Jan 032015
 

 

Here’s a collection of new songs I came upon over the last 24 hours. It’s not happy music, but it make me happy.

LOIMANN

Loimann are from Torino in the Piemonte region of Italy. They released a debut album in 2010 named Towards Higher Consciousness, and their second full-length — Drowning Merged Tantras — will soon be released on CD by Behold the Ruins Records. I was drawn to it by the cover art (above), created by one of my favorite metal artists, Costin Chioreanu.

I’ve been making my way through the album as a whole (with thanks to Loimann for the opportunity), and I’m really enthralled by what they’ve accomplished. I’m unable to write as many album reviews as I would like, so I at least want to encourage you to listen to the two songs from the album that are now publicly available — “Haeresis” and “Tantras… Drowned”. Continue reading »

Jan 032015
 

 

Baltimore-based A389 Recordings is hosting a music festival on January 15-17, 2015, to commemorate its 11th anniversary. The show will take place at three Baltimore venues (Sidebar Tavern, CCAS, and Metro Gallery) and will feature performances by 20 bands. The awesome poster for this year’s festival (above) was created by Human Furnace of Ringworm.

To help promote the festival and to salve the wounds of those who will be unable to attend, A389 has made available a free digital compilation called the A389 MMXI Anniversary Bash Soundtrack with songs from all the bands who will be performing at the festival. The soundtrack includes brand new tracks by Ilsa and Genocide Pact, as well as music from Noisem, Full of Hell, Magrudergrind, In Cold Blood, Weekend Nachos, and many more. Continue reading »

Jan 022015
 

 

Today we resume the rollout of our continuing list of 2014′s Most Infectious Extreme Metal Songs. For more details about what this list is all about and how it was compiled, read the introductory post via this link. For the other songs we’ve previously named to the list, go here.

The songs I’m adding to our list today come from the two most high-profile “comeback” albums of 2014. Both generated a lot of overheated discussion everywhere metalheads congregated to opine and pontificate. Both generated controversy, and in both cases the controversy stemmed from the inevitable comparisons with each band’s own previous landmark works. By now, everyone has chosen up sides. I’m on the side that thinks both albums are very good, and worthy additions to each band’s storied discography. And they both include some of the year’s most infectious extreme metal songs.

AT THE GATES

Few bands have ever made as indelible a mark on the history of metal as this one. In four straight years they produced The Red In the Sky Is Ours, With Fear I Kiss the Burning Darkness, Terminal Spirit Disease, and of course Slaughter of the Soul. And then almost 20 years passed before At the Gates delivered their fifth album, At War With Reality (reviewed here). Many bands who have resurrected their careers after a long hiatus would have been better off leaving us only with memories. In this case, we are lucky that At the Gates have come back. Continue reading »

Jan 022015
 

 

(In this post TheMadIsraeli reviews the debut album released in December by a two-man band from NJ/PA named Duskmourn.)

Do you like the idea of Omnium Gatherum with folk elements instead of more modern futuristic textures and sounds?  Duskmourn is for you.  Combining sounds of Omnium, Dark Tranquility, Hypocrisy, and something of a Be’lakor vibe, Duskmourn’s debut Legends is a satisfying melodic death metal morsel.

Duskmourn is an American duo.  There is Bill Sharpe in charge of drums, guitars, and keyboards, and Walter Deyo in charge of vocals, bass, and also guitars.  The music is feral and forlorn and has that marching-into-battle feel.  I hate saying that, because when you say that most people seem to bounce right to Amon Amarth.  There is a bit of that vibe on here, too, but it’s by no means an accurate or fair comparison. Continue reading »

Jan 022015
 

 

Yesterday I noticed a Facebook post by Baltimore’s Grimoire Records about a forthcoming release by a Virginia band named Foehammer and a song from the album that had debuted on Bandcamp. So I visited the Grimoire Bandcamp page — and discovered three more forthcoming Grimoire releases that I didn’t know about (surprising as it may seem, I haven’t yet become omniscient). So I decided, what the hell, this seems like good fodder for the next MISCELLANY experiment. And since I haven’t written a MISCELLANY post in two months, I decided there’s no time like the present.

To remind you about the MISCELLANY rules, I randomly pick albums or EPs by bands whose music I’ve never heard (usually by bands I’ve never heard of either), I listen to a track or two, I write my immediate impressions — and then I stream the music so you can make up your own minds. Unlike everything else I write about at NCS, I don’t know in advance what the music’s going to sound like or whether it will be worth the attention. Don’t try this at home — I’m a trained scientific professional and I can handle the risks.

FOEHAMMER

Foehammer’s self-titled release appears to be a debut album, scheduled for discharge by Grimoire on March 3, 2015. The one song that’s streaming is a 10-minute track named “Stormcrow”. It’s one of three long-form tracks on the album. I like the album art (by Luciana Nedelea). Turns out that “Stormcrow” is quite likable, too. Continue reading »

Jan 022015
 

 

(Our guest Ben Smasher provides a year-end of favorite releases.)

In the early 2000s or so, metal began to embrace to its fullest extent the importance of utilizing recording, mixing, and mastering styles to further the atmospheric effectiveness of an album. The albums that taught us this were incidentally opportunistic in this fashion, yet their happy accidents became precedent. So bands all became incredibly capable of making records that sounded amazing, yet I feel the genre really got stuck in the mud as far as progression in influences and song writing.

In 2014 I feel like we’ve finally worked through this period and bands are really starting to write great albums again. Albums whose notes and rhythms seem to wrap themselves around each of our veins and alter our being as we take it in. I look for next year to bring this quality to the stage even more.

*****

1) Falls of Rauros – Believe In No Coming Shore

My life is now divided into two chapters: before this album entered my life, and after. Words cower in the presence of this album, so I won’t waste them. Listen to this now. Continue reading »

Jan 012015
 

 

Well, Happy Fucking New Year to all you motherfuckers out there (to bring good luck, I think it’s important to call all our readers “motherfuckers” on the first day of 2015). I hope everyone is beginning the new year in one piece and not too much the worse for wear from whatever you did last night to commemorate the calendar change.

I’m in unusually good shape myself, which is to say that I had a fairly peaceful and alcohol-free evening with my spouse, who resisted my entreaties to get shit-faced. This morning, I want to thank her for once again being the level-headed part of this partnership.

I spent part of this morning web-surfing for new music and found quite a lot worth recommending. Here’s part of what I found, presented in alphabetical order, since I am able to remember the order of the alphabet because I was good last night.

P.S. For those who came here looking for the next installment in our 2014 “Most Infectious Song” series, I’m taking a break for today — so I can figure out which two songs to post next! Continue reading »

Jan 012015
 

art by PSHoudini

 

(Here’s a New Year’s Day opinion piece by Andy Synn.)

There’s been a lot of chat recently (actually, I suppose it’s a pretty constant state of affairs) about what is or, more frequently, what isn’t Metal. In fact you’d be hard-pressed to go very long at all in this scene without encountering someone willing to tell you how you’re “doing Metal wrong”, and happy to lay out a list of all the Heavy Metal Commandments which a good metalhead should adhere to.

And yet, somehow the irony of this goes right over their heads. The same people who preach the inviolable laws of “Metal” (which, strangely enough, always seem to apply solely to the things they do and the bands they like), are the same people who harp on about the evils of religion and blind faith. Whether it’s willful denial or simple ignorance, I don’t know, but it’s absolutely mind-boggling to me.

You see, not to be too blunt and simplistic about it, Heavy Metal is, at its heart, just a musical genre. And quite a varied one at that. But still, a defined genre. One based around loud, distorted guitars, hammering drums and (ideally) a palpable sense of passion and fire.

Yet there’s also an idea that it’s something more than that – that it’s something almost like a religious movement, that it’s a culture, something that exists independently – and somehow questioning this assertion is, in itself, “unmetal”.

In fact, certain people particularly don’t like it when you start to question what Metal is… Continue reading »

Jan 012015
 

 

(NCS interviewer KevinP delivers the first in a planned interview series, and this inaugural edition features guitarist Steve Jansson of Crypt Sermon — whose forthcoming debut album Out of the Garden is absolutely killer!)

Welcome to what I plan on being a monthly feature, GET TO THE POINT.  Besides wanting a fancy title for my interview segment, the idea is to be a bit more succinct, if and when possible.  Who knows, maybe I’ll be a chatty Kathy more than usual and totally not stick to it, let’s see how things turns out.  In the coming months, we will be talking to (among others):  Calvin Robertshaw (My Dying Bride), Matt Calvert (Dark Descent Records),  Öxxö Xööx (a French avant garde doom band), and Nikos Panagiotopoulos (Universe217).  So, without further ado……

*****

K:  So Enrique (Crypt Sermon’s drummer) was scared to do the interview and pawned me off onto you.  What’s up with that guy?

S:  Oh, we don’t let him do interviews. I sent his ass to get more beer, though.

Hah, nah, Brooks (vocalist) and I are generally the ones who do the interviews. It just sort of worked out that way, I guess. Continue reading »

Jan 012015
 

 

(We once again invited “B” from the Siberian band Station Dysthymia — whose music is available on Bandcamp here — to share with us his list of favorite 2014 releases, and once again he graciously agreed.)

 

Hello, NCS readers, I’m B, vox and bass of the Siberian funeral doom band Station Dysthymia. This is the second time I get the honor to be invited to participate in this Listmania extravaganza, and I’m not shifting the concept one bit — this is not a list of the “best” albums of the year, because I don’t believe such a thing is even possible to compile — so many albums, so little time. This is a list of releases that moved me personally on an emotional level: albums, demos, debuts… who cares, right? So, without further ado, let’s get started! Continue reading »