SHADES OF BLACK (PART 2): RIIVAUS, SHRINE OV ABSURD, RAAT, KWADE DROES

 SHADES OF BLACK  No Responses »
Apr 262021
 

 

In Part 1 of this column yesterday I promised that Part 2 would includes streams of five complete released I’ve recently discovered and want to recommend. But being short on time, I’ve had to leave the fifth one for another day. Due to the same time constraints, I’ve included only some very high-level impressions of each of the other four by way of introduction, rather than attempting to write more thorough reviews.

RIIVAUS (Finland)

Riivaus is the solo endeavor of Hoath Daemnator, who under different pseudonyms is also a member of Sacrificium Carmen, Wömit Angel, and Nôidva (among other groups). Flying the Riivaus banner, he released a debut album in 2017 (Lyöden taudein ja kirouksin), which I haven’t heard, and about 10 days ago released a compact second full-length named Hehkumaton. Continue reading »

SHADES OF BLACK (PART 1): DJEVEL, NIGHT CROWNED, MEDIUM

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  No Responses »
Apr 252021
 

 

Much like yesterday I got a very late start this morning, having enjoyed a long night of virtual carousing with a big group of co-workers at my fucking day job. Like yesterday I thought I’d just pull together a couple of things for this usual Sunday column so I wouldn’t be too late in posting it — and again reconsidered. Just too much stuff I want to share.

This two-part post thus provides a lot to take in. I’m confident that few people will enjoy everything I’ve chosen — though I’m equally confident you’ll find at least something to enjoy if you at least taste-test everything I’m recommending.

I organized this collection by beginning Part 1 with two singles that I thought were great companions for each other and then following them with a stylistically very different EP. Part 2, which I’ll post tomorrow, will include streams of five complete releases that I will only have time to introduce briefly.

DJEVEL (Norway)

Like the cover art for Djevel’s new album Tanker som rir natten, the second advance track released last week is lunar in its atmosphere, a wintry nightside excursion that’s deeply immersive. In its manifold sensations it’s dreamlike, depressive, menacing, and I’d go so far as to say romantic. But it’s as visceral as it is mesmerizing, thanks to Faust’s gripping drum performance (the vibrant timpani-like booming is an especially nice touch) and the warm companionship of the bass, performed by new member Kvitrim (Vemod, Mare), who also handles the harsh vocals. Continue reading »

SHADES OF BLACK: FLAMMENKVLT, SZNUR, ISELDER, GRAB, NEBULA ORIONIS

 SHADES OF BLACK  1 Response »
Apr 182021
 

 

I miscalculated. I spent time over the last couple of days listening to music and developing a big list of releases to include in this column. I knew that my spouse and I and some friends were supposed to drive over to the Olympic Peninsula of Washington today, but what I didn’t realize was how early the trip was supposed to begin — too early to do all the writing I had planned. And I went to a baseball game last night, so couldn’t get a head-start.

Due to this miscalculation, I’ve had to cut back on the amount of music (though it’s still a lot), but also to shrink the volume of words. No idea when or if I’ll get to everything else that was originally on my mental drawing board, but I hope you’ll enjoy what’s here.

FLAMMENKVLT (Austria)

The following video is intense and moving. It depicts bruised, hollow-eyed, and frantic women who have been beaten by men — hospitalized, driven to the brink of suicide, and worse — as well the suggestion of girls subjected to similar abuse. Intertwined with that are feverish montages of other imagery, both frightening and hallucinatory. The band’s rage over the subject matter comes through most powerfully in the vocals, but not only there. Continue reading »

SHADES OF BLACK (PART 2): FROSTNATT, VOLLMOND, HINTERKAIFECK, STELLAR DESCENT

 SHADES OF BLACK  1 Response »
Apr 112021
 

 

To the extent writing about music matters at all as a form of guidance, it clearly matters more in the case of complete albums or EPs than single tracks. Particularly when a writer is as verbose as I am, it doesn’t take much more time to just listen to a song than to read some goofball’s frothy impressions of it. But it obviously takes a much bigger investment of time for a listener to absorb an album or EP, and so getting some kind of overview can be useful, at least if you trust who’s providing it.

Therefore, the fact that I’m not providing a completely comprehensive overview of the six records collected here (all of them released between late March and last week) is a miserable failure. Much as I hate to be so brief, I’ve still attempted to at least give you a flavor of what each album brings. Given my time constraints, the alternative might be to say nothing about them at all, which I guess might be even worse.

FROSTNATT (Russia)

Frostnatt‘s debut album Det kommer til å bli kaldt, which follows a run of EPs that began in 2019, is a largely instrumental work (with a scattering of vocal samples and a few harsh expulsions) that’s both rugged and scintillating, combining primitive, earthquaking percussive rhythms and brilliantly vibrant ringing melodies of varying moods that stick in the head like hot spikes, plus a well-placed and sublime piano piece. And thus it generates an unusual shamanistic spell, delivering primal, visceral punch as well as ancient and mystical atmosphere, enhanced by moments of poignant beauty and piercing heartache. My favorite track: “Til sydpolplatået“. Continue reading »

SHADES OF BLACK (PART 1): FYRNASK, KĀLA, JORDFÄST, KING OF ASGARD, FORSMÁN

 SHADES OF BLACK  4 Responses »
Apr 112021
 

 

As I roamed through new music yesterday, searching for what to include in this collection, the following quintet of advance tracks and the EP I’ve put at the end all fell into place naturally. When you hear them, I think you’ll understand why.

As the title of the post suggests, I do plan to include a second installment today — which will be an effort to highlight a selection of complete albums I’ve been meaning to say something about for weeks.

FYRNASK (Germany)

My opening choice is a video that presents a stunning marriage of sights and sounds. The music alone is an intense, almost overwhelming spectacle, one that’s nightmarish and hallucinatory, a seeming manifestation of possession. At first it’s as if Frynask have led us into a chilling realm of anguished wraiths, and from there we become immersed in ravaging turmoil. Continue reading »

SHADES OF BLACK: INFERNO, SORDIDE, THY CATAFALQUE, OSSAERT, SCHAMMASCH, SVPREMACIST

 SHADES OF BLACK  2 Responses »
Apr 042021
 

 

I explained yesterday that I’m on a weekend vacation. I also wrote that I wasn’t sure if I would prepare this usual Sunday column. Obviously, I have.

But because I’m really trying to make as much room as I can for rest and relaxation (which in my case is like making room for self-mutilation), I’ve limited myself to things I can quickly and impulsively react to — just a scattering of advance tracks and one stand-alone video. It was even easier for me to make these selections because all of them are by bands in whom I already had complete confidence.

I’ve also been listening to some albums this weekend that have also seized my attention. Depending on how the day goes, I might have a second installment devoted to those. Continue reading »

SHADES OF BLACK: CODE, DOLDRUM, ESOCTRILIHUM, NIHTSÎN, GNOSIS, VITRAIL

 Album Reviews, Exceptions to the Rule, SHADES OF BLACK  6 Responses »
Mar 282021
 

 

We had a rare Sunday premiere earlier today, but fret not, Shades of Black has not been forgotten.

I enjoyed figuring out how to arrange the music I picked for today. The music of the first three bands seemed to complement each other, so I started there — and then made a hair-pin turn in the road with the full album stream that follows them. And, given how chilling and unearthly that album sounds, I decided to follow it with a couple of tracks that will give your adrenaline levels a sharp kick in the ass.

CODE (UK)

As usual, I owe some of today’s picks to reliably tasteful friends. I would have eventually discovered this first one on my own, but listened to it a lot faster because of the enthusiastic message I received from Rennie (starkweather). He called this new song by Code “fantastic”, and possibly his “favorite song of theirs since the first album’s ‘Brass Dogs.'” Continue reading »

SHADES OF BLACK: SLEEPWALKER, HANTERNOZ, KASSAD, ULVEHYRDE, THANATOMASS, BLACK CEREMONIAL KULT, STWORZ

 SHADES OF BLACK  2 Responses »
Mar 212021
 

 

I guess it’s usually true that I try to put a lot of variety into these Sunday columns, but today’s selections seem to be even more divergent than usual. As a result, I had a devil of a time figuring out how to arrange the tracks, and I don’t think I succeeded in creating any kind of rational flow, probably because all the songs resist that. However, I do think I succeeded in creating a whiplash effect at the end, so there’s that.

There’s only one full release to be found here. The rest are either singles or advance tracks from forthcoming records. Enjoy!

夢遊病者 (SLEEPWALKER) (Russia, Japan, U.S.)

I decided to begin with the most head-spinning track of everything you’ll find here. Although my head has been spun around before by the escapades of this multi-national avant-garde collective, they’ve really outdone themselves this time. Continue reading »

SHADES OF BLACK: SPHERE, SETH, EXAVERSUM, ZEIT, TRENCHES

 SHADES OF BLACK  2 Responses »
Mar 142021
 

 

I think of this week’s column as falling into two parts that I’ve arranged by design. The first part consists of three segments — advance tracks from three forthcoming album. Although I’d be foolish to claim they are completely similar, I think they do share certain ingredients and feelings that tie them together in ways that make for a very good mini-playlist. In the second part I’ve reviewed two albums (though one of them isn’t out yet) which I also think fit together. They are very different from the tracks in the first part.

SPHERE (France)

The first offering here is an 18-minute song named “Invocation” from the forthcoming second album (entitled π) by the French black metal band Sphere. It features a guest performance by Déhà. Continue reading »

SHADES OF BLACK (AND OTHER SHADES): THE STONE, COSCRADH, VALLENDUSK, THULCANDRA, SULPUR, FUOCO FATUO, CROSS VAULT, CTHONICA, EHNAHRE

 RANDOM FUCKING MUSIC, SHADES OF BLACK  No Responses »
Mar 072021
 

 

I want to thank those of you who have left comments or sent messages expressing sympathy and support for my current day-job misery. I was also surprised, and admittedly a bit disappointed, that a lot of people checked in on yesterday’s post even though I didn’t have the time to write about any of the music — or even listen to it! So I thought, what the hell, let’s do that again.

This column is usually devoted to black metal, and so I’ve started that way but also diverted from it. But yesterday one of our supporters (rodney) left a comment with some recommendations, and I thought I would include some of those here at the end, because he included some enticing descriptions of the bands and their music. Some of that music would seem to fit SHADES OF BLACK and some might not, which is true of my own choices

I again haven’t listened to any of this. As was true yesterday, I’m gambling, but these all seem like good bets. Continue reading »

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