Dec 012018
 

 

The effect of my vacation on this Saturday round-up is a good-news/bad-news story. The bad news is that I haven’t had time to sift through as many new songs and videos as I usually do before making my selections. The good news is that I found a lot to like anyway.

SAHON

In May of this year we had the great pleasure of premiering a song called “Faith of Savagery” from the hell-raising fourth album by the South Korean thrash band Sahon. The album was subsequently released by Transcending Obscurity Records on July 15th, and now Sahon have just released a music video — and it happens to be for the same great song we premiered.

If you’re feeling sluggish, sullen, spiteful, or have an itch in your brain that you haven’t figured out how to scratch, this video is what the doctor ordered. Continue reading »

Nov 302018
 

 

On December 5h Cyclopean Eye Productions will release the new EP by the Sri Lankan noise terror trio Konflict, and today we present a full stream of all six brain-mangling body-mutilating tracks.

Crafted as “a blood-curdling retaliation against their homeland’s perpetual degeneration,” Trigger Universal Conflict is a dystopian sonic nightmare, a remorseless assault of harsh noise, grindcore, and black/death metal with devastating consequences. It lasts only 18 minutes, but long enough to leave a listeners shivering in fear, with heartbeats hammering and lungs gasping for air. Continue reading »

Nov 302018
 

 

(In this November edition of The Synn Report, Andy combines reviews of the four albums released to date by UK devastators Spearhead, including their new album Pacifism Is Cowardice, released one week ago by Invictus Productions.)

Recommended for fans of: Vader, Witchery, Goatwhore

Pulling no punches and taking no prisoners, Spearhead have been weaponising their particular brand of Blackened Death-Thrash for almost fifteen years now, and have produced four utterly ferocious albums during that time, the most recent of which – Pacifism Is Cowardice – came out just one week ago, following a seven-year gap between records.

And while the quartet – now made up of founding bassist/vocalist Barghest, long-time guitarist Invictus, and new members Typhon (drums) and Praetorian (guitars) – clearly have a deep, abiding affection for the classic, old school style(s) of Extreme Metal, you’ll soon see/hear that their latest record in particular aims for more of an ageless, enduring sound than some sort of uninspired throwback.

So gird your loins, brothers and sisters, and follow me once more into the breach! Continue reading »

Nov 302018
 

 

(Today we premiere a full stream of the new album by Cosmic Atrophy from Biloxi, Mississippi, preceded by an introductory review by Vonlughlio.)

As you, my dear readers, already know by now, my small reviews usually focus on bands in the Brutal Death Metal genre (one of my favorites). Nevertheless, I do like other genres as well, such as Death, Black, Black/Death, and Doom Metal, just to name a few. But when given the opportunity to write for NCS,  I wanted to focus on a genre that could use more exposure. Also, Islander and the team of writers do a fantastic job in promoting/writing about all the main genres here.

With that being said, in my time here at NCS I have written about some non-BDM such as Mournful Congregation, whose release last year I was privileged to write a few words about.

This time around I am very fortunate to do a small write up for Cosmic Atrophy‘s sophomore album The Void Engineers. Simply put, it is for me how Progressive Death Metal should sound, and it has impacted me immensely. Continue reading »

Nov 292018
 

 

We’re now about to enter the final month of 2018, and that begins the final countdown to the end of the year (and the strengthening onslaught of the annual holiday season). In the world of metal, this month we’ll also start seeing more and more lists of the year’s best releases.

Back in 2009, when this site was just a few days old, I wrote a post about year-end lists and why people bother with them. The best reason still seems to be this: Reading someone else’s list of the albums they thought were best is a good way to discover music you missed and might like.

We don’t do an “official” NCS year-end “best albums” list. However, we publish the picks of each of our regular staff writers as well as a group of guest writers (which we’ll start doing in December).

Every year we also invite our readers to share their lists and we’re doing that again right here, right now. Continue reading »

Nov 292018
 

 

We’ve been writing about the emergence of Nattravnen since the first demo track surfaced in 2016, initially drawn to the music by nothing more than the names of the two participants in the project — Jonny Pettersson (Wombbath, Heads For the Dead, Ursinne, etc.), who performs all the instruments, and vocalist Kam Lee (ex-Massacre, ex-Bone Gnawer, ex-Death, The Grotesquery, etc.) — and then overpowered by the music itself.

We’re now little more than a week away from the release of Nattravnen’s debut album, Kult of the Raven, and this time the occasion for our feature is the premiere of the album’s penultimate track, “Kingdom Of The Nattravnen“. Continue reading »

Nov 292018
 

 

Last Sunday when I wrote about my imminent two-week vacation I though it was unlikely that I would be able to assemble any new-music round-ups. But for my traveling companions, yesterday was an especially lazy day, and so I found a bit of guilt-free time to explore new music.

Not a lot of time, mind you, and so I didn’t cast a very wide net over everything of interest that had surfaced since the last of these round-ups, nor was I able to choose as many songs as I usually do. But these three struck a strong chord, and I’m happy with the choices.

ROTTING CHRIST

Season of Mist uses the term “anthemic” to describe the new Rotting Christ song it released yesterday, and so it is — in a way that’s distinctively Rotting Christ. If you’re familiar with their music, you would know it’s them even if no one told you. Continue reading »

Nov 282018
 

 

(Despite having spent last night in Nottingham running a gauntlet of especially vigorous sonic punishment, our Andy Synn still had sufficient remaining wits about him to deliver this report of the event, with video documentation of the beatings.)

Those of you who know me well, and probably some of those who barely know me at all, will be aware of my general distaste for the whole “brotherhood of Metal” shtick that frequently gets bandied about by certain publications.

Don’t get me wrong, the power of music to bring people together and unite them behind a common cause, a common feeling, still astounds me at times, but the whole cliché about Metal being a “brotherhood” is one that’s too often deployed as a disingenuous disguise for arrogant elitism or a flimsy excuse for chasing the lowest common denominator (and, occasionally, both at the same time).

Still, there are times when even my well-documented cynicism has to be put on hold, and the overwhelming sense of camaraderie and positive energy of last night’s show was certainly one such occasion. Continue reading »

Nov 282018
 

 

(Today we premiere a full stream of the third album by the blackened death metal band Bane, which is recommended for fans of Dissection, Behemoth, and Rotting Christ. It will be released on November 30th by Black Market Metal Label, and we introduce our premiere with a guest review of the album by Caleb Newton.)

The once Serbia-based and now Canadian experimental black metal outfit Bane present a complex and nuanced but ruthless sonic monster that demands some digestion via Esoteric Formulae, their November 30 full-length on Black Market Metal Label. The album hinges on some truly ambitious concepts, to the point that rather than sticking with the human morbidity that other similarly styled albums tack their themes to, this record focuses on the cosmos. Continue reading »

Nov 282018
 

 

As part of our annual LISTMANIA series we re-publish “best album” lists from some of the the few surviving print publications that cover metal, and from a handful of “big platform” sites that include metal in their coverage, along with a range of other music genres and other aspects of popular culture.

Of course, as soon as you see the words “popular culture” you know there’s not going to be too much attention devoted to the kind of music we cover at NCS. But it’s still amusing, and sometimes even edifying, to get a glimpse of what the above-ground world is seeing acclaimed as metal’s best releases. Continue reading »