AN NCS EP PREMIERE (AND A REVIEW): GRAVEDÄNCER — “RIPPING METAL”

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Jan 272021
 

 

As much as many of us enjoy the realms of the avant garde within the world of metal, no dyed-in-the-wool metalhead would ever deny the continuing appeal of the Old Guard, or the visceral thrills that can be generated by newer bands who embrace the sounds that formed the foundations of heavy metal and carry them forward with the right spirit and uncommon skill. Which brings us to Gravedäncer.

This Brazilian duo, composed of members of Flageladör and Tyranno, have created a debut demo, righteously named Ripping Metal, that’s an electrifying hybrid of early black metal and NWOBHM — think of a union between Judas Priest and Venom. The songs are stripped-down and unpretentious, neither forward-looking nor artificially embellished. They depend on the power of the riff, and a devotion to sulphurous audio aromas that promise the delights and dangers of hell.

And as you’ll discover through our premiere of the demo today in advance of its January 29 release by the Helldprod Records, the primal appeal of what they’ve done is damned near irresistible. Continue reading »

AN NCS PREMIERE: ABIGORUM — “ERHEBT EURE MIT BLUT GEFÜLLTEN HÖRNER”

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Jan 262021
 

 

Abigorum began as the solo project of Russian musician Aleksey Korolyov, who is also the owner of Satanath Records. Operating on his own, and drawing upon traditions of doom, black metal, and dark ambient music, he recorded a sequence of releases that included a collaboration with Cryostasium (2016’s Unholy Ghost Liturgy) and a split with Striborg (2018’s Spectral Shadows). After that he expanded the line-up of Abigorum with the addition of two German musicians — guitarist/vocalist Tino Thiele (from Wulfgar and Metamorph) and bassist Sandra Batsch — and together they completed a 2019 debut album named Exaltatus Mechanism.

Ms. Batsch subsequently departed, and now the remaining duo of Korolyov and Thiele have recorded a new Abigorum album named Vergessene Stille that’s set for release by a consortium of labels on April 13th. Today we present the premiere of its first advance track, “Erhebt eure mit Blut gefüllten Hörner“, which manages to create an experience that’s both hypnotizing and nightmarish, both hauntingly seductive and terrorizing. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): OCEANA — “THE PATTERN”

 Album Reviews, Exceptions to the Rule, Premieres  3 Responses »
Jan 262021
 

 

It has been a long time coming — a very long time — but on January 29th the Roman band Oceana will release their debut album The Pattern through Time To Kill Records. But it seems the time is right, even if the album is arriving 25 years after Oceana’s debut demo and EP, and the strength of the new album is such that fans of progressively inclined melodic death metal will be grateful the band did not die an early death.

Given the passage of so much time, all will be forgiven who are unfamiliar with the band. It was the brainchild of Massimiliano Pagliuso, who has been the guitarist for the Italian band Novembre throughout those same 25 years, and it was he who revived Oceana, bringing together original drummer Alessandro “Sancho” Marconcini and another old friend, Gianpaolo Caprino, as second guitarist.

How the rebirth happened, and the themes that inspired The Pattern, are subjects addressed by Massimiliano Pagliuso in an extensive statement that you will find below. What you will also find below is a full stream of the new album, preceded by a few reactions of our own. Continue reading »

AN NCS VIDEO PREMIERE: OATH OF DAMNATION — “IMHULLU”

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Jan 222021
 

 

Last February we had the pleasure of presenting a lyric video for a song by the Australian black/death ravagers Oath of Damnation. That song, “I Curse Thee, O Lord!” was an eye-popping thrill-ride, both eerily majestic and utterly hellish, both atmospheric and barbaric. And there were a lot more thrills awaiting listeners in the album that included it — the well-named Fury and Malevolence — which was released by Gore House Productions in March 2020, roughly six years after the band’s full-length debut. Months later, that record popped up on numerous year-end lists around the web, and now we have a vivid reminder of just how good the album is.

Fury and Malevolence is brimming with well-told tales of darkness, horror, and ancient mythologies, and one of the most compelling tales is “Imhullu“, the track that opens the record and carries the listener into an unearthly world of titanic struggle and gargantuan bloodshed. No wonder that the band chose that song as the subject of the video we’re premiering today. Continue reading »

AN NCS PREMIERE: FERAL LIGHT’S “CONJOINT LIGHTLESSNESS” (AND A REVIEW OF THE NEW “CEREMONIAL TOWER” EP)

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Jan 222021
 

 

Last September at NCS Andy Synn devoted the 125th edition of his Synn Report (here) to the discography of Minnesota-based Feral Light, whose music he recommended for fans of  Tombs, Cobalt, and Wolvhammer. In Andy’s words, Feral Light (drummer Andrew Reesen and guitarist/vocalist Andy Schoengrund) “deal in a gritty, gruesomely groovesome brand of Black ‘n’ Roll which has, over the years, also developed an increasingly savage-yet-sombre (not to mention ever-so-slightly proggy) edge to it”.

The latest record in their discography as it existed at the time of Andy’s retrospective was the 2020 album Life Vapor, which he characterized as Feral Light‘s “darkest record yet”, a “more refined and more atmosphere-heavy album than either of its predecessors”, but also “even more focussed and ferocious”: “[F]or what it might lack (or sacrifice) in terms of bombastic hooks and swaggering attitude it more than makes up for in sheer intensity and potent staying-power, making for an overall more fulfilling, and no less thrilling, listening experience from start to finish.”

If you haven’t yet encountered Feral Light, you should definitely check out Life Vapor — but you really couldn’t go wrong with any of their albums. And thankfully, the band continue to forge ahead. On February 26th they will be releasing a new three-song EP named Ceremonial Tower, and today it’s our pleasure to premiere one of those three tracks — “Conjoint Lightlessness“. Continue reading »

AN NCS VIDEO PREMIERE (AND AN INTERVIEW): THE AMENTA — “AN EPOCH ELLIPSIS”

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Jan 212021
 

 

In early December we got a big but very welcome surprise when Debemur Morti Productions announced that they would be releasing a new album by the avant-garde Australian death metal band The Amenta (the band’s first full-length in almost eight years), and sprung upon us a video for the album’s first advance track, “Sere Money“. And now we’re springing upon you a video for the album’s second single, “An Epoch Ellipsis“, along with an interview of the The Amenta’s Timothy Pope which focuses on what you’re about to see and hear.

The name of the new album is Revelator, and Debemur Morti has set February 19th as the release date. As DMP rightly reports, it is “the culmination of nearly 20 years’ collective experimentation in nonconformist, dissonant, dynamic and electronically-lacerated Death Metal”. And although we typically resist just copy/pasting promotional texts written by others, the following passage does a very good job as an introduction to the manifold experiences the album presents: Continue reading »

AN NCS VIDEO PREMIERE: VALGRIND — “FROM THE VISCERA OF DARKNESS”

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Jan 212021
 

 

We’ve been following the music of the Italian death metal band Valgrind for many years, and for good reason. But if you happen to be discovering them for the first time, despite how often we’ve written about them, they released four demos and an EP between 1995 and 2002 — and then seemed to go into hibernation until the appearance ten years later of their debut album, Morning Will Come No More. Another four years passed, and then Valgrind’s second album, Speech of the Flame, was released by Lord of the Flies Records. The wonderful 2017 EP Seal of Phobos tided over Valgrind fans until the 2018 appearance of the next album, Blackest Horizon, via Everlasting Spew Records.

And then last year brought us a new full-length, Condemnation, which was released in July through the Spanish label Memento Mori, who rightly characterized the record as “poignant, crushing and classy”. It was further proof of what the band’s discography had already revealed, i.e., that Valgrind aren’t content to remain stuck in one place. Even after all this time, they have continued to evolve, to challenge themselves, and to let their interests and ambitions lead them to create music that’s mentally and emotionally engrossing for listeners — as well as frequently eye-popping in its ferocity.

And now Valgrind will be independently releasing a new EP named From the Viscera of Darkness, and today we’re pleased to present a video for the title track. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): HULDER — “GODSLASTERING HYMNS OF A FORLORN PEASANTRY”

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Jan 202021
 

 

Hulder’s debut album Godslastering Hymns of a Forlorn Peasantry is a transportive experience. To be sure, it’s loaded with contagious riffs and head-moving rhythms, but it’s greatest success is in spurring the listener’s imagination, spiriting it away to settings that are far away from the mundane world. Many of those settings are the stuff of nightmares. Others are beguiling and bedazzling, but even then are beset by menace.

In your mind you may walk the halls of ancient castles inhabited by hellish princes and hostile wraiths, or wander through haunting midnight forests under a crescent moon. Your blood may be chilled by the emergence of vampiric creatures from an unsettling gloom, or quickened by the whirl of dancing — witnessing both peasants cavorting ’round a roaring blaze in a freeing moment, and minuets in imperious ballrooms long lost to the ages. But none of it seems real, and almost all of it feels sinister and perilous.

The combination of all these sensations makes the record electrifying, and one there’s no temptation to leave after you get into it. It’s thus with great pleasure that we present a full stream of it in advance of its January 22nd release by Iron Bonehead Productions. Continue reading »

WE ANNOUNCE A NEW PANOPTICON ALBUM AND PREMIERE ITS CLOSING TRACK “KNOW HOPE” (WITH AN INTERVIEW OF AUSTIN LUNN)

 Interviews, Premieres  12 Responses »
Jan 192021
 

 

In a new year that has already brought an over-sized share of awfulness in very short order, we bring you good tidings: By the coming spring, Panopticon will release a new album, through its steadfast partner Bindrune Recordings.

The name of the album is …and again into the light. It consists of eight songs encompassing 70 minutes of music. And today, in addition to the good news, we’re presenting a video for one of those eight songs. Entitled “Know Hope“, it’s the extensive track that brings this stunning album to a close.

We will have much more to say about the album in the coming days, but for now we’ll provide a brief preview, as well as an interview with Panopticon’s Austin Lunn which sheds further light on what inspired the album, the collaborators who were involved in making the music, and other details that ought to pique your interest (as if you weren’t plenty interested already). Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): GRABUNHOLD — “HELDENTOD”

 Album Reviews, Premieres  1 Response »
Jan 192021
 

 

Take a good look at the cover art for Grabunhold’s debut album Heldentod, because it provides a few pertinent clues to the music. In elaborate fashion, the drawing depicts a blending of the supernatural and the medieval. A castle looms in the distance, banners flying in a cloud-cloaked mountain fastness. In the foreground a hellish king, surrounded by ghastly creatures emerging from the earth, gazes over long columns of dread warriors marching toward that distant fortress. And above it all, a crossed sword and mace adorn the ornate lettering of Grabunhold’s name.

Like the fantastical cover art, Grabunhold’s formulation of black metal is itself a blending of the supernatural and the medieval. It is itself cloud-cloaked and majestic, warlike and elaborate. It often rings with the resonance of ancient music, and it reaches spectacular heights, but it is also persistently shadowed by dread and sorrow. It merits the well-worn term “epic”, but there is an earnestness and sense of devotion in the music that prevents it from sounding calculated or “cheesy”. And its multiple facets are so memorable that it’s likely to have staying power over years to come.

Thus it’s with considerable pleasure that we present a full stream of the album in advance of its January 22nd release by Iron Bonehead Productions — preceded (of course) by a bushel of additional words. Continue reading »

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