

It is related to the 6th trumpet, the second woe. Continue reading »

Feb 162016
 

Behold the Monolith - photo by Ekaterina Gorbacheva
photo by Ekaterina Gorbacheva

(Comrade Aleks brings us this interview with Matt Price of LA’s Behold! The Monolith, who have a new album out and a Roadburn appearance and European tour coming this spring.)

Behold! The Monolith is a band whose name sticks in your head. If you see the art-works of their albums, you will never forget them. And of course they sound pretty remarkable… To sum it up, this pretty memorable band from Los Angeles have been proposing riddles for reviewers and listeners since 2007 – it’s hard to describe what they play, and their sound develops from album to album, from brutal forms of sludgy doom to thrash metal with progressive, aggressive, monumental, and complex elements.

Behold! The Monolith lived through some changes since the release of their second album Defender, Redeemist in 2012, but they returned reinforced and fresh in September 2015 with a brand new record, Architects of the Void – a merciless, heavy, and brutal album. Guitarist Matt Price, the band’s founder, brings the Word of a pilgrimage to Europe and other news from their camp. Continue reading »

Feb 112016
 

Oranssi Pazuzu-live-praha

 

(KevinP brings us another installment in his ongoing series of brief interviews, and today he puts questions to Ontto, the bassist of Finland’s Oranssi Pazuzu, who have a new double-album named Värähtelijä headed our way.)

 

K:  The first time I listened to Värähtelijä it did not feel nearly as “immediate” when compared to Valonielu.  But after 3-4 full spins of the new album it is much weirder yet more memorable at the same time. 

O:  Yeah, Värähtelijä is a bit more of an introvert album. The idea was to create a  dark and hypnotic fog that you can get lost in, instead of going after instantly catchy riffs. We used lots of polyrhythms on this one, so many times there are two riffs playing simultaneously.  Also, since it’s a double album, I get that it might need a bit more chewing. Didn’t try to make it intentionally weird, though.  Rather I think it’s more “free”.

 

K:  You and Jun-His started the band in 2007, but you’ve had a stable recording lineup since the first release in 2009.  I find that refreshing since your music is by no means easy to digest.  Normally I think it would be difficult to keep 5 people in that same mindset.

O:  We were friends with the guys already when we started the band, so that helps a lot. The reason why the band sounds like it sounds is that each one of us adds their own thing into the mix. Sometimes that sounds schizophrenic, but it’s not necessarily a bad thing when you’re searching for psychedelic effects. Continue reading »

Feb 102016
 

Serpent - band

 

(We are grateful that Comrade Aleks has brought us yet another doomy interview, this time with drummer Joakim Olsson of Sweden’s Serpent.)

Sweden is the epicenter of the modern vintage doom rock movement, and Serpent is one of its competent members. The band was formed in 2012, but already has two full-length records – Slaves of Babylon (2013) and Nekromant (2015). The last one was released on the 18th of December, 2015, by Transubstans Records, and believe me – this power trio know how to play damned rocking doom metal!

Serpent’s guitarist Adam Lundqvist knows how to create impressive riffs and solos, Joakim Olsson is precise and hard-handling with his drums, and Mattias Ottosson is an excellent vocalist with an expressive manner of singing that is ideal for this kind of music (besides that, he knows how to treat with the bass). Do you want a portion of murderously effective doom rock? Follow me, because Joakim is ready to spread the word of Serpent. Continue reading »

Feb 082016
 

Heiress 2016
Heiress and John Pettibone (far right)

 

John Pettibone has been a fixture in the Seattle music scene for more than two decades. During the early and mid-’90s he was the front man for a pioneering straight-edge hardcore band named Undertow, and later became the vocalist for the fondly remembered and sorely missed Himsa from about 2000 until the band ended in 2008 (several us at this site are huge Himsa fans to this day, and I featured them in one of my Rearview Mirror posts only a week ago).

Since the end of 2008, Pettibone has been the vocalist for Heiress, a band founded by guitarist Wes Reed who have recorded two highly regarded albums — 2013’s Early Frost and 2015’s Of Great Sorrow — and now have a third one coming soon. The new one is named Made Wrong, it was recorded with producer Matt Bayles, and it’s set for release on March 18 by The Mylene Sheath (pre-orders are expected to begin on February 19).

It has become increasingly difficult to sum up Heiress‘ sound in simple genre terms as the sound has evolved, and that’s likely to become even more of a challenge after people hear Made Wrong. It’s dark, heavy as hell, emotionally intense, and intensely memorable, too. I have lots of other thoughts about the music that I’m going to try to sum up later this week. For now I’ll just say it’s an album you won’t want to miss.

I have the good fortune to bring you an interview I conducted by e-mail with John Pettibone last week — and you’ll get some insights about Made Wrong along the way. Continue reading »

Feb 082016
 

Terjiz de Horde-1

 

(We present Andy Synn’s very interesting interview with members of the Dutch black metal band Terzij de Horde.)

No matter how hard we try, every year there are a number of frankly amazing bands/albums we simply don’t get around to covering, despite our best intentions.

Self, by ravenous Dutch dilettantes Terzij de Horde, is one of those albums.

Packed with manic, high-voltage tremolo lines, howling, cathartic vocals, and storm-blasting drum work, it’s undeniably a Black Metal album right down to its darkly cerebral core, but (as you’ll soon discover) the music on Self is just as undeniably rooted in the essential elements of Punk and Crust/Hardcore at their most visceral.

And it’s this fearless embrace of other genres – both their differences and their commonalities – coupled with the band’s penchant for massive, harrowing riffs, nerve-jangling dissonance, and moments of creeping, atypical melody, that make Self such an instantly engaging, endlessly rewarding listen.

I could definitely go on about this album at length, as it really is one of the best releases – Black Metal or otherwise – that came out last year. However, as you’re about to find out, the members of the band themselves (in this case vocalist/lyricist Joost Vervoort and bassist/lyricist Johan van Hattum) proved themselves to be extremely capable and interesting interview participants, and so I’m more than happy to let their words do all the heavy lifting this time around! Continue reading »

Feb 022016
 

a beautiful vintage mirror

 

(Comrade Aleks is back, and brings with him a snake, or rather an interview with Snake McRuffkin, vocalist of the Dutch band The Spirit Cabinet, whose members come from other well-respected extreme bands and whose debut album appeared last August.)

Can you imagine that could happen if you gathered in one rehearsal place a guitarist from a black/thrash band (Zwartketterij), a drummer from a doom metal band (Hooded Priest), a bass player from a black metal band (Cirith Gorgor), and a vocalist from another black metal band (Urfaust)? Okay, here’s the answer – bloody impressive heavy doom metal with influences from all the above-mentioned bands and damned good dark lyrics on spiritualistic topics.

The Spirit Cabinet consists of four members – Erich Vilsmeier, Cromwell Fleedwood, Johnny Hällström, and Snake McRuffkin — who came to an understanding of what they wanted, and their first full-length record Hystero Epileptic Possessed was born in a pretty natural way just a year after they gathered for the first time.

It saw the light with the help of Ván Records, and I feel myself inspired and enlightened enough to bring the Word of The Spirit Cabinet further to those who thirst for knowledge and some mental pabulum. During a midnight séance Snake McRuffkin shared his experience of playing in this band. Continue reading »

Jan 282016
 

Funeral Mantra - band
photo by Rein Skullerud

(Comrade Aleks is back!  And he brings us this interview with Vikk from the Italian band Funeral Mantra.)

Rome-based stoner doom outfit Funeral Mantra is heavy, brutal, and full of primordial power. The gentlemen have worked out their own sound, heavily influenced not only by doom classics but also by such bands as Motörhead, channeling that raw energy and masculinity through their riffs. Their first album Afterglow consists of ten songs that embody sheer and unstoppable doom rock ‘n’ roll from hell!

Funeral Mantra certainly know how to gain exposure for themselves, and the songs sound really killer, dynamic, and professional. Mantra’s bass guitarist Vikk will do a brief excursion into Funeral Mantra’s world. Continue reading »

Jan 272016
 

NJR

 

(Earlier this week KevinP named the debut album by Sweden’s Fifth To Infinity, Omnipotent Transdimensional Soulfire, the top album released this month, and that followed on the heels of Andy Synn’s laudatory review of the album last week.  Now Kevin brings us a new installment in his short-interview series, in which he quizzes the band’s vocalist/guitarist Nader Jonas Reslan.)

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K:   After starting the band back in 1997 you finally released your debut album (19 years later).  I’m sure there is a sense of relief and excitement about that.

N:  Indeed there is and very much so.  It’s been a really long and messed up journey, so far.. and now after all these tough years, we’ve finally succeeded in manifesting our music beyond the realms of the underground.  So, yes, the feeling is great. Continue reading »

Jan 272016
 

Schammasch
photo by Ester Segarra

(Andy Synn presents this new interview with CSR of the Swiss band Sammasch, whose new album will be upon us in 2016.)

Swiss spiritual occultists Schammasch have been a firm favourite of several members of the NCS team ever since we stumbled across the band’s masterful double-album Contradiction a few years back.

Since then we’ve run features on the band several times, covering everything from new videos, to live show reviews, to the re-release of their debut album Sic Lvceat Lvx, and tried to stay abreast of any and all developments within their camp.

Over the past 5/6 months we’ve tried to stay tuned in to all the updates the band have been putting out regarding the writing and recording of their as-yet-untitled (to everyone outside the band at least) third album, from photo shoots in London to mixing/mastering at Woodshed Studios in Germany.

As the album sessions have now all been wrapped up, and the album is, essentially, “in the can” and primed for release by Prosthetic Records, it seemed like the perfect time to get in touch with the band’s mainman CSR and pick his brains about what 2016 has in store for Schammasch! Continue reading »