(The long-awaited fourth album by West Virginia’s Byzantine is out now, and we’re delighted to provide a full stream of the new album along with TheMadIsraeli’s review.)
I wish I could find a way to adequately express how much I was absolutely frothing at the mouth in anticipation of this album. You’ve got to understand, this is a band who I musically idolized but who I thought had called it quits for good, and while I wasn’t originally stoked on the reunion since it lacked an integral founding member, his rejoining the band soon after sealed the deal for me. Byzantine were back in business and ass kicking was soon to follow.
I’ve sung the praises of this band to the high heavens on this site already, so if you are unfamiliar with these guys or have forgotten what they’re about, go read my Byzantine discography retrospective, which also included their three previous albums for download. Get educated.
Anyone who thinks that this album is a mere sequel to Oblivion Beckons would be sorely mistaken. These guys have been out of the band game for five years, but have still pursued music in a personal way and have thus evolved. What we have here isn’t a different Byzantine, but definitely a wiser, more sophisticated and diverse Byzantine. Continue reading »










