DIMMU BORGIR + THE NORWEGIAN RADIO ORCHESTRA & SCHOLA CANTORUM CHOIR – OSLO SPEKTRUM, MAY 28, 2011

 Concert Reviews  11 Responses »
May 312011
 

(Andy Synn was present for a landmark event in Oslo on May 28 — an exclusive show by Dimmu Borgir with a special, “never-to-be-repeated” setlist with 53 members of KORK (the Norwegian Radio Orchestra) and 30 members of the Schola Cantorum choir, who were musical guests on Abrahadabra. This was Dimmu’s only confirmed worldwide appearance for this summer. We’ve got Andy’s evocative review of the show plus video footage and some excellent photos taken by Per Ole Hagen for the NRK blog.)

I have seen Dimmu Borgir live several times before now, and each experience has been different. Sometimes the show has been great, the band’s enthusiasm and drive adding a different live element which balanced out the obvious limitations of performing such grandiose, symphonic material in the limitations of a live metal show. At others, certain issues seemed insurmountable, even the band’s powerful performance and conviction in their material not serving to elevate the show above “average”. Worse still are the times I have seen the band when internal issues were weakening them massively, meaning that drive and conviction was lost, resulting in a lacklustre performance.

Yet at Saturday’s show I felt like I was finally seeing Dimmu Borgir in the way I was always meant to. The mood, setting and structure of the show all captured the vision and atmosphere of the music perfectly. The fusion of traditional classical elements, with their scintillating, naturalistic scope of sound and the more aggressive, vibrant metallic furore of Dimmu’s particular style of “black metal” was a perfect synthesis of style and substance, sound and fury, which hammered home the clear links between classically influenced metal composition and the true traditional classical elements. (more after the jump . . .) Continue reading »

THE FACELESS / BORN OF OSIRIS / VEIL OF MAYA / GOROD – Leicester, Sub91, May 17, 2011

 Concert Reviews  3 Responses »
May 202011
 

(NCS writer Andy Synn has been burning up his keyboard this week. Today we’re featuring Andy’s review of live performances by The Faceless, Born of Osiris, Veil of Maya, and Gorod in Leicester, England, on May 17, 2011.)

Leicester’s Sub91 is a nice venue. It was my first time there and I was definitely impressed. The layout is spacious but focussed, with a well-positioned sound-desk, a nice-sized bar at the rear of the venue and a large, open stage which provides a good space for the band as well as a clear viewing area for the audience to watch. A perfect venue for tonight’s tech-tacular spectacular.

First up were French Jazz-Tech-Metallers Gorod, who quickly get down to business with a bruising, thrashy assault of complicated riffs and complex song structures. New singer Julien Deyres supplemented the more traditional death growls with an additional hardcore/thrash bark thrown in for good measure, whilst drummer Samuel Santiago performed as an obscenely tight machine on the drums, potentially the best drummer on the entire bill, handling the multitude of timing and tempo changes with ease, while maintaining an unrelenting pace throughout.

Guitarists Mathieu Pascal and Nicolas Alberny were reasonably static presences throughout, capably delivering impressively technical trade-offs and hook-filled tech-riffs with aplomb, while occasionally dropping down for a good old-fashioned headbang, which only served to reinforce the old-school 80’s thrash vibe of their performance. Think Atheist, Sadus, Martyr, but with a more modern, tech-ed up and souped out extreme metal edge.  (more after the jump . . .) Continue reading »

SUPPORT

 Concert Reviews, RANDOM FUCKING MUSIC  2 Responses »
May 142011
 

Last night I went to see and hear live metal with NCS co-founder IntoTheDarkness and another friend. The main reason for going was to catch King Conquer and Idols, but we had tunsa fun listening to other bands on the bill, too. Especially for a Friday night, the crowd at Studio Seven was stunningly sparse. Fortunately, that didn’t stop the bands from raging as if the venue were packed to no-breathing-room capacity.

My fucking day job is compelling me to work today, so I don’t have time for a proper review of the concert. But I thought it would be, well — ungrateful — for me to say nothing at all. So, what do you do when you think a band has killed it on stage? What do you do when you get some fucking joy out of listening to a band’s music? What you should do (and I’m really lecturing myself here, not you) is to show some respect, to show some support, and not to be bashful about it even when you’re in the company of people who frown on the genre.

And yes, the genre in this instance happens to be deathcore. We don’t write about bands in that genre very often at this site, though last November we did review King Conquer’s debut album in glowing terms (here) and we also included one of their tracks on our list of  2010’s Most Infectious Extreme Metal Songs (here). I also think most of our readers aren’t into this kind of metal. But it’s like any other genre — there’s bad music in it and there’s good. Particularly when you hear the good bands throw themselves into a live performance heart and soul, then what you should do — what I’m doing — is to be honest about your admiration and show some fucking support. (more after the jump, including music . . .) Continue reading »

ENSLAVED AND NEGURĂ BUNGET AT THE UNDERWORLD, LONDON – APRIL 22ND

 Concert Reviews  3 Responses »
Apr 262011
 

(Our regular contributor Andy Synn, who has a penchant for making us jealous by attending European shows that aren’t available in the U.S., attended the April 22 performance of Enslaved and Negură Bunget in London a few days ago, and checks in with this concert review.)

A beautifully warm and sunny day provided the perfect chance to travel down to London to see some of black metal’s most forward thinking acts play a sold-out show to a rabid fan-base. The clear blue skies and crystalline rays of sunlight acted as the perfect set-up for the evening’s display of shining, progressive musical expression.

After a few beers in The World’s End, my companion and I attempted to join the queue for entry, only to baulk at its length and quickly scurry back to the bar for another few. Any excuse…

We eventually got into the venue shortly after Negură Bunget‘s set had already commenced, and thankfully the band had been given a lengthy 40-minute opening slot, so we were still lucky enough to catch the majority of their set.

With a primal and expressive sound, Negură Bunget provided a set of deep shadows and brilliant, shining highlights, which replaces black metal’s traditionally icy fury with a warm, organic exploration of mood and atmosphere, light and shade.  (more after the jump, including video of this show . . .) Continue reading »

THE ATTICUS METAL TOUR III: BORN OF OSIRIS, DARKEST HOUR, AS BLOOD RUNS BLACK, AND HUMAN ABSTRACT

 Concert Reviews  11 Responses »
Mar 152011
 

Your three NCS co-founders, plus friends, spent last night at Seattle’s Studio Seven having our eardrums shattered and our brains pulped by an amazingly good set of performances by four very talented bands. I’m not writing this in order to gloat about getting to see the show. You know how sometimes you get so enthusiastic about an experience that the first thing you want to do is call up or text a friend and tell them about it? Well, that’s sort of what I’m doing with this post, but I do want to report a couple of surprises (at least for me) that might be of interest.

I went to the show mainly to see Darkest Hour (despite the fact that I’ve seen them three times before), though I was also curious to see The Human Abstract. It turned out to be an eye-opening night — especially in the case of Born of Osiris and the music they played from their forthcoming third album. All four of these bands have new releases (the one from As Blood Runs Black debuts today), all four played songs from the new albums, and it was all . . . just . . . awesome.

Studio Seven has a simple layout: There’s a big concrete floor and there’s a balcony that includes a bar. The balcony hangs over much of the floor, with the leading edge not more than 30 feet from the front of the stage below. IntoTheDarkness and I got to the venue early and waited in line almost one hour in a cold wind in order to get a perch at the front of the balcony bar area, which gave us (literally) a bird’s eye view of the stage and what turned out to be a packed, roiling mass of humanity directly below us.

Of course, I forgot my fucking camera, but I’m not sure it would have done me any good since the stage was shrouded in smoke effects most of the night. (more after the jump . . .) Continue reading »

MOTHERFUCKER

 Concert Reviews  10 Responses »
Jan 082011
 

One thing I like about writing this blog is I can use the word “motherfucker” whenever I want.  I can’t use that word in the writing I do for my day job, much as I’d like to, but I know none of you will take offense. After all, metalheads get called “motherfuckers” all the time — most often by bands they’re paying good money to see at shows.

Pause and reflect for a moment on that phenomenon: There really aren’t many forms of entertainment where the performers routinely call paying members of the audience “motherfuckers”. Maybe that happens at rap concerts, though I wouldn’t know. I do know it happens routinely at metal shows. If I had $100 for every time a frontman for a metal band has called me a motherfucker, I could fucking retire.

I’ll grant you, motherfucker is a great word. Sometimes, no other word will do, like when some motherfucker unexpectedly swerves his car into my lane in heavy traffic. But still, isn’t it a little bit odd to hear a band’s vocalist call all his adoring fans motherfuckers at the top of his lungs?

Last time I got called a motherfucker was at a show I saw in Seattle on the night of December 30. Neurosis was at the top of the bill, with support from Wolves in the Throne Room and a Seattle band called Black Breath. I’d heard a lot about Black Breath but hadn’t yet checked out their 2010 Southern Lord debut, Heavy Breathing, much less seen them in the flesh. They put on a loud, raucous, energetic set of heavily thrash-influenced death metal, including a sweet cover of Sepultura’s “Desperate Cry”, which you can see right after the jump (along with more impressions of that concert). Continue reading »

AGALLOCH LIVE

 Concert Reviews  8 Responses »
Dec 212010
 

Last Saturday night, I saw Agalloch in concert in Seattle. I was with mi hermana in metal and one of the co-founders of this site, Alexis. The bands that preceded Agalloch — Alda, Waldteufel , and Allerseelen — were immensely interesting and completely outside my usual comfort zone. For me, it was like a door opening to another world. But as good as they were, they were really only a prelude.

I distrust hyperbole. I discount superlatives. We live in a linguistically enthusiastic time, and over-the-top words like “awesome” are used so often (including by me) that it’s become difficult to adequately express truly exceptional reactions to just about anything. But I’ll try anyway.

I’ll say it briefly, but from the heart: I’ve never heard live metal better than Agalloch’s performance. A very few shows I’ve seen are in the same league, but none has been better. It was a long set — one that began at midnight and lasted almost an hour and a half, but I still wasn’t ready for it to end. I was dazed for long after the show ended.

I feel sorta shitty saying all this, because Agalloch doesn’t tour extensively, and most of you will never see and hear them on stage. So it seems like a form of gloating to say what I said. But that’s not how I meant it. What I meant to do was express my honest feeling, as a way of encouraging you, if you do ever get the chance, to see this band live.

If I get my shit together, I will write in more detail about the bands that preceded Agalloch’s set, but for now, I have only a few words about Agalloch and a bunch of half-assed photos — after the jump. Continue reading »

DARK TRANQUILLITY / AVATAR / MARIONETTE: OSLO, NOV. 6, 2010

 Concert Reviews  4 Responses »
Nov 262010
 

[EDITOR’S NOTE: Our UK contributor Andy Synn made his way to Oslo, Norway, to catch Dark Tranquillity‘s live show on November 6. DT was supported at that club show by fellow Swedish metallers Avatar and Marionette. Andy provides this review of the night’s offering of metal in Oslo.]

John Dee’s in Oslo is a surprising venue in many ways. As the smaller of the rooms available in the building on Torgatta you immediately expect it to be of perhaps a lower quality than a larger venue, yet overall the entire place was presented with a higher degree of class and quality than most venues of a similar size which I have visited here in the UK. Wide-ranging and extremely clean, well-laid out with two separate bars and a raised area at the back of the room, the venue worked perfectly for a metal show this evening. Kudos to the owners and staff of John Dee.

Unfortunately, the supports were not exactly of the same level of quality.

MARIONETTE

First up was Marionette, a Swedish band of whom I’d heard good things with regard to their brand of modern melo-death, influenced performance-wise by Japanese visual Kei. Unfortunately, they were, and are, routinely terrible. Embodying much of what has gone wrong with the melo-death sound in recent years, the band appeared onstage garbed in black shirts and white ties, each with their own “interesting” hair-style and accompanied by a singer in a pseudo-Japanese mask that lasted all of 30 seconds on his face. They came across as a bad metalcore band using keyboards and “wacky” imagery to appear interesting in a desperate attempt to appeal visually to angsty teens who think that Green Day are punk as fuck and My Chemical Romance have something important to say about the youth of today. (more after the jump . . .) Continue reading »

K-K-K-KATAKLYSM IN SEATTLE!

 Concert Reviews  No Responses »
Sep 152010
 

Two nights ago our NCS spiritual advisor Alexis and I dropped in to Studio Seven to catch Kataklysm in action. Neither one of us had any business hitting a metal club that night because we both had really early days ahead of us the next morning. But Kataklysm was on the bill, and only a case of amoebic dysentery would have kept me away.

Alexis hadn’t listened to Kataklysm before and she went along mainly to humor me. As a compromise, we arrived a bit late and left right after Kataklysm’s set — so we missed Kittie (who I was really curious to see) and DevilDriver (who we’ve seen before). Consequently, this is only a partial concert review, which is probably fitting — a half-assed review to match up with our typically half-assed photos.

And we do have lots of those — images of the first two bands we saw (Hostility and Misery), and of course a few handfuls of our better pics of the astounding Kataklysm. Our thoughts about the part of the show we saw, plus some other random thoughts, plus the photos, are after the jump . . . Continue reading »

THE SUMMER SLAUGHTER TOUR SLAUGHTERS SEATTLE AND PORTLAND – PART 2

 Concert Reviews  4 Responses »
Aug 242010
 

This is the second part of a two-part post about the SUMMER SLAUGHTER tour’s performances in Seattle and Portland on August 20 and 21. In Part 1, we gave our impressions about the music and posted photos of about half the bands performing in Seattle.

Today, we have a random assortment of observations about our two days of metal in the Pacific Northwest, plus photos of all the bands at the show in Portland.

None of us here at NCS know what the fuck we’re doing with a camera. We like to justify our ineptitude by telling ourselves it’s just like the DIY ethic of underground metal. We also like to make excuses that divert attention from our complete lack of training, such as the constantly changing or almost non-existent light, the non-stop motion on stage, the distance from which we’re taking the photos, and — most important — the fact that we go to shows to listen to the fucking music, not to take photos, so there’s a limit to how much time we’re going to spend snapping away like a fucking tourist.

But, despite our manifold shortcomings as photojournalists, we think these pics are just barely good enough to share, so we’re sharing them — a lot of them, since 11 bands played in Portland and we didn’t miss out on any of them.  (after the jump . . .) Continue reading »

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