Mar 212013
 

(DGR caught Testament’s tour in Sacramento at the end of February and turns in this report.)

It’s funny to think that every show review I’ve done for Testament has popped up on this site, so I guess it goes without saying that I really enjoy the band – especially since their last two albums have really helped to revitalize their sound and make them seem current instead of another thrash band just spinning their wheels. They have a huge amount of history attached to them, and I’ve always felt that they were a little overlooked whenever you heard stuff about the Big Four tours that were all the rage a year or two back.

You may also sense that I’m echoing sentiments from my last two show reviews for these guys, and those feelings line up with the fact that I have seen this band three times within the span of a year and will pretty much fork over cash any time they roll through town. I’ve gotten three different setlists and enjoyed myself every time, so that is why I found myself standing outside in downtown Sacramento at the end of February to witness one of the last dates of the hobbled yet still alive Dark Roots Of Thrash tour.

There were two local openers – both of whom opened for Kreator and Swallow The Sun when I saw them late last year, so the names should be a tad familiar – followed by the two bands left on the Dark Roots Of Thrash tour, so it was a relatively quick four band show. It was also the start to one of those lucky times when the stars aligned and I could do a two-shows-in-two-days-style weekend, with March 1st being the occasion for another show review that appeared here previously. Continue reading »

Mar 132013
 

(Andy Synn weighs in from England with a review of the live show by Cannibal Corpse, The Black Dahlia Murder, and Hour of Penance in Nottingham.) 

Pretty badass line-up, right? I definitely count myself lucky to have caught this tour, as not only have I never seen HoP live before, but I never miss a Black Dahlia show if I can help it, AND I’d been hearing awesome things about Cannibal Corpse’s form this time around.

I count myself doubly lucky because the damn doors to the show were scheduled for half freaking 5, with Hour Of Penance hitting the stage at the ungodly time of 5:45 pm, a time when a huge number of people were either still in work, or still stuck in traffic. In fact I know several people who came from surrounding cities who missed the first two bands entirely, and barely made it in time to see Cannibal Corpse!

Bad form Rock City, bad form… Continue reading »

Mar 132013
 

(DGR turns in this review of the live show by Meshuggah, Animals As Leaders, and Intronaut in Sacramento on March 1.)

This may be the third sold-out show that I have gotten the chance to attend at Ace Of Spades. That seems nuts considering that I have gone to a ton of concerts there since the venue opened up in downtown Sacramento – but that venue is huge. I admit that when I checked the site on the day of the show to make sure none of the bands had cancelled (a lesson that I learned after The Ocean had to flake out on the Job For A Cowboy/Between The Buried And Me show that hit there), seeing the SOLD OUT tab next to the show was exciting.

Seeing a band that you’ve never gotten the chance to see before is great, but seeing it with the hum and excitement of a ton of other people has such an effect on shows that it’s hard to describe. You often hear performers talk about how they will feed off of an excited crowd in front of them, but it seems there’s something about being in a packed venue that has that effect on the people watching as well.

I also still get a laugh out of seeing that giant swath of people standing in line across the street when the other side has a pool bar, then the venue, a burger restaurant, and then another bar – basically the type of place where a bunch of metalheads outside across the street seems weird. Continue reading »

Mar 012013
 

(In this post, guest contributor The Uncool Guy Down the Hall gives us a show review with photos.)

I thought while Islander is off working on his Evil Super-Science project this would be the perfect opportunity to break the NCS rules and present an all clean singing review. And while I know Islander did provide a review (here) of Ancient VVisdom and Royal Thunder along with Pallbearer when they supported Enslaved, the focus of that review was (understandably) more on Enslaved. I’d like to put the focus on Royal Thunder and Ancient VVisdom for this review, as well as perhaps introduce Backwoods Payback to the NCS readers who may not have heard of them.

First off let me talk about the venue a little bit. The Fed Live is located in downtown Harrisburg, PA, a city well known around the Commonwealth not only for being the location of the state capital, but also for having filed for bankruptcy. This, combined with the fact they were hosting three metal acts, did not give me high expectations of the place.

Turns out, the bar/restaurant portion of venue (The Federal Taphouse) is a rather upscale place featuring a tap room of over 100 craft/micro brew beers and a respectable food menu. Getting there pretty early and having time to kill, I indulged in both the food and beer offerings, feeling a bit out of place mixed in with the after work suit and tie clad business types and/or legislators, but the food and beer were both excellent. Continue reading »

Feb 192013
 

(Our UK-based correspondent Sir Andy Synn experienced his first concert by Sweden’s PAIN in Derby, England, on Feb 16, 2013, and files this report, accompanied by his own copious videos of the experience.)

Ah… Pain. One of many projects of the legendary Peter Tägtgren, where he lives out his electro-rock, industrialised-dance-metal fantasies. They’re all about big riffs, pulsing synths, and heavy beats. They’re also a band I’ve never managed to see before, so tonight’s experience was going to be one for the books.

One thing that became almost immediately apparent about the band was how painfully tight (no pun intended) they were as a live unit, producing an intense heavy metal experience that came straight at the audience in a wall of light and sound. The quartet’s live guitar tone was absolutely crushing, only slightly let down by an occasionally muted lead line, while the thrumming bass and slippery, strafing drums locked together into a tight, sexy groove.

Also immediately noticeable was the odd variety of clientele in attendance. The venue was impressively packed, with individuals and groups from all the different metal tribes. There were balding old-school rockers, pierced punks and neophyte nu-metallers, a host of over- (and under-) dressed goth chicks (varying from emaciated to elephantine), and almost every other permutation of metalhead you could think of! Continue reading »

Feb 132013
 

On February 11, 2013, the night before Enslaved received their seventh Norwegian Grammy nomination, I had the pleasure of seeing them perform in Seattle at a bar called The Highline, which is rapidly becoming my favorite place in town to hear live metal. Somehow, despite its very small size, it’s booking some really amazing tours. It’s a clean, cozy, comfortable place with cool people working there (Dylan Desmond from Bell Witch was behind the bar this night, and I’m pretty sure I saw his bandmate Arian Guerra helping out, too), and they make some good cocktails.

Enslaved weren’t the only draw for what turned out to be a jam-packed audience. Three bands who had breakout years in 2012 were also along for the ride: Arkansas’s Pallbearer was the direct support, preceded by Ancient VVisdom from my hometown of Austin and Atlanta’s Royal Thunder.

I was somewhat familiar with Ancient VVisdom’s music (having featured them in this post at the end of 2011), but I must be the only metal blogger in creation to have missed Pallbearer’s critically acclaimed 2012 album Sorrow and Extinction, and I think I’ve previously heard a grand total of one song by Royal Thunder. So yeah, I was pretty much there for Enslaved.

Nevertheless, I and my friends got to the Highline early enough to grab places to sit on a raised area that runs down the left side of the floor against the wall. We were so far forward that we were almost — but not quite — on the side of the stage, as you’ll see from the angle of the photos I took. And yes, I’m sorry to tell you that this review, as usual, will include a lot of my amateur concert pics. Continue reading »

Jan 222013
 

On Sunday night, January 20, the current tour headlined by Gojira and also featuring The Devin Townsend Project and The Atlas Moth rolled into Seattle, and a good-sized group of friends and I showed up at Studio Seven to bear witness.  We had bought tickets in advance, which was fortunate, because although we arrived about 45 minutes before doors, the show was already sold out.

I was still trying to process the fact that we were getting to see Gojira and DT together on the same tour, and in a venue the cozy size of Studio Seven. I’m a huge fan of both, and I also really enjoyed the last album by The Atlas Moth (An Ache For the Distance), so this had the makings of a stupendous experience. And so it proved to be.

A couple of us grabbed perches up against the rail in the balcony bar overlooking the stage and never left those spots. I wanted a place where I could take some photos of the show, and I didn’t really feel like being smashed inside a high-pressure, breathless, sweaty mass of humanity on the floor for this show anyway.

After the jump, some impressions of what I saw and heard, plus a fuckload of amateurish pics. Continue reading »

Jan 142013
 


 

(NCS writer BadWolf was in the audience when Death Grips played Detroit last November, and he provides the following report.  The very cool photos accompanying this review were taken by BadWolf’s partner in crime, Nicholas Vechery.)

This show was a long time coming. I first heard Death Grips almost exactly a year ago to the week as I write this article, and almost instantly the group became something of a personal muse to me—I wasted no time pimping the group here, and later made them the subject of my first article for Stereogum. In 2012 the band released two albums, both excellent, and in between booked-then-cancelled a major summer tour. For better or for worse, 2012 saw MC Ride and drummer Zach Hill ride the popularity wave at its very zenith, leaving many of their loyal fans tumbling in the surf. So when Death Grips booked a second tour, and played Detroit’s Magic Stick on November 19, attendance was mandatory.

I attended the show with photographer Nick Vechery, too late to catch any of the tour’s opening act, genre-bending MC Mykki Blanco. Although Blanco hails from NYC’s now-prominent Brooklyn hip-hop scene, I find his music less appealing than, say, Azalia Banks on her 1991 EP.

Death Grips took the stage just after Vechery and I purchased our beer. Continue reading »

Dec 242012
 

(NCS writer Andy Synn turns in this review of the live performances by Katatonia, Alcest, and Junius in Nottingham, England on December 18, 2012. Andy also filmed videos of the performances, which appear at the end of the review.)

Funnily enough, for some reason I was a little apprehensive about this show. In hindsight I’m not entirely certain why, as Katatonia were, without a doubt, in the best form I’ve ever seen them at Summer Breeze earlier this year. I can really only ascribe my trepidation to my own lukewarm reaction to the new album.

Thankfully though, there was really very little to worry about, as the Swedes have, for the past several years, been improving as a tight, driven live act, their moody sound much improved by the three-way vocal interplay that they’ve pretty much perfected now.

But before the headliners, we had two other bands, who would both provide their own form of deeply emotive musical catharsis. Continue reading »

Dec 172012
 

(BadWolf and friends took in the show at Detroit’s Magic Stick co-headlined by Corrosion of Conformity and Skeletonwitch on November 16 and provides this review, with pics by Nick Vechery.)

I go to so many concerts that I forget live music is a celebration. When a band plays, the audience takes on a responsibility to express great feeling—vocally, physically, and of course through liver deterioration. It is easier to have a good time at a show not only when the bands are good, but when there is an occasion to celebrate. In the case of Corrosion of Conformity and Skeletonwitch’s co-headlining show, my wolf pack and I had much to celebrate.

My longstanding photographer and concert partner, Sir Nick Vechery, just celebrated his one year anniversary with his wonderful Significant Other, Whitney. [HAPPY ANNIVERSARY, GUYS!] Her gift to him? Skeletonwitch tickets. At the same time, we celebrated our first year of reporting for No Clean Singing. We loaded my car up with some Pabst and Toledo arts reporter Ian Hubbard, and trekked to The Magic Stick.

The Magic Stick boasts a fine bar, plenty of room, a loud stereo, and a huge second-story smoking patio with a gorgeous view of metro Detroit. The venue sits on top of a bowling alley, another bar, and a snack shoppe (the pizza was quite delicious, if a bit greasy). It stands as one of the finest venues I’ve ever visited, and I highly recommend that any NCS readers with the opportunity to spend money there do so. In the past two months I’ve seen four concerts there and cannot wait to return. Continue reading »