AN NCS ALBUM PREMIERE (AND A REVIEW): VERWÜSTUNG — “GOSPEL OV FURY”

 Album Reviews, Premieres  2 Responses »
Apr 252019
 

 

If performed live in a club, Verwüstung’s new album Gospel Ov Fury would leave most people ringing wet and gasping for air. Their brand of feral black thrashing mayhem is relentlessly propulsive and thoroughly evil, persistently capable of channeling berserker-level chaos and triggering all sorts of fast-twitch muscle fibers, including the ones in your neck (though most people can’t headbang this fast, even they’ll want to).

Gospel Ov Fury will be released by Handful of Hate on May 1st, though there’s way more than a handful of hate in these nine songs. But while viciousness and rage set these songs on fire, these demonic Belarusians also happen to be skilled song-writers and top-shelf technicians. Not content merely to fly like the wind, or even to pack their songs with one virally infectious riff after another, they’ve paid attention to the appeal of dynamism, as you’ll discover for yourselves through our premiere of a complete album stream at the end of this post. Continue reading »

AN NCS PREMIERE: CYTTORAK — “COUNCIL OF 13 TRANSMOGRIFICATION CHAMBER”

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Apr 242019
 

 

I should have known. Somewhere in the recesses of my memory, I did know, but the memories had faded. And so I asked the band: Who or what is Cyttorak?

Do you know? If you are of a certain age, and gleefully immersed yourself in the magical lore created by Stan Lee and his colleagues at Marvel, and have a better memory than I do, you will know. And if you don’t, hold your questions for a couple of paragraphs. For now, just be aware that the Rhode Island band Cyttorak chose their name from that lore, and if you’re a comic book nerd (as I used to be), you’ve got to fucking love ’em for it.

But apart from expressing a love of comics, the three men behind Cytorrak (the band) chose the name for reasons (at least as I infer them) which have something to do with the kind of music they make — which involves excelsior-level pulverization. Continue reading »

AN NCS PREMIERE: HLX1 — “TAAAR JURKHAATH MIYKHT”

 Premieres  7 Responses »
Apr 242019
 

 

A couple of things stood out about the e-mail we received inviting us to premiere the song you’re about to hear. First, it was sent by an Intergalactic Negotiation Module, specifically module No. 54, for an entity named HLX1. Second, the request ended with this threat: “Any form of resistance shall lead to immediate extermination.”

Here at NCS we have a firm policy against negotiating with terrorists. However, since the e-mail also informed us that we had been chosen “as one of the most worthy musical taste developing specimens of your kind”, which of course is an undeniable fact, and because the threat was being conveyed in the name of Yullama Rima-Akta VI, supreme emperor of the capital planet Nhakuu-3, I decided to at least take the threat seriously enough to listen to the song that accompanied this imperious missive.

I found the song, the name of which is the incomprehensible “Taaar Jurkhaath Miykht“, to be… hostile… perhaps even terrorizing… enough so that I thought we might make a slight exception to our rule about not negotiating.

Since I have no photo of HLX1 to follow the jump, which is our typical practice, consider this: Continue reading »

AN NCS PREMIERE: TEMPLE KOLUDRA — “THIS DIADEM WILL LAST”

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Apr 232019
 

 

On their debut album, Seven! Sirens! To A Lost Archetype, the blood-freezing Germany mystics in Temple Koludra demonstrate a spine-shivering mastery of a particular kind of night-dark musical art. Inspired by a fascination with Indian spirituality and armed with the implements of black and death metal, they’ve crafted an experience that’s both nightmarish and spellbinding, a throwing-open of portals to dimensions where nothing seems real but everything seems ready to devour you, body and soul.

The song we’re premiering today, “This Diadem Will Last“, is emblematic of the band’s terrifying gifts. It has the quality of a disturbing vision, a hallucinatory revelation of apocalyptic doom, demonic grandeur, and psychotic cruelty. It may cause your skin to crawl, but it’s transfixing, and it’s likely to haunt your memory for perhaps longer than you would like. Continue reading »

AN NCS PREMIERE: MAVRADOXA — “NIGHTMARROW”

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Apr 232019
 

 

Roughly two years ago we had the pleasure of premiering a great song (“Across the Nival Grove“) from Lethean Lament, the second album by the New York black metal band Mavradoxa, which followed their full-length debut, a wonderful 2016 album named Sojourners. Today we’re in the fortunate position of bringing you more new music by this talented group from Rochester — the title track off their forthcoming third album, Nightmarrow, which will be released by Hypnotic Dirge Records on May 2nd.

Thematically, the new album is described as “a meditation on the isolation and hopelessness of our age (particularly in the realm of the urban), and the consequences of technology and voracious consumption of resources”. Those themes are evident in the lyrics of the title song, which portray specters (the “nightmarrow”) that “lurk beneath the glow” of labyrinthine corridors of neon and steel. “They kiss our pale blue lips / They bloom in pestilence”, and they are the distillation of humankind’s malevolent qualities — in the band’s description, “the interminable urge to consume, to control, and the chaos that results….” Continue reading »

AN NCS PREMIERE: VAGRANT — “DARKNESS DURING THE REIGN OF A BLACK SUN”

 Premieres  1 Response »
Apr 222019
 

 

For their debut album, The Rise of Norn, the German melodic death metal band Vagrant have constructed a conceptual narrative concerning the path of an ancient warrior, a tale that in part also seems to be a metaphor for broader ruminations on the depths of human volatility and despair, and the ultimate fragility of existence.

The first single from the album, “Blood On A Crow’s Beak“, happened to be its closing track, a tragic narrative in which the dying warrior seems to share his final thoughts as his body is returned to the land of his birth. Musically, it’s an irresistible gallop of heroic riffing and glorious leads, of compulsive rhythms and scorching vocals, accented by acoustic strumming and ominous keyboard layers.

Now we have a second offering from the album, the record’s longest and most intricate song. “Darkness During The Reign Of A Black Sun” portrays a young warrior’s sinister visions and dreams, in which he foresees a big war that eventually will be his last — yet the vision leaves a question about whether the prophecy can be trusted. Continue reading »

AN NCS VIDEO PREMIERE: SOL DE SANGRE — “ANTES DE LA CREACIÓN (BEFORE THE CREATION OF TIME)”

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Apr 222019
 

 

Three months ago we had the pleasure of premiering two songs from a split release by the Colombian band Sol De Sangre and the Spanish band Pánico Al Miedo, one track by each group. La Senda De La Muerte is the name of that split, and it includes the two bands’ covers of tracks originally recorded by giants of the death metal pantheon, with Sol De Sangre performing their versions of songs by Entombed and Unleashed, and Pánico Al Miedo extending their talents to the music of Pestilence and Death. For all the songs, the bands reinterpreted the lyrics in Spanish, giving them a new kind of vibe and atmosphere.

In January, the song we premiered from Sol De Sangre (through a lyric video) was “Festín De Carne“ — their cover of Entombed’s “Revel In Flesh” from Left Hand Path. Today we bring you another video premiere, this time for Sol De Sangre‘s second track on La Senda De La Muerte. Entitled “Antes De La Creación“, it’s a cover of “Before the Creation of Time” by Unleashed (from Where No Life Dwells). Continue reading »

AN NCS PREMIERE: ONKOS — “HEPATIC”

 Premieres  5 Responses »
Apr 222019
 

 

And now for something completely different.

Let’s begin with the chekeré. According to The Font of All Human Knowledge, “it is a West African percussion instrument consisting of a dried gourd with beads or cowries woven into a net covering the gourd…. In performance it is shaken and/or hit against the hands.” That same source explains that the chekeré “is common in West African and Latin American folkloric traditions as well as some of the popular music styles”.

As a result of the musical project Onkos, that last sentence quoted above will now have to be amended to add “and avant-garde death metal“. Continue reading »

AN NCS PREMIERE: PANZERFAUST — “THE DAY AFTER TRINITY”

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Apr 192019
 

 

The Toronto-based black metal band Panzerfaust are about to embark on a very ambitious project. With their fourth album, The Suns of Perdition I: War, Horrid War, they will begin a planned tetralogy of full-length releases devoted to some of history’s most awful events. This first chapter in that monumental effort, which will be released by Eisenwald on June 14th, takes as its subject matter many terrible occurrences of the past century, creating a synthesis that mirrors a vision of the future described by George Orwell as “a boot stamping on a human face forever”.

Today we bring you the first advance track from …War, Horrid War, a song of punishing physical power and brain-mangling intensity, yet one that proves to be as spellbinding as it is titanically ravaging. The band describe the inspiration for the song’s name, “The Day After Trinity“, in these words: Continue reading »

AN NCS VIDEO PREMIERE: POLYNOVE POLE — “ON THE EDGE OF THE ABYSS”

 Exceptions to the Rule, Premieres  No Responses »
Apr 192019
 

 

This is a song dominated by two powerful voices, one male, one female. As you see and hear the lyrics in this video, you can interpret their interaction as a dramatic conversation that indeed happens on the edge of an abyss — one voice bitter, resigned, and hopeless, and the other offering earnest encouragement to go on. The hard-hearted among us may dismiss the encouragement as too earnest, and find the bitter resignation more familiar and realistic. But the music and the voices are so emotionally powerful that perhaps they will pierce even the hardest of hearts.

Obviously, that’s what happened to me, or you wouldn’t be seeing this premiere at our site. And it happened even though — or more accurately because — Marianna Laba‘s soprano voice is so clean and pure, which of course makes the song (in part) an exception to the “rule” in our site’s banner. It’s only an exception in part because that other voice is harsh and harrowing — and gargantuan in its gravelly tone. Continue reading »

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