Aug 142014
 

Long-time followers of our site will be familiar with Nick Vasallo, but for any newcomers in the audience, he is the lead vocalist and songwriter for the excellent technical death metal band Oblivion — and he has a Ph.D. in Music, he is an assistant professor at Cal State Polytechnic University (Pomona), and he is a composer of contemporary classical music whose works have been performed internationally.

When last we featured him in these pages (here), the subject was the composition that earned him his Ph.D., a unique collision of heavy metal and classical music entitled Black Swan Events. Now we’re delighted to bring you the on-line premiere of another composition that incorporates elements of both musical genres.

The title of this new work is “Ozymandias”, and it comes in the form of a remarkable music video. Accompanying the video we also have a brief interview of Nick Vasallo in which he discusses the music and the way in which it has been presented in the video.

As the name suggests, the music was inspired by Percy Bysshe Shelley’s famous poem “Ozymandias”, an allegory for the impermanence of empires, and at a deeper level, of most human achievements; perhaps only art survives, the poem suggests, and even then in a state of gradual decay. The music is an unpredictable work — sometimes dissonant, distorted, and disturbing, sometimes quite head-bangable, and sometimes dramatically powerful. And it ends with the sound of singing bowls! Continue reading »

Aug 142014
 

Death metal of the old Swedish school, especially in its more melodic forms, is my metal comfort food. It proved to be my own gateway into ever-expanding realms of extreme music, and it still puts a smile on my face no matter how many times I revisit the classics. There’s something genuinely timeless about the style.

Of course, as every student of metal history is well aware, the decades that have passed since the early 90s have spawned increasingly diverse variations on the original template, with a steadily increasing tendency of many bands to pack their music with technical acrobatics or drown it in a murky, polluted, soul-sucking atmosphere of pure evil.  To find a new band who have directed their creative impulses back to the well spring is thus ironically refreshing, especially because what they’ve created is so tremendously good.

The band’s name is Unwilling Flesh, and its membership will come as a big surprise to most: It’s the brainchild and alter ego of multi-instrumentalist Andrew D’Cagna, who is better known for his work in such groups as Brimstone Coven, Obsequiae, Nechochwen, and Infirmary. It turns out that he, too, harbors a love for Swedish death metal. Fueled by inspiration from such old-school progenitors as Carnage, Eucharist, and Excretion, he has created an album under the Unwilling Flesh moniker entitled Between the Living and the Dead that’s due for release by Eihwaz Recordings (the sister label of Bindrune Recordings). Continue reading »

Aug 142014
 

When Laika from Winnipeg, Manitoba, named themselves after the the stray dog from the streets of Moscow who became one of the first animals to travel in space and the first to orbit the Earth, they explained: “In the beginning we were quirky dudes full of pretty insane ideas, much like sending a dog to space, so it seemed fitting”.  While poor Laika the dog did not survive her historic venture into the unknown, Laika the band have been growing stronger and more accomplished since their inception in 2009, and they’re now on the brink of releasing their second album, Somnia. One song from the album has already premiered, and today we bring you a second one: “The Immortal”.

The music is energetic and soaring, building to an impassioned crescendo, but although it’s propelled by a flurry of jabbing, pulsating riffs, it also includes elements that aren’t exactly standard fare for melodic death metal — rock beats instead of blast beats, and a conjoining of rippling keyboards and grumbling bass notes that provide a captivating accent. Jordan Dorge’s mid-ranged, feral howls also provide a venomous edge without obscuring the lyrics. But what really seals the deal is the band’s knack for writing memorable melodies: “The Immortal” will stick in your head and beckon you back for more. It’s a strong teaser for a strong album. Continue reading »

Aug 142014
 

In mid-June we reported that Sweden’s groundbreaking At the Gates had started recording their comeback album, At War With Reality. Today, our e-mail in-box received a further report from the band’s label, Century Media, and it’s welcome news: The recording, mixing, and mastering of the album is now complete and release dates have been established: October 27th in Europe and October 28th in North America.

The press release also included this statement by ATG vocalist Tomas Lindberg:

“We are very excited to finally have finished this new album. An album that we’ve been working on for over a year now. It’s by far the most challenging record that we have made, but it’s an honest album and I think that you will feel that it is faithful to the legacy of AT THE GATES.

“We have, through the process of creating it, been true to ourselves and our art. From hearing the first demos that Anders presented to the band last summer, through the extensive stages of songwriting, pre-production, rehearsals, recording and mixing, we now finally got the finished album in our hands. Continue reading »

Aug 142014
 

(Continuing with our week-long series of daily reviews by DGR, today we present his enthusiastic assessment of the second album by Illinois’ Cimmerian.)

Four drops of rain hit my car today. I know this because I was able get into my car and count them on the windshield, likely long after it happened. The skies, however, were still grey and overcast, which when your city was parked in the low 100s the previous week was an amazing sight. That means that it’s time to make the switch in moods from my love of hyperactive death metal and return to the cold shores of ethereal doom.

Long the forte of the European doom scene, the colder, more blue-feeling brand of doom has often found itself being exercised by the Scandanavian scene. However, over the last ten or so years, America has begun to throw its hat in the ring as second- and third-generation bands influenced by Europe’s love for the snow in musical format have begun to gel together. Many of these are young bands, seeking only to pay tribute to the groups they love, but others have really excelled beyond that simple first bar — becoming a representative of the melodeath/doom scene. Which is a long way to bring you to Cimmerian. Continue reading »

Aug 142014
 

(Austin Weber brings us the following introduction to our premiere of a lyric video for the first new music from Internal Suffering in eight years.)

Like all genres (and subgenres) of metal, death metal has an abundance of “classic” albums and legendary bands, many of which still remain unheard of by current fans of the genre. The advent of the internet has helped bring many of these killer underappreciated bands to light. Internal Suffering are exactly this kind of band, head and shoulders above most; and, thankfully, the internet has helped spread their name around massively.

The band was started way back in 1996 when they were based in Columbia, though they have since relocated a few times and are now operating out of Madrid, Spain. In 2006, with several eye-popping releases under their belt, Unique Leader signed them and they released a bestial masterpiece entitled, Awakening Of The Rebel, an album that still sounds years ahead of its time. As a result of the group going on hiatus from 2007-2011, Awakening Of The Rebel turned out to be their last recorded material — until now. It’s been 8 long years of waiting for dedicated fans, a torment of fervent awaiting for their next feverish torrent of torment.

Now we are proud to premiere a new lyric video containing a pre-production version of “Vanished From Cosmos” off their next record. This pre-production track perfectly captures the explosiveness and energy of death metal with an appropriately evil flair that at times comes across like Cryptopsy. With “Vanished From Cosmos”, Internal Suffering have taken their blastbeat-barrage-meets-finger-cramping-riff style into a higher strata of ravenous existence. Meanwhile the lyrical side of their equation continues to revolve around Thelema, Magick, and Ctulthu-esque demon beings.  Continue reading »

Aug 142014
 

I intended to finish this collection and post it yesterday, making it Part 3 of a big Wednesday round-up of news and new music, but the old fucking day job interfered, and so I’m beginning our Thursday with it. This collection is a bit different from the usual “Seen and Heard” because it includes a couple of items at the end that aren’t new — I’ve just been really drag-ass in bringing them to your attention.

HETROERTZEN

I first came across Hetroertzen last May when I impulsively decided to explore (and write about) some of the releases by an underground Swedish label named Lamech Records. The band are originally from Puerto Varas, Chile, but are now located in Sweden. They have completed recording a fifth full-length album, entitled Ain Soph Aur. It’s currently projected for release on December 6, 2014, in a variety of formats by Lamech Records, Terratur Possessions, and Amor Fati Productions.

In recent days, two songs from the album have been made available for streaming — “Blood Royale” and “The Rose and the Cross”. Both are long pieces, in the seven-and-a-half minute range, and both are very good. Continue reading »

Aug 132014
 

 

Here’s Part 2 of today’s effort to catch up on news and new music I think are worth your attention. I had planned a third part, but that will have to wait until tomorrow (fucking day job).

ACCEPT

I’ve made no bones about my lukewarm reaction to much of what passes for “traditional” thrash — perhaps primarily because of the genre’s vocal style. But the new song (“Final Journey”) that NPR premiered today from Accept’s 14th album Blind Rage has knocked my socks off, not least because it includes a guitar melody lifted from Edvard Grieg’s “Morning Mood” as an unexpected accent near the song’s end.

But that’s only part of the attraction. The riffs and the solo are absolutely galvanizing, the melody is heart-pumping, and I actually like the vocals by Mark Tornillo as well. Check out the new lyric video next. The album can be ordered here from Nuclear Blast. Continue reading »

Aug 132014
 

 

(Guest writer Ben Manzella attended the final show of the Oathbreaker-Cult Leader tour on August 7 in San Francisco and provides this review, with a few photos and some music streams.)

Outside a fairly non-descript art space, about 3 people began to line up. Along with 3 bands from around California, the night at Submission in San Francisco would feature Oathbreaker and Cult Leader. As we waited, suddenly a crew of about five people just walked right into the venue and we realized that we (the group who had already been waiting about 45 minutes or more) could actually go in. As I said, the venue was fairly non-descript, but this no-frills space was well-suited for the no-frills music that was set to be featured this night.

I’ll admit, because I was going in blind with the “local” support, I mainly watched their sets rather than try to get photos. And in all honesty, at least from a photographer’s perspective, that was probably for the best, considering the challenging lighting the venue offered. Continue reading »

Aug 132014
 

Revocation’s new album Deathless will be in stores on October 14 via Metal Blade (and on slightly earlier dates in Europe). Minutes ago the label began streaming the album’s title track on YouTube, and with a little net snooping I also found an image of the album’s cover art, created by painter and tattoo artist Tom Strom — which I like a lot.

I’m enjoying the song, too. It’s downright ferocious — fast, feral, and of course filled with blistering fretwork, but it bludgeons as well as it strips skin and the melody sticks. Also, those throaty clean vocals you’re going to hear work quite nicely. Check it out after the jump.

Metal Blade is accepting pre-orders for the album here. Continue reading »