Sep 102024
 

(written by Islander)

We live in a world where Darwin’s radical old theory has been replaced and evolution is now determined by the survival of the shittest, a world in which some are sworn to the Mentat’s Oath and others have become cyberspace conscripts, with our lives supported by nothing but foundations built on shifting sands, watching the Amazon burning (and much of the rest of the world with it), our shapes determined by a wretched new convolution.

And there I’ve managed to stitch together all of the song titles from the debut album by the UK band Hand of Omega, the name of which is The End Of The Beginning.

I have no idea whether Hand of Omega would endorse this way of interpreting their thematic intentions, but their music seems consistent with it, because it’s both crushingly bleak and destructively enraged — as you’ll find out today through our premiere of the album in advance of its September 13 release by the Irish label Cursed Monk Records. Continue reading »

Sep 102024
 

(Andy Synn goes back to the front with the new album from German fusiliers Kanonenfieber)

War… war never changes.

And neither, in some ways, do Kanonenfieber, whose long-awaited and highly-anticipated second album, Die Urktatastrophie (transl. “The Original/Primal Catastrophe”) comes out next week (September 20, to be exact).

And yet… and yet… those of us who’ve been marching alongside the band over the years, slogging through the mud and blood of Menschenmühle (2021), then going on to join the Yankee Division to fight against Der Füsilier (2022), only to find ourselves staring deep into the abyss as a U​-​Bootsmann (2023), will know from experience that although the band (strictly speaking a solo project, I know) may not have changed, their tactics have definitely, albeit subtly, evolved with each new engagement.

In particular, there’s been a slow but steady shift in focus to incorporate more of Death Metal’s riff-centric heft and rhythmic hookiness with each and every release, with the result being that the group’s career has, up to a point at least, followed a similar arc to their Dutch cousins (and similar WWI scholars) God Dethroned.

But whereas the latter’s most recent album ended up falling a little (or, more accurately, a lot) short of achieving its objectives, the anti-war anthems of Die Urkatastrophe have no such problems hitting their target.

Continue reading »

Sep 102024
 

(Below we present DGR’s review of the new album by Finland’s Wolfheart, which was released on September 6th by Reigning Phoenix Music.)

Much as we joke about it – yours truly in particular has created enough material to 3-D print a house – Finland’s Wolfheart have become a hallmark of consistency on a near unchallenged level since their inception. Save for a brutal year-over-year album schedule a few discs ago, Wolfheart have been a band you could set your watch by. Every two years, without fail, ballpark eight or so songs and about forty minutes of music. In fact, it wasn’t until the band’s Napalm era that Wolfheart flipped their career paradigm on its head by putting out albums with seven and nine songs.

It won’t shock then that a discussion of Wolfheart‘s newest album Draconian Darkness is going to contain a lot of familiar shades to it, because with consistency comes familiarity, and familiarity leads to an odd approach in reviewing their discs wherein you almost reset-to-zero with them every time and approach a new album at face value.

Which is interesting, because in a lot of ways you could view Draconian Darkness as a double-album with the one that preceded it, King Of The North. Continue reading »

Sep 092024
 

You’re about to see a violent short film in the company of violent music. The video doesn’t show us what the victim did to deserve his brutal punishment, if he did anything deserving of such a fatal encounter. We only get the headlong chase, a struggle in the mud, and the vengeance of the hangman’s noose.

Based on the name of the song presented through the video — “Bandaison” — the motivating factor may have been a perverse kind of sexual thrill, though whether the perversion took root in the victim or his assailant is ambiguous (the lyrics might shed light, but the expulsion of the words is so terrorizing that even those who speak French might face a challenge in deciphering them).

The perpetrators of the song are the French band BTK, which stands for Bind Torture Kill, and the source of the song is their forthcoming third album album Sauvagerie, which will eventually be released by a trio of labels on different formats. This one track will see digital release on September 12th. Continue reading »

Sep 092024
 


(written by Islander)

On August 20, 2017, the day before a total solar eclipse I was about to witness in Wyoming, I wrote about a song I had heard the night before by a Canadian band named Hell Is Other People (it was the title track to their album Embrace, which came out about 10 days later). But over the course of many paragraphs before ever getting to the song I wrote about the band’s name, and about the alcohol-fueled discussion of it that took place among my friends and me under the stars that night.

I won’t put you through all those paragraphs again (they’re here if you want to read them), even though the discussion meant a lot to me then and still does. I’ll just mention that the band’s name is a famous statement from the play No Exit by Jean Paul Sartre, and it’s an assertion that’s subject to many interpretations, about the many ways in which other people can make life hell for us, or cause us to make our own lives into a hell.

Still grateful to this band for that night, today I’m going to get to their music a lot faster, because we’ve got a song to premiere from their new album Moirae, which comes a long seven years after Embrace. One thing that hasn’t changed over those many years is this band’s capacity to be thought-provoking — and to pierce through into the heart of where our emotions come from. Continue reading »

Sep 092024
 

(Andy Synn is ready to be swept off his feet again by The Howling Wind)

Look, by now I’m sure we’re all aware of the big surprise revelation of last week… that’s right, I’m talking about the unexpected, world-shaking return of Linkin Park Pyrrhon The Howling Wind!

Sure, it’s only been two years since their last release – 2022’s Oak EP – but it’s been eleven years since the duo of Tim Call and Ryan Lipynsky actually created a full-length album together (with 2019’s Shadow Tentacles being a solo effort by Lipynsky under the THW moniker).

So, with that in mind, the pair’s new album, Through the Eyes, Past the Sun, has a lot to live up to.

Continue reading »

Sep 082024
 

Yesterday I bemoaned the trouble that weeks ending in Bandcamp Friday’s create for me in trying to compile the usual Saturday roundup for NCS. It creates similar troubles for picking music to recommend in these Shades of Black collections: just way too much potentially interesting stuff to check out.

Yesterday I tried to compensate (only slightly) by stuffing a greater-than-usual number of new songs into the roundup. For better or worse, I don’t have time to do that today — below you’ll find only four advance tracks and one new EP. I hope you like all of it, or at least find some one thing to brighten (i.e., darken) your day.

ANTE-INFERNO (UK)

In the fall of this year Ante-Inferno will release their third album in what is developing as a steady every-two-years sequence (our own Andy Synn reviewed their first two albums here and here). Continue reading »

Sep 072024
 

From midnight on Thursday to midnight on Friday we received 221 e-mails about recent and forthcoming heavy metal releases. That’s not counting the e-mails that were just trying to sell us clothing or physical editions of records that have been out for a while, or to announce tours and shows, or to promote music that’s utterly foreign to anything we cover here (no idea how we get on some of these distribution lists).

That’s what Bandcamp Fridays do to our in-box, and the same thing happens on social media. It’s no longer surprising. Bands and labels know that lots of metalheads wait for these days when more of the money they spend will go to bands and labels. But it sure as hell makes me feel like I’m drowning when I look for things to include in Saturday roundups following Bandcamp Fridays.

And that’s not counting all the new songs and videos that were already on my plate before Friday arrived. Continue reading »

Sep 062024
 

In learning about the musical influences of the British band Magnetar you might imagine the re-emergence of the three-headed Cerberus once more stalking at the gates of Hades. They describe the musical inspirations encompassed on their debut album There Will Be No Peace in My Valley this way:

Primarily the great melodic Black/Death Swedish bands of No Fashion Records in the early 90s. Then also the muscularity and speed of 80s North & South American thrash/death acts such as Slayer, Sepultura and Infernal Majesty. And last but never least, the hallowed British bands of the 80s including Judas Priest, Motörhead and Iron Maiden. Also, of course, is a passing nod to our Black Metal forefathers Darkthrone, Immortal & Bathory.

So maybe this hound has four heads instead of three. That’s a hell of a list of influences, to be sure, but may leave you wondering how in the world all those heads could work together in a coherent way. We’ll help you answer that question today through our premiere of the album’s opening track, “SCUM“, in advance of the album’s release by Vendetta Records on September 27th. Continue reading »

Sep 062024
 

The video prepared for KrvL‘s song “Zielenrust“, which you’re about to see and hear, is a beautiful but haunting piece of art. Slow-moving and only occasionally accented by color, it depicts a solitary figure communing in their own way with the expanse of the ocean and its gently rolling tides. Mysterious and mesmerizing, it’s an interesting setting for a song that proves to be… shattering.

The song is the first single from the forthcoming second album by this Belgian black metal band, whose name is a compacted reference to the Belgian forest named Kravaal. Entitled Donkere Paden (“Dark Paths”), it will be released on October 11th by These Hands Melt and has become available for order just in time to take advantage of another Bandcamp Friday. Continue reading »