FOETAL JUICE: “GLUTTONY”

 Album Reviews  1 Response »
Jun 162020
 

 

(We present Vonlughlio’s review of the new sophomore album by the UK’s Foetal Juice, which features cover art by Roberto Toderico. It was released by Gore House Productions on June 12th.)

I believe I have mentioned before that feeling you get when you discover (or were recommended) a band whose music leaves you amazed, and wondering to yourself why you weren’t able to hear about them before.

That’s what happened in the case of Foetal Juice, based in the United Kingdom, who just released their sophomore effort Gluttony through Gore House Productions. I found out about the project when the label was promoting one of the singles for this release, which left a favorable impression on yours truly. Continue reading »

HAIL SPIRIT NOIR: “EDEN IN REVERSE”

 Album Reviews  2 Responses »
Jun 162020
 

 

We are all well aware of beloved metal bands whose creative interests and impulses have led them to places very different from where they began. Sometimes, comparing starting and ending points can become jarring juxtapositions, even if directional signposts were evident along the way (at least for those who were paying attention). In other instances, change is more abrupt, perhaps the result of line-up revisions or of blatant commercial calculation.

Regardless of the explanation, change is risky, even when the results are superlative — and catastrophic when the outcomes are deplorable. But change is also the spice of life. It is also, in fact, the inherent underpinning of life. Without it, all of us would still be single-cell organisms swimming in salt seas. Because of it, we may someday swim among the stars.

Which brings us to Eden In Reverse, the brilliant new album by Hail Spirit Noir, and perhaps even an explanation of what the foregoing paragraphs have to do with the album. Continue reading »

…AND OCEANS: “COSMIC WORLD MOTHER”

 Album Reviews  1 Response »
Jun 162020
 

 

(This is DGR’s review of the latest album by the Finnish symphonic black metal band …And Oceans, which was released on May 8th by Season of Mist.)

…And Oceans‘ latest album Cosmic World Mother is a handful of different things: It’s a comeback album, the group’s first full-length release since 2002, with a small series of splits, silence as the crew continued on as Havoc Unit before splitting, and then an EP in 2019 after the band had re-formed. It’s also a return to their older sound because it is almost singularly focused on being a black metal release with a healthy symphonic element in the background (it is so singularly focused, in fact, that at times it can be overwhelming in its intensity. with every element available to the band ratcheted up to 100).

It is also one of the more blistering releases to come out in 2020, as it seems like …And Oceans decided their new modus operandi was going to be absolute hellfire in song form, a fierce shrieking assault propelled forward by a volley of drums just hammering away in the background — fitting, when you have Gloria Morti‘s current drummer behind the kit, because if anyone is going to be fairly blast-happy it’s that gentleman.

Further, it is an album that because of those aforementioned elements can feel surprisingly long at times. Cosmic World Mother is nearly fifty minutes in length — near the high end of the average, but without the sticker shock of seeing an hour plus — and though it’s a trope to proclaim that you’d be perfectly okay taking a break at the midpoint of an album and then throwing yourself back into it, Cosmic World Mother recognize this. But intentionally or not, the …And Oceans crew have built in one of the best mid-points of an album out there, giving the record a very distinct ‘two act’ feel. Continue reading »

PROTEST THE HERO: “PALIMPSEST”

 Album Reviews, Exceptions to the Rule  4 Responses »
Jun 152020
 

 

(This is Andy Synn‘s review of the new album by the Ontario, Canada, metal band Protest the Hero, which will be released on June 18th.)

Necessity, as they say, is the mother of invention. While adversity… adversity is a son of a bitch.

Progressive Tech-Metal punks Protest the Hero are all too familiar with adversity, as the years since the band’s last release, 2016’s piecemeal (but promising) EP Pacific Myth, have been riddled with ups and downs, setbacks and delays, and one extremely worrying period where it looked like singer Rody Walker might have to hang up the microphone for good.

But, wouldn’t you know it, the band’s dedication and bloody-minded perseverance has paid off handsomely, as you’re all about to discover. Continue reading »

ASEITAS: “FALSE PEACE”

 Album Reviews  5 Responses »
Jun 152020
 

 

(This is Todd Manning‘s review of the sophomore album by Aseitas from Portland, Oregon, which will be released on July 10 by Lizard Brain Records and features cover art by Noah Cutter Meihoff.)

Is it me or does today’s Extreme Metal scene seem to be overflowing with a sense of epic ambition and experimentalism? Sure, there are those who always seek to return to Metal’s atavistic roots, but one can’t help but be inspired by the aspirations of so many bands nowadays. That being said, how many of these Avant Garde metallers actually succeed in bringing their vision to life? Aseitas not only possesses ambition in spades, but execute their vision perfectly on their sophomore album False Peace, due out on July 10th via Lizard Brain Records.

The group’s sound is extremely varied and wide-ranging, though at its core they tend to focus quite a bit on a mid-paced Death Metal groove, yet screwed and chopped into challenging new configurations. And there is an intense physicality in this approach, like trying to headbang but realizing your entire body is being pulled in multiple directions at once. Blast beats emerge from time to time, but the relentless mid-paced hammering takes center stage. Continue reading »

NOTES MADE WHILE LISTENING: HOLY DEATH AND MOONWORSHIPPER

 Album Reviews, RANDOM FUCKING MUSIC, SHORT BUT SWEET  1 Response »
Jun 132020
 

 

I am always behind in listening to what I want to explore, but have fallen further and further behind this week, chiefly due to the malaise that many of us have felt from the protracted lockdown, which is only just beginning to lift where I live.

In genuinely random fashion I decided to listen to only two releases this morning out of the hundreds I could have chosen, both of them peaking my interest for different reasons. And I made the gamble of recording in words what I was hearing as both releases unfolded, not knowing in advance whether that effort would be worth the time, because I wasn’t sure going into them how I would feel about their worth.

It was a gamble that paid off. Both of these choices proved to be very good ones, and well worth recommending to you. As it happened, both are also very dark and dolorous, albeit in very different ways. Along with the recommendations, I’ll share the notes I made, not that you need them, but because I generally hate to throw anything away.

HOLY DEATH

The first release I chose is a 20-minute song named Celestial Throne ov Grief by the death/doom trio Holy Death, who came to us out of the Nevada desert by way of Los Angeles. It was digitally released on June 5th. I picked it because (as I explained here) I was so impressed with the band’s second EP (released in March), Supreme Metaphysical Violence. And now for my notes: Continue reading »

JUSTICE FOR THE DAMNED: “PAIN IS POWER”

 Album Reviews  No Responses »
Jun 122020
 

(Andy Synn reviews the new album by Australia’s Justice for the Damned, out today on Greyscale Records)

Even though I haven’t had as much time as I’d like to write reviews over the past couple of weeks, I’ve still had a fair bit of time to think about reviews – particularly why, how, and who we write for.

Let’s face it, a lot of what’s out there is little more than a regurgitated press release masquerading as a review. Either that, or so mindblowingly generic that you could cut and paste in a different band name and neither the overall content nor context of the review would really change all that much…

This latter issue is particularly prevalent on the more “brutal” end of the spectrum, as there’s only so many ways you can write about a band’s “sick gutturals” or “killer riffs” before it basically turns into a game of Extreme Metal mad-libs where the formula never changes, even if the names do.

So when it came time to write a few words about Pain Is Power, the new album from Aussie bruisers Justice for the Damned, I had to think long and hard about what I wanted to say, and exactly how I wanted to say it. Continue reading »

RAW: “LANGUISH”

 Album Reviews  2 Responses »
Jun 122020
 

 

(This is Vonlughlio’s review of the recently released second album by the Indonesian brutal death metal band RAW.)

Today I am taking the opportunity to review the sophomore effort of RAW (Indonesia) entitled Languish, which was released via Brutal Mind this past March 31st.  The project mastermind is none other than Aditya, who is well-known in the Indonesian Brutal Death Meal scene for his other bands Gerogot and Brain Damage (both amazing).

RAW’s inception was back in 2015 and it released 2-song demo that year, and a single later in 2017. We had the opportunity to review the band’s debut album The Persecute Heinous here at NCS; it was one of my favorite 2018 BDM releases. Continue reading »

-(16)-: “DREAM SQUASHER”

 Album Reviews  No Responses »
Jun 112020
 

 

(This is Wil Cifer‘s review of the new album by San Diego’s -(16)-, which was released by Relapse Records on June 5th.)

With anger as the universal language and the Apocalypse looming, sludge is a fitting soundtrack.

This band continues to stand out from the pack. They are not a Neurosis tribute and more Anger closely aligned with noise rock than doom. Hardcore influence can be heard in their more explosive moments, and I like the effects on the vocals. Lyrically it reminds me of the Melvins in their chaotic musings. Continue reading »

BAIT: “REVELATION OF THE PURE”

 Album Reviews  1 Response »
Jun 112020
 

 

(We present Andy Synn‘s review of the new album by Germany’s Bait, released by Les Acteurs de l’Ombre Productions on May 22nd, with cover art by Giovanni Raabe.)

Inspiration is a funny ol’ thing. Sometimes you have it… and sometimes you don’t.

Case in point, I’m currently sitting on a half-finished triptych of reviews for some very cool Black Metal bands – a mix of doomy and groovy, abrasively atmospheric, and straight-up weird albums that I’ve been spinning religiously for the past few weeks – but, for some reason, my wordstream has run a little dry.

So, to try and get things flowing again, I decided to switch tracks (mixing my metaphors here a little, but, hey, it’s not like anyone’s paying attention) and find something else to wax lyrical about.

As it turns out, none of us have written anything (barring a bit of preamble to accompany a video premiere back in April) about the new album from Germanic Blackened Hardcore crew Bait, so now seemed like the perfect time to correct this egregious oversight. Continue reading »

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