HATE: “RUGIA”

 Album Reviews  2 Responses »
Oct 192021
 

 

(This is DGR‘s review of Hate‘s 12th album, which was released by Metal Blade on October 15th.)

I guarantee you my Hate collection is incomplete given the storied career that Poland’s blackened death metal export have had, but my music library informs me that I still have upwards of ninety-something songs accredited to them. I sometimes wonder if that is being generous, as Hate are one of those groups who are a hallmark of consistency in the metal scene.

After having found a blueprint that worked for them, Hate have been rigid adherents to it. They’ll put a spin on it so that over time the outside of the package morphs and changes, but that core is solid and immovable. That’s why it doesn’t really feel like I have ninety-something songs from Hate, so much as I have three-to-four distinct moods of the band, as they continually remake the outer structure of their machine while keeping that main sort of imperial march to their overall sound.

In my review of Aborted’s Maniacult release, I mused on the idea of how some bands have served as a gateway to deeper genres, and one of the ways of doing so has been by achieving the sort of consistency that could be compared to a Japanese train line. Continue reading »

ARCHSPIRE – BLEED THE FUTURE

 Album Reviews  1 Response »
Oct 182021
 

(Andy Synn takes up the challenge of reviewing the new album from Archspire, out 29 October )

I don’t know about you, but it seems more and more evident to me with each passing year that the current Tech Death scene has gotten itself caught up in a perpetual arms race of velocity and virtuosity.

And, sure, it can be a real thrill to witness bands continually pushing themselves, and pushing the envelope, in terms of how many notes per second and beats per minute they can crank out, but you know what happens when an arms race reaches its inevitable conclusion, right?

Mutually assured destruction.

Thankfully, this particular scenario may not be quite as inevitable as it appears, as several of the genre’s leading lights seem to have realised that this constant competition over who can be the fastest, techiest, or shreddiest isn’t necessarily the healthiest way to live, and have already begun taking steps to ensure that when the bubble finally bursts – and it will – there will at least be a few bands left standing.

And I’d put money on Archspire being one of them.

Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): PRIMEVAL WELL — “TALKIN’ IN TONGUES WITH MOUNTAIN SPIRITS”

 Album Reviews, Premieres  4 Responses »
Oct 152021
 

 

I grew up in central Texas in a household of three generations that included an old-time folk fiddler and a square-dance pianist. Sometimes other musicians would drop in for rehearsals or impromptu performances for friends and family. I’d sprawl on the floor with my brother, mesmerized by the sometimes fiery sometimes forlorn bluegrass and mountain music they made.

This was long before black metal (or really any kind of extreme metal) existed. I mention it because it may help explain how thoroughly my mind was blown when I first heard Primeval Well‘s self-titled debut album two years ago, though that was probably evident from the run-away words that spilled out of me at the time:

“Primeval Well make you understand what black metal would have sounded like if it had originated along the Mason-Dixon line in America or in the Appalachian mountains, instead of Norway. It swirls and spins, it dances and cavorts, it soars to grandiose heights of sheer ebullience, it takes us under sodden wisteria beneath crescent moons. It unleashes hellfire and black magic, lunacy and seizures, the savage delight found by lean, hard-living people who were given nothing by anyone and found their own pleasures in the devil’s dream, and the woozy somnambulance brought about by corn liquor from the still.”

All this comes back to me because I’ve had my mind blown again, this time by Primeval Well‘s second album, Talkin’ in Tongues with Mountain Spirits, which is set for release on October 20th by Moonlight Cypress Archetypes, and which you will now have a chance to hear for yourselves. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): ZETAR — “DEVOURING DARKNESS”

 Album Reviews, Premieres  3 Responses »
Oct 142021
 

 

“The Lights of Zetar” was the 18th episode in the third season of Star Trek, originally broadcast in January 1969. It clearly made an impact on R.G., the central Texas musician who chose Zetar as the name of the metal project he created in 2019, choosing to carry forward (as he has written) “the name of a planet of telepaths who’d transcended into a roaming mass of pure psychic energy to curtail their own meteoric extinction”.

Sci-fi inspirations have also carried forward into the band’s striking debut album, Devouring Darkness, for which R.G. enlisted the aid of French vocalist T.P. and Ecuadoran drummer David Lanas to help realize his vision for Zetar. And it is indeed an arresting vision, both thematically and in the unusual and unpredictable amalgam of influences which make their way into the music, including ’90s death metal, synth-laden and thrashing black metal, and classic science fiction scores.

Today we invite you to experience those visions of horror and wonder through our complete premiere stream of Devouring Darkness in advance of its October 15 release by Spirit Coffin Publishing. Continue reading »

HIPPOTRAKTOR – MERIDIAN

 Album Reviews, Exceptions to the Rule  5 Responses »
Oct 142021
 

(Andy Synn would like to introduce you to the debut album from Hippotraktor, out tomorrow on Pelagic Records, and invites you to leave your prejudices and preconceptions at the door)

I know that the post-Meshuggah breed of Metal bands can provoke some pretty divisive reactions around these parts. And I understand why.

After all, what initially seemed to be fresh and fertile soil for creativity and experimentation quickly became over-saturated with copycats and soundalikes whose music only seemed to grow increasingly sanitised, simplified, and mass-produced for mass-appeal with each successive generation.

But, let’s be honest, that’s the case for most, if not all, styles of music, to one extent or another, and just because the veritable deluge of Djent, Post-Djent, Proto-Djent, and Pseudo-Djent bands reached its saturation point in practically record time doesn’t mean you should dismiss any and all groups who elect to take inspiration from the works of Thordendal, Haake, et al.

I mean, it’s entirely up to you if you want to do that, sure, but you’re potentially robbing yourself of the chance to discover and enjoy a whole plethora of bands whose love of polyrhythmic groove and atmospheric melody transcends the trite tricks and tropes of their more djeneric peers.

Which brings us nicely to Meridian, the debut album from Belgium’s Hippotraktor.

Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): CRYSTAL COFFIN — “THE STARWAY ETERNAL”

 Album Reviews, Premieres  2 Responses »
Oct 132021
 

 

Before listening to a note, I loved the idea of Crystal Coffin‘s new album, The Starway Eternal. So let’s begin with that idea, which also helps explain the cover art and the adventurous sensations afforded by the music. As presented in the press materials:

“Cast against the historical realities of the Chernobyl power plant meltdown of 1986, the assumed protagonist – an operator at the power plant – discovers the portalway behind an inoperable console and soon finds that her longing for meaning in this chaotic world answers the opportunity to seek out the purported gods and angels that live among the cosmos in our known solar system.

“To find such entities would be to imbue a sense of importance in our collective existence beyond the daily disorder and existential despair that one accepts. Her trips into various corners of space reveal little to no such beings, and during one such fruitless endeavor, her portalway back to earth is shut permanently; reactor 4 at Chernobyl back on earth has suffered its meltdown during shutdown operation.

“Frantic, she makes the decision to return to earth by falling through the fiery atmosphere as a lonely, final and futile act of desperation. Of course, survival is impossible, and such an act becomes a metaphor for our time, wandering the earth with little connection to anything beyond the physical world”. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): SUPERSTATIC — “GLIMMERING VEIL”

 Album Reviews, Premieres  5 Responses »
Oct 122021
 

 

Glimmering Veil is the second album by the Irish band Superstatic, and you’ll have difficulty finding a 2021 record that’s as simultaneously unnerving and fascinating. It’s a work of extravagant and unpredictable imagination, labyrinthine in its movements, fantastically textured in its sounds, and both deleterious and awe-inspiring in its moods.

It extends through seven long tracks across one hour and 12 minutes, but never allows the listener’s attention to wander. To borrow from the following review, we can recognize downcast and distraught human emotions in the music, but really, nothing sounds truly eartb-bound.

“Death/doom” is the simplest label one might affix to the music, but it would be an absurdly simplistic label, unless perhaps you add “avant-garde” or “experimental” as another descriptor, as a way of hinting at how wide-ranging the experience becomes.

We have a lot more to say about the album below, but beyond the torrent of linguistic impressions we also have a full stream of the album in advance of its imminent October 15 release by Solitude Productions. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): THE TROOPS OF DOOM — “THE ABSENCE OF LIGHT”

 Album Reviews, Premieres, SHORT BUT SWEET  1 Response »
Oct 112021
 

 

The Absence of Light is the kind of recording that first sells itself by the names of the people who participated in making it.

It’s the work of the Brazilian death metal band The Troops of Doom, whose line-up includes guitarist Jairo “Tormentor” Guedz, a former member of Sepultura’s original lineup playing author and co-author to classic Sepultura albums Bestial Devastation and Morbid Visions, alongside bassist/vocalist Alex Kafer (Enterro, Explicit Hate, ex-Necromancer), drummer Alexandre Oliveira (Southern Blacklist, Raising Conviction), and guitarist Marcelo Vasco (Patria, Mysteriis, and an acclaimed graphic artist for the likes of Slayer, Kreator, Machine Head, Soulfly, and Hatebreed).

Moreover, Jeff Becerra of Possessed shared vocals on the track “The Monarch”; Lars Nedland of Borknagar, Solefald, and White Void performed bass on the first three tracks; and Dave Deville conducted the orchestral introduction. As additional icing on the cake, the songs were mixed and mastered by Øystein G. Brun (Borknagar) at Crosound Studio in Norway.

All these names draw attention by themselves, but of course the music must ultimately win people over. The music here is guaranteed to do that, because it’s absolutely electrifying, written and performed with the kind of veteran skill and spirit  you would expect. And you’ll have the chance to experience it through our premiere stream of the EP’s three original tracks today, presented through a video (made by Wanderley Perna) as a single work. Continue reading »

SEEN AND HEARD ON A SATURDAY: GLOSON, BLACK CILICE, UNDER THE CHURCH, FLESH OF ONCE DEMENTED, CREATURE, DECAYING

 Album Reviews, Metal News, RANDOM FUCKING MUSIC  4 Responses »
Oct 092021
 

 

I hope you’re having a good weekend already, and I hope what I’ve chosen for this round-up of new songs and videos will make it even better. As usual, I had a lot to choose from based on discoveries from the past week. I thought about resorting to another “Overflowing Streams” deluge to get more of them in front of you, but decided instead to exercise a rare bit of discipline.

In making these choices I was influenced by previous knowledge about the music of five of these bands (all of whom are personal favorites) and knowledge about the past work of one of the creators, even though he’s creating under a new guise.

GLOSON (Sweden)

The first track here, “Impetus“, is a massive and unearthly song, one that takes a sledgehammer to your spine and claws at your mind. The central riff abrasively roils and darts; the ritualized drum rhythms go off like bunker-busting bombs; the yells and roars are harrowing. The song twists the tension dial, becomes sweeping, and then boils and pounds, the intensity unrelenting. You best get ready to flex your neck too.

The accompanying video made by Ulf Blomberg is as dark and unnerving as the music, but you can’t take your eyes off it. Continue reading »

SHORT BUT SWEET (SHADES OF BLACK EDITION): SØRGELIG, IKU-TURSO, MISANTHROPÆ

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  6 Responses »
Oct 072021
 

x

 

Time is always fleeting, but I kidnapped enough of it to write some brief reviews and heart-felt recommendations for three very recent short releases that have captivated me (maybe especially because more often than not I’m angry and depressed these days). The SHADES OF BLACK reference in the post title is intended to provide the clue that this is all black metal, but no two of these releases sound alike.

SØRGELIG (Greece)

One of the commenters on the Bandcamp page for Sørgelig‘s new EP Slaves of Tomorrow did a very nice job in capturing part of what makes the band, and this EP, so special:

“I love Sorgelig’s utterly ruthless and nihilistic, yet also surprisingly humane and hopeful, take on primal black metal. Yes, we all live ‘in the prison of dead dreams,’ but we *can* dream, we can rage, we can spit in the eyes of our masters and call *them* the slaves. We can burn this blighted hell of a failing so-called civilization to the ground and build something better”. Continue reading »

 Older Entries  Newer Entries