NO CLEAN SINGING

I DECLARE WAR — UNSIGNED NO MORE!

Mar 172010

We’ve had a weakness for our local boys in I Declare War ever since we first saw em play live a couple years ago. They work their butts off and they churn out some brutal death metal. Plus, one of our favorite band shirts is theirs, with the following in big letters on the back: “IF IT AIN’T BROKE, BLAST BEAT THE FUCK OUT OF IT.”

We put up a post last November about IDW entering the studio to begin recording a new album. What we didn’t know then but have just learned today is that they had a deal in the works with The Artery Foundation. Now the news is public. Excerpts from a press release issued by the band and Artery:

“Seattle, Washington-based death metallers I DECLARE WAR have inked a deal with Artery Recordings, the new joint venture between The Artery Foundation and Razor & Tie. The band’s self-produced new album,“Malevolence”, will be released on June 1. . . .

“During I DECLARE WAR‘s first tour in 2007, the band happened to cross paths with well-known death metal band WHITECHAPEL, and played what [guitarist] Evan [Hughes] calls ‘one of the worst shows both of us ever played.’ The unfortunate concert turned into a lasting friendship and one of the best things to happen to the band. When Alex Wade from WHITECHAPEL was approached by Artery in regards to possible bands to sign, he suggested I DECLARE WAR, and so the relationship began.”

(more after the jump . . .) Continue reading »

WHISKEY IN THE JAR (REPRISE)

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Mar 172010

Did you think we would forget what day it is? For shame! Of course we know. It’s the day when everyone is entitled to be Irish from sun-up until blackout.

We thought about what we might do to celebrate the day (besides getting shit-faced as soon as possible). And then it dawned on us that we had already prepared the perfect St. Patrick’s Day commemoration.We just ran it on this site about two months too soon.

So we decided to just run the fucking thing again, because it is indeed perfect. And because even if you’ve been reading our blather for the last two months, you’ve probably already forgotten the earlier post. You are, after all, metalheads.

And so, to start again. My favorite Metallica song isn’t one that would come to mind for most people. It’s an Irish folk song that’s been around for about 400 years called “Whiskey in the Jar.” It tells the story of a highwayman who robs a military or government official and is then betrayed by his wife (or lover — not clear which) and goes to prison for his trouble. And ain’t that the luck o’ the fuckin’ Irish for ye?

Metallica’s version of the song retains the traditional lyrics and the basic melody, but puts Metallica’s heavy, hard-driving force behind it — and James Hetfield‘s vocals are outstanding.

The song is so catchy and has been around for so long that lots of people have recorded it. A couple years ago I tracked down different versions of the song as kind of a musical experiment, to trace the evolution of music over time, and more specifically to see how different musical genres have made this old song their own. It was a very cool experience, and one worth sharing on this drunken day.

So, after the jump, you can see the lyrics; they vary a bit, and we’re giving you the version Metallica used. And then, moving forward in time, you can stream performances of “Whiskey in the Jar” by this group of legendary bands: Irish folk band The Dubliners (circa 1967), Irish rockers Thin Lizzy (1973), Irish punk band The Pogues (playing with the Dubliners) (1990), and finally Metallica (1998). Hope you’ll get really wasted and give it a try.

And to repeat our appeal from the earlier post: It’s time for a fucking death metal band to record this song!

THE JASSER ARAFATS

Metal News No Responses »

Mar 162010

Serendipity (noun): (1) an aptitude for making desirable discoveries by accident; (2) the fact or occurrence of such discoveries.

Synchronicity (noun): the coincidental occurrence of events that seem related but are not explained by conventional methods of causality.

We always get these words confused, though they’re both cool words. Both came to mind as we thought about the following chain of events:

Two days ago we wrote glowingly about the new melodic death metal opus from those Finnish swamplords, Kalmah. Later the same day, we stumbled across a press blurb about a new Finnish thrash/death metal band called The Jasser Arafats that has a debut album on the way, called Condemnation. The album cover (above) plus the band’s wacky name made us pause and jump over to their MySpace page to check out the music. And there, on the band’s MySpace page, was a notice about their upcoming performance on March 19 at a CD release party in Finland for — Kalmah.

And then, just to round everything off, the music turned out to be sick! So, we guess it was both serendipity and synchronicity. And for the cherry on top of the icing on top of the cake, we found a widget that allows us to give you a stream of four of the 12 tracks from the forthcoming album. (and that, plus a little more info, you’ll find after the jump . . .) Continue reading »

LIVE SUFFO

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Mar 152010

Those brutal tech-death godfathers from Suffocation are playing in Europe now, and some HD video of their show last Friday in Utrecht, Holland, has become available. The audio is decent, and the video — well, it’s HD and it’s great.

You get clear shots of Terrance Hobbs shredding with dreds flying, Derek Boyer playing his bass like he usually does (i.e., with the instrument almost vertical), a few glimpses in the background of Mike Smith hammering the shit out of the kit, Guy Marchais calmly riffing away on the right, and of course Frank the Tank with tongue wagging and hands tomahawk-chopping as he blasts out those brutal vocals.

If you’re a Suffo-addict like we are, this is fun to watch. All that’s missing is video of action in the pit — but we can imagine the mayhem. Enjoy these videos of “Thrones of Bones” and (after the jump) “Suspended in Tribulation” and “Breeding the Spawn.”

Thrones of Bones

(two more videos after the jump . . .) Continue reading »

FLAMING TUSK

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Mar 152010

Last week we received the following e-mail:

Hey, No-Cleaners.
We definitely have a whole lot of no clean singing on Flaming Tusk’s new album Old, Blackened Century. For that and many other reasons I think you’re going to love it. The album is available as a pay-what-you-will download (yes, even $0) at http://music.flamingtusk.com.
Enjoy. In a horrifying kind of enjoyment.

Keith [aka Zosimus]
Flaming Tusk

Well, we thought that was one of the most intriguing e-mails from a band we’d received in a while. So, we hopped right over to the linked page, downloaded Old, Blackened Century, made a monetary contribution, and started listening. And then listened again. And again. And it turns out that Flaming Tusk’s stylistic flair doesn’t stop at e-mail messaging and cool album titles.

The music is indeed immensely enjoyable, in a horrifying kind of unclassifiable metal enjoyment. If you like blackened post-hardcore proggy doom sludge noise metal, well you’ve come to the right place. (read on after the jump, and we’ll give you a track to stream, too, plus some musings about band names that Flaming Tusk may have narrowly averted . . .) Continue reading »

KALMAH

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Mar 142010

Melodic death metal as practiced by the Swedes and Finns is alive and well, and those swamplords from Kalmah proudly bear the standard in their sixth studio album, 12 Gauge. In our humble opinion, it’s the best music these five dudes from the northern marshes of Finland have put out since 2003’s Swampsong.

It’s the same model Kalmah have been driving since the beginning, but they’ve given their machine an oil change, a tune-up, and a supercharger, and it’s running fast and smooth. Hop in, fire it up, and the adrenaline starts flowing.

12 Gauge is filled with thrash-metal speed, hammering rhythms, and enough infectious power-metal riffs to wake the dead and set their heads to banging. But this is melodic death metal, and so 12 Gauge also delivers blistering melodic guitar solos and soaring keyboards. Pekka Kokko’s vocals supply a low-end howl that provides an effective contrast and complement to the melodies.

For variety, folk-metal stylings make an appearance on “Better Not To Tell” and “Sacramentm,” and in acoustic intros to “Rust Never Sleeps” and the title track, while black-metal style tremolo work mixes with swirling guitar and keyboard solos to flavor “Godeye”.

Lyrically, the songs are as interesting as the music. (more after the jump, including some Kalmah-style swamp metal to stream . . .) Continue reading »

VARG SPEAKS; THE DETAILS OF ARTIFICIAL ELEPHANT INSEMINATION

Metal News, Mosh Pit 2 Responses »

Mar 132010

When we started this site, we committed to ourselves (and to you) that we would post something new here every day — rain or shine, weekdays and weekends, holidays and mornings-after-binging — no exceptions. Inevitably, something will happen and someday we’ll fail to live up to that commitment. But so far, so good.

Thinking of something new to add every day that meets even our minimalist standards hasn’t been easy. Sure, there’s always new music to hear and then write about, but that takes a fair amount of time, which we don’t always have. So, sometimes we let our minds wander around the interwebz, just to see what might make an impression.

Like yesterday. Two things caught our eye: (1) a recent interview by black metal legend, convicted murderer and arsonist, and recently reinvigorated Norwegian recording artist Varg Vikernes; and (2) more info than we wanted to know about the artificial insemination of an elephant that was perpetrated earlier this week in Seattle, as reported in grotesque detail by the city’s daily newspaper.

Are these two items related to each other? Well, not actually, though pairing them in the title to this post seemed like an eye-catchingly good idea. Do they both relate to extreme metal? Uh, not actually. What the fuck, we fudged a bit. So sue us. Actually, don’t sue us. Read these bits instead, which include our always-incisive commentary (after the jump . . .) Continue reading »

BLOODSHOTEYE: EXPECT THE UNEXPECTED

Album Reviews 1 Response »

Mar 122010

As I enjoyed Steff Metal‘s guest post from a few days ago and her unusual collection of female black metal and death metal vocalists who can growl and howl with the best of the dudes, something nagged at the back of my mind. Something I’d forgotten. Something about a killer female vocalist whose killer band had a new album coming out.

My mind is like a steel trap (rusted shut), and I knew it would come to me (probably as the answer to some completely different question). And then it hit me (like the car that knocked me out of a crosswalk last year): Bloodshoteye!

We wrote about this band (here) on the day after Christmas when we stumbled across a report that they had signed with Canadian-based label CDN Records for the release of their third album, Expect the Unexpected. We listened to some songs streaming on the band’s MySpace page, we watched some performance videos, and we were duly impressed. And not just because their vocalist, Jessica Desjardins, was an attractive woman who could belt out those broken-glass-gargling vocals we all know and love so well here at NCS.

In that previous post, we noted that the new album was due for a February release and that we would be watching for it. And sure enough the album dropped on February 12. And sure enough, we missed it (“mind like a steel trap,” my ass!). Until it came back to us as a result of Steff Metal’s guest post. So we got the new album, we listened to it, and man is it good! (read on after the jump, and listen to a sample track . . .) Continue reading »

AMERICAN DEFLORATION TOUR DEFLOWERS SEATTLE

Concert Reviews No Responses »

Mar 112010

It’s not uncommon that when we see a national tour on its Seattle stop, there’s one or two bands that caused us to shell out for the tickets and one or two that we can pretty much take or leave — or worse yet, that we simply have to endure, as part of the price paid to see who we really want to see.

But that sure as hell wasn’t our reaction when we first heard about The American Defloration Tour. Black Dahlia Murder, Obscura, Augury, and HateSphere. We would have paid to see any one of those bands. To see them all on the same bill was just a fucking bonanza!

So when that stellar line-up took the stage at El Corazon on the night of March 9, all three of your NCS Co-Authors and our entourage were there to bear witness to the awesomeness, and we now file this report, along with a few photos (for which we apologize, because we forgot to bring the good camera and used a borrowed camera that hadn’t been charged and ran out of juice and, well, shit happens). (read on after the jump . . .) Continue reading »

NO CLEAN CHICKS SINGING

Steff's Posts No Responses »

Mar 102010

[Today, we’re pleased to feature a post from our occasional guest contributor from the Antipodes, Steff Metal (whose usual site you can find here). We wish we had at least thought up the wicked title to this post, but that was hers, too. And the rest of post is also pretty damned wicked. Prepare yourself to be entertained, and to discover some new music in the process.]

I went to a Cripple Mr. Onion gig. During setup I was nursing my bourbon and cola at the bar when I overheard a couple of dudes discussing Arch Enemy.

“She’s alright to look at,” one said, “but she can’t growl for shit.”

“Yeah,” his friend agreed. “Chicks can’t do extreme metal. Every extreme metal band with a chick vocalist is crap.” Therein followed a heated discussion of what chicks should be doing instead of playing extreme metal, which I’ve omitted due to the rules of common decency.

Resisting the urge to punch them both in the face, I drained my glass and wondered if I could prove his claim false. Surely there must be extreme metal bands with decent female vocals?

It’s a long-held belief among metalheads that girls can’t do extreme metal. Extreme Metal is probably the most aggressive, angry, violent form of music there is, and every study ascertains its audience as overwhelmingly male. There’s a kind of “lost boys club” surrounding extreme metal, a sort of grymm forest treehouse with a badly handwritten sign on the door: NO GIRLS ALLOWED.

I think the lack of decent female extreme metal musicians has more to do with simple maths. Hardly any girls listen to extreme metal, and of those that do, hardly any play instruments. There are hundreds of thousands of men playing in metal bands and about twenty-two girls (seriously, I counted), and if 80% of all metal is crap, then that’s only … 4.2 decent female extreme metal musicians.

No I just have to find them. (and find them she did — read on after the jump . . .) Continue reading »

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