AN NCS PREMIERE: LOATHER — “MORTUARY”

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May 312023
 

Eis is the name of the debut album by the Austrian band Loather that’s coming our way in June via Vendetta Records. After a roughly four-year gap in Loather‘s releases (which of course included the pandemic disruptions as well as lineup changes), it follows an initial demo and two EPs, the last one being 2019’s Haganvelt.

It has never been easy to craft a succinct genre description for Loather’s music, but the task is even more difficult in the case of Eis. We’ve seen the phrase “blackened narcotic metal” applied to their past works. Elements of black metal and doom play roles in Eis, and Loather indeed prove themselves quite capable of casting narcotic spells.

But the genre ingredients one might identify don’t really operate as very useful signposts for what the album provides listeners in Loather‘s dark renderings of stress and sorrow, of angst and anger, of power and poignance. The music itself provides the best guide, and so it’s fortunate that we have a part of Eis for you today in our premiere of the song “Mortuary“. Continue reading »

AN NCS VIDEO PREMIERE: IKU-TURSO — “AT THE CRACK OF DAWN”

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May 312023
 

(In this feature Hope Gould provides the introduction to our premiere of a lyric video for a song from the forthcoming vinyl and tape release of the latest album by Finland’s Iku-Turso.)

It’s no secret that Finland has mastered the art of melody. The country has long been considered a “satisfaction guaranteed” label for riff-seekers, so it comes to little surprise that Finnish black metal band Iku-Turso tread this path with black devotion. Infusing their melodies with the cold northern spirit of days gone by, Iku-Turso’s 2022 full-length, Into Dawnless Realms, has all the makings of a lost second-wave gem. It built upon the band’s five-year path of Finnish melodic mastery while tapping directly into the golden era of ’90s Norway; buzzsaw guitars, spellbinding synth, and vocalist Lafjawijn’s timeless creaky rasp are gateways to the oft-forsaken past.

We previously shared some words about the band’s 2021 EP At The Crack Of Dawn, whose title track has since been re-recorded in English for last year’s aforementioned full-length, Into Dawnless Realms. To hallmark today’s long-awaited vinyl release of Into Dawnless Realms on Wolfspell Records, NCS is premiering Iku-Turso’s lyric video for “At The Crack of Dawn.” Continue reading »

AN NCS PREMIERE: BLACK EUCHARIST — “ZIZIPHUS PALIURUS”

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May 302023
 

In all of their outward manifestations, including their corpse-painted visages and torch-wielding promo photos, the U.S. band Black Eucharist (who were once known as Black Ejaculate) defiantly brandish the familiar trappings of blasphemous black metal. Their music is lyrically venomous, vile, and fueled by a hateful scorn for the Nazarene and all things associated with him, and violent-demon rage comes through in the music as well.

But if you aren’t familiar with the band, their music is much more multi-faceted than those outward trappings might suggest, and they’ve proven that in spades on their debut album Inn of the Vaticide, which is now set for international release on June 23rd by Stygian Black Hand. In some respects it’s primitive and bestial, but in so many other ways it’s elaborate and genuinely head-spinning.

To back up that assertion, we’ve got a song from the new album named “Ziziphus Paliurus” to share with you today. Before we get to that, however, it’s worth pausing to reflect on the album’s first single, “Deflowering Jerusalem“. Continue reading »

AN NCS VIDEO PREMIERE: STAGWOUNDER — “DER MODER HEILIGSTER RECHTE”

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May 302023
 

About 18 months ago we had the chance to premiere a fascinating song off the then-forthcoming sophomore album The Shrouded Muse of the World’s Lament by the German black/doom metal band Stagwounder, which was released by Crawling Chaos Records. The album itself was equally fascinating, and not only because of the music. Its conceptual underpinning was a series of aphorisms drawn from a work called Pessimistenbrevier by the 19th-century German philosopher Julius Bahnsen, and we delved into it in some detail in that premiere feature.

We won’t repeat that discussion here, though it’s still worth exploring if you managed to overlook the album. What we’re doing now is to provide a very good reason to track down the album if you’re late to the party, and to give even fans who know the album well an opportunity to revisit part of it in a special way, thanks to a video of Stagwounder performing the song “Der Moder heiligster Rechte” in an unusual live setting. Continue reading »

AN NCS PREMIERE: COFFIN MULCH — “FALL OF GAIA”

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May 292023
 

I discovered the news about the debut album of Coffin Mulch in an unusual way, before receiving any press release or other promotional material about it. I was listening to another band’s new song on YouTube, and after it finished YouTube served up a new Coffin Mulch song, the first single off that debut album. I almost never pay attention when YouTube does this, but instead hunt down the next song on my listening list. But this time I decided to see what “Into the Blood” was all about — mainly because of the fantastically bizarre cover art in the clip — and received further confirmation that sometimes poor impulse control is a good thing.

As I wrote here at the time, the gritty whir of the chainsaw riffage in “Into the Blood” hooked me immediately, as did the song’s opening rhythmic thump. The vocalist’s high rabid howls, the livid snap of the snare, and the heavy slug of the bass added to the song’s marauding appeal. When the pace slows, it becomes a gruesome slog-and-stomp, though the throat-ruining vocals sound even more unhinged. And speaking of unhinged, when the band start to cavort and chug again, there’s a brief burst of soloing that’s exactly that.

By coincidence, it wasn’t too much longer before we were asked to host the next song premiere from this new Coffin Mulch album (Spectral Intercession). Having heard “Into the Blood“, it took me about a nanosecond to say Yes! Sometimes the stars line up very nicely, don’t they? Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): NIBIRU — “ANAMORPHOSIS”

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May 242023
 

The last time we premiered music by the Italian band Nibiru we began by observing that their music “is nearly unclassifiable”, a conclusion bolstered by the fact that their albums had elicited genre descriptions along the lines of “Ritual Psychedelic Sludge” or “Blackened Sludge & Drone”. Their list of musical influences was even more difficult to imagine being integrated into anything that made sense, and their literary and other extra-musical influences were equally varied.

On that previous occasion we premiered only an excerpt from a very long song that was one of four on their sixth album, Panspermia, though we also attempted to preview what else happened in the song as a whole. Today we’re premiering a long song in its entirety, but this time the song is also the album — a single composition, nearly an hour long, named Anamorphosis. It will be released on May 26th by Argonauta Records. It’s no easier to sum up, especially in genre terms, than anything else Nibiru have done Continue reading »

AN NCS PREMIERE: KRIGSGRAV — “AN EVERFLOWING VESSEL”

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May 242023
 

(In the article below Todd Manning introduces our premiere of a song from a new album by the band Krigsgrav, which will be released next month through Wise Blood Records.)

We may be entering the summer here in the States, but there’s a bitter chill in the air thanks to the latest from Texas-based black metal outfit Krigsgrav. Fires in the Fall, available June 23rd courtesy of the excellent Wise Blood Records, picks up where 2021’s The Sundering left off as Krigsgrav continue to perfect their particular brand of melodic black metal.

“An Everflowing Vessel” kicks off with a masterful melody, possessing an epic grandeur, but it is also unquestionably heavy when paired with the drums. The main vocal line, once introduced, is scathing, but soon clean vocals arrive in the background to reinforce the song’s scale. At first glance, the sound sits somewhere between Dissection and Wolfheart, but ultimately it is difficult to pigeonhole Krigsgrav. Continue reading »

AN NCS PREMIERE: ORCHID’S CURSE — “DEAD IDOLS”

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May 232023
 

Everyone above a certain age is well aware of the scene in Pulp Fiction where Vincent viciously stabs a spike loaded with adrenaline right into Mia’s heart to bring her back from a heroin overdose. Immediately, the adrenaline makes her explode back to life.

That scene popped to mind in listening to the Orchid’s Curse song “Dead Idols” that we’re about to premiere — specifically, the way the song begins. There’s no warning, no introductory pause, just a sudden furious injection of scorching screams, hammering drums, and maniacally pulsating riffage.

And then the song becomes even more explosively unhinged, thanks to a turbocharged percussive eruption and a blizzard of tremolo’d chords. If you’re not bolt-upright and pop-eyed awake after that, it’s probably too late to call emergency services. Continue reading »

AN NCS VIDEO PREMIERE: REAPING FLESH — “ELEMENTS OF LIFE”

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May 232023
 

Old School Death Metal continues to age, but enough time has passed for anyone who’s been paying attention to predict confidently that its appeal is ageless. It’s not merely that a lot of the old death metal records from the late ’80s and early ’90s still light a fire under listeners, it’s that the influence of the music continues to fuel vibrant new bands around the globe.

A prime case in point is the Milanese trio Reaping Flesh. They’re unabashed in proclaiming both their inspiration by bands like Autopsy, Obituary, Morbid Angel, Death, and Massacre, and the object of their mission: to play no-frills, straight-forward Death Metal in line with the heritage of those groups.

Reaping Flesh have already been delivering their music on stage, and now they’ll be able to share it everywhere because their debut EP Abyss of Existence is now set for release by Redefining Darkness Records on June 16th. One gruesome and grisly episode of sonic slaughtering from the EP (“Self Incarnation“) is already out in the world, and today we’re helping launch the second one — “Elements of Life” — presented through a music video Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): DRATNA — “FOMÓRAIGH”

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May 222023
 

In past years we’ve written extensively about the music of the Belfast-based solo black metal project Dratna, following their course across four EPs and a 2022 debut album (Fear Gorta & Tales of the Undead) since the first release in 2018. It has been a remarkable excursion, and one that has fueled increasingly high expectations for each new release.

We didn’t expect another Dratna album so soon, but that is what we have — a new full-length named Fom​óraigh that will be released on May 26th by the distinctive NY label Fiadh Productions. Maybe expectations were a bit tempered given the relative speed of this follow-up, but that trepidation only made the new record even more astonishing to hear.

In its inspirations and themes the new album draws on Irish mythology and the landscape of The Mourne Mountians. In its music, to use the rudest form of summing up, it interweaves atmospheric and raw black metal with folk music performed on a wide array of instruments, rich symphonic overlays, and hints of doom. It unfolds like a head-spinning, eye-popping musical pageant, one that seems to have one foot in an age lost to the millennia and another in the hear-and-now. Continue reading »

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