Dec 262017
 

 

I hope everyone had a good Christmas Day, even if the day itself is nothing special to you. As you may have seen, NCS was alive and kicking despite the holiday, with three premieres yesterday. And we’ll continue to kick for the rest of the week with a rollout of more year-end lists by NCS contributors and invited guests, plus assorted other posts.

I wasn’t able to get a SHADES OF BLACK post done for Sunday, but it’s coming soon… and may be a two-parter, because there’s a lot I want to write about. But to start the six days that remain before New Year’s Eve, I selected three recent songs and one new EP that sound like the antithesis of peace on earth, good will toward men, because I can only take so many demonstrably impotent platitudes of that nature before I have to dose myself with flesh-eating music.

ATOMWINTER

The consumption of flesh commences with a track from Catacombs, the new third album by the German harbingers of total death in Atomwinter. The album will be released by Trollzorn on February 9 (digital, CD, and gatefold LP). And isn’t that a hellishly fantastic album cover? Continue reading »

Dec 242017
 

 

There is something to be said for waiting until the year really is ended before making a year-end list. To take but one example, the EP we’re about to premiere (which could be called an album because of its length) is being released digitally tomorrow — the 25th of December, less than a week before 2017 is interred in the tomb of calendar time — and if I had already made a list of the year’s best EPs, I would have to revise it to make a place for Abeloth.

I admit that the learning phenomenon expressed as “recency is primacy” may have something to do with my reaction to this EP, which is the latest release by the Slovenian black metal duo Snøgg. But I suspect that if I had first heard it on January 1, 2017, I would still be revisiting it here in December — because it’s completely fascinating.

The compositional history of the song is also fascinating. Continue reading »

Dec 222017
 

 

After a nearly two-week vacation in which I blogged very little, I returned to Seattle late last week and was promptly slammed by my fucking day job, unforeseen personal obligations, bad weather, and a whole bunch of NCS articles to write or edit, including the continuation of our LISTMANIA series, interviews, reviews, and a bunch of premieres. I can’t really say I need another vacation already… but I kind of do.

Anyway, I haven’t written one of these round-ups in 12 days, and I’m way behind in even listening to all the new songs that have appeared since my vacation began 19 days ago. I started working on this collection early this week but decided to include a couple of songs that have appeared more recently. I hope to do more catch-up round-ups this weekend, including a Sunday SHADES OF BLACK feature, because holidays don’t mean shit around here.

PESTILENCE

Roughly four and a half years after their last album, Pestilence will release a new one via Hammerheart Records named Hadeon, and earlier this week Hammerheart previewed the album with a single called “Multi Dimensional“. It didn’t take long for my NCS comrade TheMadIsraeli to send me an alert about the song, wth a positive message. Continue reading »

Dec 172017
 

 

On Friday night I returned to Seattle after a very nice vacation that lasted nearly two weeks. Thanks to the efforts of my NCS writer comrades, I was able to keep my promise to my spouse that I wouldn’t blog (much) while on vacation. And as a further bonus, the loris horde didn’t burn the NCS compound to the ground while I was gone, though I did notice what seem to be the bones of a few small children strewn behind their barbed-wire enclosure that weren’t there when I left. That seems like a fair price to pay if it avoided an assault on our headquarters.

As I try to get my head back in the game, I count 14 days remaining in 2017, and I thought I’d give you a preview of what lies ahead at NCS before the year dies and we cremate its remains. And because I detest posting anything here that doesn’t include music, I’m throwing in one new song after that. Continue reading »

Dec 122017
 


Afgrund

 

(Like the good cowboy he is, DGR has stepped forward to handle round-up duty today.)

We at NCS are big fans of posts full of genre whiplash, and this roundup of things that caught our eyes and ears last week will likely be one of those. We try to always keep our giant fish net of news-and-music catching open for stuff to fall in and we like to clean it out whenever we get the chance, even though you would’ve figured that last week things should have slowed down just a bit…you would think.

However, just because it’s close to the end of the year and time for everyone to begin writing up summaries of their favorite albums of 2017, and just because our editor managed to escape from the loris horde encircling the NCS compound for a vacation, does not mean heavy metal got the hint and decided to slow down for a bit. We did here in our little comfortable corner of the ‘net, but that doesn’t mean everyone did. And so we go outside to clean off the radar dish and see what landed in the net over the past week. Continue reading »

Dec 102017
 

 

I didn’t expect I would be able to prepare this round-up. I’m still on vacation (through December 15), and have been pretty faithful to the promise I made to She Who Must Be Obeyed that I would not blog (much) during this trip. For example, we had nothing on the site yesterday, which is a rarity.

But, I had a small amount of time to myself this morning, and there didn’t seem to be any harm in checking out some new music. I’ve barely glanced at the NCS e-mail box during the last week, so I decided to start making my way through the mail that arrived over just the last two days (more than that would have devoured my limited blog time this morning). What you will hear in this round-up is the result of that limited and hurried survey.

First, however, I want to share a piece of news that I had missed until Andy Synn indirectly led me to it.

NECROPHOBIC

On Friday I posted Andy’s list of his favorite 2017 EPs. One of his choices was inadvertently omitted from the text he originally sent me for posting, and when he caught the error, he sent me some further text, and the omission happened to be a 7″ EP called Pesta that Necrophobic distributed during a tour. Continue reading »

Dec 032017
 

 

As I’ve mentioned more than once, I’m leaving the country today on a 12-day vacation. I was able to write the two premieres posted earlier today, but ran out of time before I could put together a SHADES OF BLACK feature for this Sunday. As I’ve also mentioned, I made a pact with my wife that I will severely restrict my blogging during this trip. That’s my interpretation of the pact; hers is that I won’t blog at all. This is an ominous misunderstanding.

Before we began the negotiations that led to this pact, I had committed to write three premieres spread over the coming 12 days. I will keep those commitments. I also plan to format and post Andy Synn’s year-end lists, which traditionally kick off our staff’s contributions to LISTMANIA, and I further intend to keep my eye out for the appearance of year-end lists by certain print publications and “big platform” web sites that I usually include in our LISTMANIA series. And I have one more modest goal:

I’m going to attempt to briefly write about one, and only one, new release in order to avoid barrenness on days when we would otherwise have nothing new to post at NCS while I’m gone. It might be a single new song or as much as an entire new album. This post you’re now perusing is an example of that. Continue reading »

Dec 022017
 

 

We’re rushing toward the end of the year like an out-of-control car speeding toward a precipice. And I find myself getting a similar panicked feeling, as if it will be a world-ending event for a metal writer and I only have four weeks to finish spouting off about 2017 releases, a task made even more daunting by the fact that I’m leaving on a 12-day vacation tomorrow (as explained here), and by the prospect of all the LISTMANIA stuff we will be doing between now and December 31 as well.

Of course, this is a completely irrational feeling. There’s no law which prevents us from continuing to write about 2017 releases after New Year’s Day, and no doubt we will. Nevertheless, I’m still feeling a feverish compulsion to give as much attention as I can to recent releases (and a few forthcoming ones) before “time runs out”. So I’ve crammed music from five bands into this post, without nearly enough time to say what I want about them, and I also have some hopes of finishing a SHADES OF BLACK post for tomorrow before beginning my 12-day hiatus. Don’t know if that will work out or not….

INQUISITOR

Thanks to a message from Conor O., and then a subsequent e-mail from the Dutch label Hammerheart Records, I learned that after a 22-year hiatus, Inquisitor have returned with a new album, and it’s an explosive resurrection for sure. Continue reading »

Dec 022017
 

 

(We invite you to respond to Andy Synn’s invitation to fill in a certain alphabet…)

Unless you’ve been living under a rock recently, you’ll doubtless be aware that a little band called… Morbid fuckin’ Angel… just released their long-awaited and highly-anticipated – albeit with a certain amount of trepidation – new album, Kingdoms Disdained.

And while it’s not a total three-point-slam-dunk-home-run (I don’t know sports…) it’s still a solid album, replete with a bevy of stand-out tracks that go a long, long way towards redeeming the band’s slightly tarnished reputation.

Although I still contend that it should have been called Judas Continue reading »

Dec 012017
 

 

Bestialord have already chosen their name, but if they hadn’t, I would have suggested Riff Lord (it seems that “Rifflord” has already been taken). Seriously, if you don’t want to severely strain your levator scapulae, I’d recommend you give them a good limbering up before listening to this new Bestialord song from their debut album, Law of the Burning, because headbanging is pretty much compulsory.

But there’s also some logic in the name this trio did choose for themselves, because their brand of occult horror doom also sounds like it was concocted in the infernal lair of a bestial demon overlord. Continue reading »