Jan 312019
 

 

In my humble opinion, no other domain of deeply underground music channels the madness of spiritual devotion, the intensity of unconstrained zealotry, the casting off of self-advancing calculation, as well as black metal. And few other genres so powerfully capture our most deep-seated terrors or so vividly give form to unseen spirits.

Many bands try to channel manifestations of stellar burning chaos through the fashioning of simulacrums — creating reasonable facsimiles of the real thing, but straining too hard to manufacture the explosion of blood and mind that’s the hallmark of authentic blinding fervor and fear. Needless to say, finding music that combines such genuine blast-furnace intensity with mindfulness about details — which channels extravagant emotional inspiration and reaches with straining sinews for the divine, yet reflects a demanding meticulousness about nuances of sound — is a rarity.

But here we have that rarity, in God Without Name, the first album by Aoratos. The emotional effect of the music is astonishing, though at the same time that effect is no surprise at all given the people whose talents are behind the name Aoratos, which means unseen. Continue reading »

Jan 302019
 

 

There’s a coiled serpent on the cover of Graves‘ new album Liturgia da Blasfemia, but these Portuguese black metallers have harnessed a lot of powerful demon horses in their hard-charging sounds, as well as demonstrating fanged striking power and loosing currents of reptilian venom. But this is an album that’s also more nuanced than you might expect. It conveys moods of wrenching misery as well as extravagant ferocity, and as pitch-black as the music usually is, it also includes moments that channel heart-breaking loss and heart-swelling incandescence.

To put it differently, death and desolation loom over the album like the great heartless reaper of souls we have imagined for millennia, but notwithstanding that ever-present shadow, the album is very much a dynamic experience. All the changing moods, and the expert way in which the band ring those changes through memorable riffs, are a big reason why the album is well worth listening to from beginning to end — which is exactly what we’re making it possible for you to do today, just a few days before its February 1 release by Iron Bonehead Productions. Continue reading »

Jan 302019
 

 

The thorned nightshade gardens of black metal have extravagantly expanded from their poisonous underground root stocks and become hybridized to the point where some of the offshoots have even taken on the kind of prettier hues that appeal to non-vampiric surface-dwellers. But of course there are still many black-hearted horticulturalists out there, devotedly caring for the genre’s barbed and deadly old-growth vines, greedily inhaling their aromas like pestilential perfume and exhaling hate.

The Israeli black metal band Dim Aura don’t completely reject the idea of hybridization, but they’re unquestionably devoted to the perpetuation of cold malice and tyrannical fury. Their newest display of sonic torment and cruelty is The Triumphant Age of Death, an album that will be released by Saturnal Records on March 22nd. It adds to a discography that includes a pair of EPs and a debut full-length from 2013, The Negation of Existence. From that album, we present its first single, an onslaught on organized religion named “Black Heretic Hate“. Continue reading »

Jan 292019
 

 

The four long tracks that made up the 2014 debut album of New York-based Funereal Presence left this writer full of wonder, and mentally and emotionally discombobulated. The Archer Takes Aim was both a savage visitation to the black metal of the genre’s halycon days and an almost experimental reimagining, never remaining in one space for very long, yet displaying such exuberant creativity that it became a beacon which pulled me back over and again.

It is thus a genuine thrill to share the news that Funereal Presence is returning with a new album that will be released by The Ajna Offensive in North America and by Sepulchral Voice in Europe. Entitled Achatius, it again consists of four long-form compositions, and if anything, the music is even more fantastical, more bewilderingly idiosyncratic and ingenious, and even more likely to leave listeners in a state of shock and awe.

The first astonishing revelation from the album is the song we’re presenting today, “Wherein Seven Celestial Beasts Are Revealed to Him“. Continue reading »

Jan 292019
 

 

With their impending self-titled debut EP, Pittsburgh’s Riparian channel a ferocious zeal for musical carnage while displaying impressive technicality, integrating elements of death metal and grindcore, and dosing their rapidly veering rampages with moments of doom and gloom.

“Grimy, weird, and filth-soaked,” is one way that Grimoire Records describes the sound, and it is Grimoire that will release the EP on March 1st. Today we present an outstandingly unhinged track from the EP named “The Nuclear Unclear” through a music video with a beer-lover’s back-story. Continue reading »

Jan 292019
 

 

Welcome, brothers and sisters, to another thrilling excursion into musical lands of fire and ice, with guides from Atlanta, where the people are no strangers to heat and may soon also find themselves enveloped in ice, thanks to the impending assault of a new polar vortex.

Consumed By The Source” is the name of the song you’re about to hear, and it’s one of seven tracks of ravaging black metal on Triumphant Master of Fates, the new second album by Atlanta’s Vimur, who curse the wretched earth and seek salvation beyond the stars, in death. Continue reading »

Jan 292019
 

 

Par le Sang Versé is one of the most thoroughly entrancing and gloriously vibrant metal albums I’ve heard in years, regardless of sub-genre. It seizes ancient folk traditions and hurls them forward into the modern age, but without letting go of the intense devotion to the centuries-old well-springs of inspiration that gave birth to this record. I do think it’s impossible not to be moved in some significant degree by this fervent music, and likely that most listeners will simply be swept aloft and carried away, as I’ve been.

Granted, this writer tends to get swept away by a wider range of extreme music, and perhaps more often, than many of you, yet the conviction is strong that the eight songs on this new second album by the French medieval black metal band Véhémence are so powerful in their capacity to ignite passion and fire the imagination that the band’s own unmistakable passions become highly communicable, if not irresistible.

Have I fallen whole-heartedly within the embrace of a seduction that you could shrug off? That’s a question you can answer for yourselves, because you’ll have the chance to listen to a new song from the album following a lot more introductory verbiage, plus three more tracks that were previously released in advance of the record’s release on February 10th by the distinctive French label, Antiq. Continue reading »

Jan 282019
 

 

We live in an age when conspiracy theories of all stripes seem to have reached a zenith, and the Canadian death/thrash band Backstabber (from northern Quebec) seem to have embraced the ethos (or at least fervently portrayed it) in their debut album Conspiracy Theorist. Consisting of 10 tracks that explore themes of scandal, critiques of mainstream media, and of course conspiracies, the album will be released on February 15th.

Today we present a lyric video for one of their murderous aural attacks. Entitled “Geo Engineering“, it was inspired by a speech delivered at the Council on Foreign Relations in 2016 by then-CIA chief Paul Brennan. In the speech, Brennan spoke of a program that had attracted his personal interest called “Stratospheric Aerosol Injection”, through which seeding the stratosphere with reflective particles could reduce global temperatures at an estimated annual cost of $10 billion.

Though Brennan touted the idea as a means of combatting global warming, Backstabber foresee a different and more devastating outcome. Continue reading »

Jan 282019
 

 

As you prepare to begin listening to this album, imagine finding your seats with other members of the audience in the midst of a blasted concert hall, surrounded by the ruins of a dead civilization (your own), beneath a roiling red sky streaked with cascading black clouds. Soon you will be enveloped by dense waves and gales of sound, as Se Lusiferin Kannel perform four larger-than-life symphonies of Luciferian exaltation and lunacy, apocalyptic catastrophe, and the heart-ache of death and desolation on a massive scale.

These four compositions, each of them as long as an EP, make up the body of Valtakunta (a Finnish word for “kingdom”), the 71-minute debut opus of these mysterious visionaries. It was first self-released digitally in October 2017, but on February 1st it will be presented by Signal Rex on CD and double-LP vinyl formats, remastered by Stephen Lockhart at Iceland’s Studio Emissary and featuring new cover art by Heresie Graphics. Continue reading »

Jan 252019
 

 

Much has been written by survivors of near-death experiences. As summarized in The Font of All Human Knowledge, in some instances survivors describe positive sensations of “detachment from the body, feelings of levitation, total serenity, security, warmth, the experience of absolute dissolution, and the presence of a light”. For others, there are “sensations of torment and torture”.

The Italian band He Comes Later explore a particular kind of near-death experience in their debut album, Cognizance (released last October), meticulously following the experience of a tortured protagonist who brings himself to the brink of suicide, and over the brink. Through remarkably evocative and eloquent lyrics, the songs trace the path into oblivion — and out again, with a second chance to go on, no longer despising the gift of life. Continue reading »