Feb 072024
 

(This is Todd Manning‘s enthusiastic review of the new album by Hulder, which will be released on February 9th by 20 Buck Spin.)

 It is the critics’ temptation to always glorify the radical and experimental, but sometimes it’s important to realize genius when it is executed within a genre’s traditional confines.  Such is the brilliance of Hulder. Their latest full-length, Verses In Oath, is an exercise in everything that has made black metal such an addictive sound. The embrace of ancient violence and forest mysticism is strong here and they don’t radically deviate from the template, they are just doing it better than almost anyone else right now. Continue reading »

Feb 072024
 

(December 2023 brought us a new album by Dusk, one of the true cult doom bands from the ’90s, and it proved to be a tremendous full-length return to form, 28 years after their debut album. We proudly premiered a video for one of the new songs last year, and now follow that with Comrade Aleks‘ interview of Dusk co-founder Steve Crane – with apologies to the two of them for how long it took us to publish this.)

Back in the early ’90s, the North American death-doom scene was neither diverse nor rich. The bands that made this music in this period can be counted on one hand, but the first among them would be Avernus, Evoken, Morgion, Winter, and Dusk. Each band has its own history, and as for Dusk, they lasted only five years from their formation in 1995, leaving behind the now cult full-length …Majestic Thou in Ruin and a couple of smaller releases.

Somehow the band managed to reunite in 2015 with an almost entirely original lineup, only changing the drummer: Tim Beyer (guitars, keyboards), Steve Gross (keyboards, guitars), Steve Crane (vocals, bass) and Sean Smith (drums). Dusk recorded a mini-album Withdraw in 2018 and laid low for a while. It was a question of time, and now the second full-length album, Dissolve into Ash, was released in December 2023. Continue reading »

Feb 062024
 

(Daniel Barkasi returns today with the second of his monthly NCS columns devoted to spreading the word about musical obscurities. What you’ll find below are reviews and streams of 8 records released from around the globe in January.)

To begin, thank you to all who read the first edition of this monthly column. I’m glad folks seemed to enjoy the musical expeditions of my often wacky brain. May you discover something to your liking that’ll (hopefully) give you plenty of enjoyment and respite from the madness of the everyday hustle.

This edition covers records that were released in January, which is how we’ll be covering things month-to-month. This time, we have a cornucopia of flavors to indulge; from atmospheric, epic, and relaxing, to the downright filthy. True that the first month of the calendar is typically a relatively slow month in terms of memorable releases, but this year has started off quite favorably. Plenty of under the surface delights to tear into, so let us begin faster than Jerry Seinfeld’s supposed claim of being quite fleet of foot. We choose to run! Continue reading »

Feb 062024
 

(We present Wil Cifer‘s intriguing review of an album by the Chicago band meth. that was released last Friday by Prosthetic Records.)

Imagine a band that does not feel the need to adhere to any of the conventions we have heard a thousand times over from all the other bands that push the limits of heavy. Chicago’s meth. is such a band.

Less unsettling evil haunts their new album Shame than say a band like Portrayal of Guilt, who are not far removed from their sonic zip code. You can pinpoint the sub-genres they touch upon, such as the deliberate pound of dense distortion that could be called sludge. Most of their vocalist’s screams carry an anguish that is similar to what we hear from black metal vocalists. Yet unlike those bands, they do not just relegate themselves to doing it throughout the entirety of a song much less the entire album. Continue reading »

Feb 062024
 

(Andy Synn tries his best to embrace the new album from Chapel of Disease, out this Friday)

A lot of people, including yours truly, will tell you that Chapel of Disease‘s 2018 album, …And as We Have Seen the Storm, We Have Embraced the Eye, is one of the best Death Metal albums of the last decade.

And even those who don’t agree with that statement generally have to concede that it’s definitely one of the most unique Death Metal albums they’ve heard in a long, long time.

But the band’s upcoming fourth album (the final recording of the group’s original line-up) is neither of these things.

Because it’s not really a Death Metal album at all.

Continue reading »

Feb 052024
 

(Vizzah Harri was not necessarily invited to write about the most virulent verses and lullabies of the year just past, but he did ask rather nicely (read: forcefully) whether he could give it a shot in the dark. This guest says he works in education, is an occasional scribbler of self-proclaimed abstract poetry bordering on obscurantism and his only real skill is that of finding mistakes in the work of his (su)peer(ior)s. Not to mention his affinity for keyboard-racing. He resides in Hanoi, Vietnam.)

According to the CDC, infectious diseases can be either bacterial, viral, fungal or parasitic in nature (other than the CDC link, unless you somehow reverted back to troglodytical proclivities and missed it completely this time ’round last year, them be the greatest hits of 2022’s most infectious lists). There also exists a rare group of mephitic and contagious diseases known as transmissible spongiform encephalopathies.

TSEs or prion diseases are a family of rare progressive neurodegenerative brain disorders with long incubation periods; progressing rapidly once symptoms develop, they are always fatal. I’m not saying that this list is so noxious it might kill you, but something has to kill you in the end, albeit the biggest predator here is the presence of overlong sentences. Full disclosure and disclaimer up next: Continue reading »

Feb 052024
 

It’s always a pleasure to come across a song name that sends us running for the dictionary, even when it’s a name whose meaning we might be able to guess after dividing it into its component parts. If you guessed that “Zoophagist” refers to an animal that eats every other animal available to it, you get a gold star.

However, in the case of the song you’re about to experience courtesy of the Chicago band Wounds, that creature isn’t one you can find in any zoo or earthly wilderness. As the song’s chilling lyrics describe, it is instead a collective of lethal things that have captivated the mind of their captor in a lab in outer space and thereby achieved their escape.

In the words of the song, these things eagerly anticipate what will come next after they make their way to our solar system: Continue reading »

Feb 052024
 

(Andy Synn finds himself enchanted by the debut release from Ohio’s Modern Witchcraft)

As I’ve mentioned several times, it’s difficult (read: impossible) for us to keep up with every new band that comes out and every new release they come out with.

Heck, it’s not exactly easy, either, keeping track of all the bands we already know about, especially when they decide to change their names – which is the case with Modern Witchcraft.

Previously known as Close the Hatch (whose 2020 album, also entitled Modern Witchcraft, was a low-key favourite of mine that year) I had pretty much given up hope of ever hearing anything from these guys again until, out of the blue, I stumbled across the video for “Corpse Painter” a little over a week ago.

Some part of me immediately recognised that particular mix of moody percussion, brooding bass, and reverberating guitars… and when those instantly identifiable vocals kicked in I knew exactly who this must be, regardless of what they were calling themselves now.

And I also knew, as soon as the song finished, that I’d be writing about this record as soon as I could.

Continue reading »

Feb 042024
 


Ash

Sometimes we must confront grim tasks head-on and grapple with them, rather than shying away. And so I forced myself to calculate how much time has passed since the last time I did one of these columns. The answer is, six weeks ago, the day before Christmas.

Countless creatures making up thousands of species are born, live, and die within a six-week span. Hell, males among the American sand-burrowing mayflies live less than one hour after reaching adulthood, and females have just five minutes to breed before they die. Let’s have a moment of silence for them, please.

Thank you.

Even thinking about what has happened to me over the last six weeks to produce such a void in this Sunday column is a grim contemplation. Knowing what I have ahead of me next weekend, there will likely be another void next Sunday. But for now let’s contemplate more pleasurable grimness. Continue reading »

Feb 032024
 

I’m still slowly trying to get back into the swing of things here. But it has been slow, and will continue to be slow for the next couple of weeks, thanks to continuing pressures from my fucking day job.

For example, the only metal I listened to over the last week was the music I’d committed to premiere. I also made almost no effort to scroll through the usual flood of NCS e-mails and other messages that have arrived since last weekend, or to open tabs for music to listen to later — “almost” being the operative word, because I did tuck away a few randomly noticed links.

Speaking of e-mail flooding, yesterday was another Bandcamp Friday, which resulted in an even bigger flood. I expected a vision of an old man herding animals two by two into a big wooden boat, a vision that never materialized because I made no effort to scroll through the in-box. I guess sometime this weekend I’ll at least give it a skim, in case any Nigerian princes are trying to share millions of dollars with me. Does that still happen?

Anyway, here are a few appealing underground things I did manage to check out beginning very early this morning. Continue reading »