May 082024
 

(Today we present the second part of an interview by Hanoi-based NCS contributor Vizzah Harri with Nguyễn Tấn Đạt, aka Nattsvärd, from the Vietnamese black metal band Imperatus. You can find Part 1 of the interview here, and Harri‘s review of the debut Imperatus album At the Mercy of the Wind here.)

This is the second instalment of an interview with Nattsvärd from Imperatus. Part 1 focused on their origins, inspiration for their sound, as well as the technical facets of recording, whereas Part 2 focuses more on lyrics, writing/composition, as well as some thoughts on the scene and what the future holds.

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You used a quote from Anthony Burgess — “When a man cannot choose, he ceases to be a man.” Which reminded me a lot of the Avenged Sevenfold song Bat Country (I was today years old when I realized this is a quote from none other than Dr. Seuss haha): “He who makes a beast out of himself, gets rid of the pain of being a man”. Together with the cover art and the sound clips, what was the feel you were going for conceptually?

Great insight and connection! I will never shy away from the fact that Avenged Sevenfold was my gateway band to metal music haha. And the said quotes do share a resemblance. Continue reading »

May 082024
 

(Our Denver-based friend Gonzo has turned in the following review of the debut album from the French metallic hardcore band Sorceror, which is out now on Delivrance Records.)

Don’t look now, but something big is happening in France.

And no, this time it’s not protesters burning down half of Paris after the government tried to raise the retirement age, but the big thing I’m referencing might as well be the soundtrack to exactly that. Continue reading »

May 082024
 

(DGR has detoured off most of our well-beaten paths to bring us his review of the latest offering from the Norwegian band Gothminister, which was released late last week by AFM Records.)

I recently crossed the twenty-year mark of following Norway’s Gothminister, the result of an initial missing of the musical bus years ago and then a hurricane-force tour through their specific music scene way back in 2004 – courtesy of a gentleman I used to play Twisted Metal 2 PC online with. Having been sent “The Holy One”, it was difficult to not get hooked on Gothminister‘s hybrid of dancy-electronics and industrial metal.

It’s a hybrid that has held on strong too, even throughout a good-sized handful of lineup shifts over the course of the band’s career. They’ve become a comfort-food band for me, the music not overwhelmingly challenging and metal enough to scare the ‘normies’ among us but otherwise digestible near-pop in its assault. Sing-song worthy with a march to them, Gothminister have been a group that – for me anyway – are a tremendous amount of fun in their embrace of camp and caricature.

Since we have a little bit of free space in the release calender there was a goblin-esque part of me that declared ‘what if you did manage to get them on to the front of the site?’, knowing full well they’d likely be spaced in between death metal heavy enough to collapse buildings or black metal sharp enough to scrape concrete smooth. “What if…,” said goblin proclaimed, “we just reviewed the group’s most recent release even though there’s been little to no mention of them before on the site?”

“But it’s a sequel album,” I said. “We’ve never even covered the first Pandemonium“. “Even more funny,” stated goblin-DGR, “because now people have to wrap their heads around the idea of Pandemonium II: Battle Of The Underworlds with little to no explanation or context of what preeeded it”

And alas, here we are. Continue reading »

May 072024
 

(Today we present Part 1 of an interview by our Hanoi-based contributor Vizzah Harri with Nattsvärd from the Vietnamese black metal band Imperatus. Part 2 will follow tomorrow.)

Imperatus is the latest black metal act hailing from Hanoi, Vietnam. Their debut album that we reviewed here can be described as nothing other than a piece of music that commanded my attention from the moment the first chords struck.

I had the privilege of meeting with Nguyễn Tấn Đạt, aka Nattsvärd, to discuss their album, At the Mercy of the Wind, and this first part of the interview lights upon their beginnings, influences and the technical aspects of the recording project. Continue reading »

May 072024
 

“Not all black metal must be about Satan. There’s plenty of bands who can be obscure and straight-to-the-point with a peculiar image and, of course, very powerful music.”

That is how the Dusktone label announced the debut album from the Swiss black metal band Vígljós, and indeed, it is not about Satan. As signified by the album’s title itself — Tome I: apidæ — it’s about… bees.  But there aren’t many bands who could have made an album like this one. Continue reading »

May 072024
 

Today we renew our admiration for the Swiss duo Ernte, whose music we’ve previously described as “black metal that’s atmospheric and immersive, creating nightside experiences of mysticism and old magic”, but also simultaneously delivering “visceral punch and mind-scarring intensity”. Ernte’s music, we’ve written, “can be disorienting, depressive, unsettling, and even deranged, but it’s still very easy to fall prey to the music’s unearthly sorcery”.

What we’ve fallen prey to this time is a song named “The Witch (Was Born In Flames)” from Ernte‘s forthcoming third album Weltenzerstörer (“world destroyer”), which will be released by the esteemed Vendetta Records on June 7th.

Before providing the premiere of this song stream, we should put it in the context of the album as a whole, which Ernte describe as follows: Continue reading »

May 072024
 

(Andy Synn presents four albums from April which you may well have overlooked)

Depending on when you’re reading this there’s a pretty good chance I’ll be several thousand feet in the air, on my way to link up with the rest of the NCS crew for this year’s edition of Northwest Terror Fest.

As a result of this we’re probably going to have a quieter week than normal, posting-wise, but should still be able to get a few reviews, interviews, and assorted round-ups published to keep you all entertained (assuming you’re not also at the festival with us).

For my part, as well as a review of the new Tzompantli (which I’ll probably be working on during the flight) I’ve chosen four more artists/albums from last month – taken from a not-so-short-list that also included the likes of Antichrist Siege Machine, Carrion VaelExistFull of HellInter Arma, and Karst – for another edition of “Things You May Have Missed”.

And, hey, if you didn’t miss them… why not check out some of the other names I just mentioned instead?

Continue reading »

May 062024
 

The phraseology of “diving into” a record is intended to capture the idea of an auditory experience in which your mind is quickly surrounded by the music.

Sometimes you want to get out of the stream and towel off as quickly as possible, left cold or, worse yet, finding the waters skin-temperature and drab. Or you might get pulled deep by heavy undercurrents, making it difficult to get even your head to the surface.

Or you might experience the thrill of discovering that the waters are shark-infested, and a leg that was once attached to you has just been chewed off, leaving the waters red and frothing as the horde of other predators begin joining the feast.

That’s the kind of dive you should prepare for in Submit Or Death, the EP from New Zealand’s Just One Fix that we’re premiering today in advance of its May 10 release. Continue reading »

May 062024
 

(What you’ll find below is Comrade Aleks‘ in-depth and wide-ranging interview of Michael Chavez, the mastermind behind the California death/thrash band Hemotoxin, whose new album When Time Becomes Loss is set for release on May 17th via Pulverised Records.)

Fresh and savage death metal from Hemotoxin is rooted in thrash and shaped in twisted progressive forms. The band itself was started in 2010 by Michael Chavez (vocals, guitars, bass), and after three full-length albums and global lineup changes it reaches its new top with the fourth album When Time Becomes Loss.

Or, as the official press-release states, “discordant in euphonious harmony yet ruminative in essence, riff-mogul Michael Chavez inflicts a gaping wound that perfectly intersects forward-thinking thrash and prog metal”.

So many people, so many opinions… However, let’s now devote our own time, as Hemotoxin’s mastermind Michael Chavez provided us the in-depth story of When Time Becomes Loss and far more. Continue reading »

May 062024
 

(We start a new week at our site with DGR‘s enthusiastic review of the new album by the Anglo-Finnish prog metal band Wheel, released late last week by InsideOut Music.)

Normally we try to keep the veil up when we cover a group, to keep the author’s personality out of the writing but in this case I feel that I have to place my neck on the chopping block in order to justify this one. If you’ll indulge more of my wanderings out of the metal world for a bit, let’s take a journey with the band Wheel.

Our history with this progressive rock/metal group is a long one. The Finnish/English combination have been hanging around the rafters of the NoCleanSinging halls for a bit now, largely due to my own fandom for their album Moving Backwards. Since then, I’ve tried to get a post or two up about them whenever they have something new to offer and in that time we’ve covered their album Resident Human – one of two albums to reference Heinlein’s writings that year – and their recent-ish EP Rumination, which was released upon them signing to major progressive rock label InsideOut.

The group’s combination of heavier metallic sounds, progressive rock, and yes, even some heftier guitar bending of the djent variety at times, is one that has allowed the band to create both short songs verging on radio rock with plenty of hooks and longer progressive numbers that have many times pulled back the curtain on shared similarities with the band Tool. Even with this in place there has always been room for Wheel to surprise, and that is still the case when it comes to the group’s newest album Charismatic Leaders. Continue reading »