Jan 142023
 

 

No, this isn’t a weather report on what’s happening in California this Saturday. The post title is just a sign that I decided to “go big” with today’s collection of new songs and videos.

The time it takes me to write up each day’s selections for our 2022 Most Infectious Song list (and surely you’ve been looking at those, haven’t you?) has prevented me from doing any “Seen and Heard” round-ups since January 4th, and consequently the pile of new things has grown to mountainous proportions. Hence the temptation to make this roundup a big one, even though what remains still looks like a mountain.

On the other hand, today IS a Saturday, and coming up I have both a work meeting and an NFL football playoff game I need to watch, even though the odds of our local team winning are remote, so to save time I’ve mostly dispensed with album art and order links, and cut back on the usual verbiage. I’ve organized these according to genre and style. Don’t forget I’ll have another column tomorrow, devoted to shades of black metal. Continue reading »

May 062021
 


Ereb Altor

 

(Nathan Ferreira wrote the following reviews of four new EPs that are all well worth your time.)

In these pandemic-ridden times, I’ve had online discussions with internet cretins about how EP releases may be a more viable format for artists, especially those that rely on touring as an income source. There’s less time and expense required to record, produce, and promote them, and it allows the artists in question to focus more on moving other projects forward – in theory, anyways.

Plus, how often do you actually make it through all those hour-long albums you own front to back in one sitting? Is there really that much of a difference between 25- and 40-minute runtimes in terms of how complete an album feels? If the music is good enough, probably not.

For the reasons above, and because I’ve been seeing an unusual number of artists both bigger and smaller embrace the EP format recently (a sign of the times, perhaps), I thought it was appropriate to give some attention to some of the more bite-sized musical snacks that have caught my ear in the past couple of months. Mini-albums need love too, you know. Continue reading »

Nov 252019
 

 

(Andy Synn has again compiled reviews and streams of new records by bands from the UK.)

It was last week, I think, when I stumbled across another one of those weirdly throw-away lists purporting to feature “ten of the best up-and-coming UK Metal bands”.

Intrigued, and hopeful to discover some new names to help promote in turn, I gave the article a click, only to find that pretty much entire list was made up of bands who were already pretty well known, or made up of ex-members of other bands who’d previously received a fair bit of hype, and/or mates of the band responsible for the article in the first place.

Not only that, but pretty much every band featured played some variant of Death Metal/Deathcore, and clearly all came from a very similar clique. And while I get that it’s not always easy to think of other bands to recommend at the drop of a hat, the UK Metal scene is such a rich and vibrant cesspool of metallic morsels that this seems like a missed opportunity.

Not that I’m necessarily any better. Chances are you’ll all have heard of at least one of the bands I’m about to recommend. But, hopefully, over the course of the last 11/12 months I’ve presented a solid (though far from exhaustive) cross-section of the versatility and variety that represents “the Best of British” in 2019. Continue reading »

Oct 242019
 

 

Any time we see the artwork of Eliran Kantor on an album cover, it becomes an irresistible lure into the record. Here, his painting captures the inspirations for the music, depicting a solemn solitary figure, who “stands surrounded by demonic deformities which represent the inner turmoil that torments those with mental illness” (to quote from the press materials from the album). We can almost hear the “screams of anguish and vicious voices whispering of fear, violence and self-loathing”.

And these conceptions are indeed the animating forces behind Enraged and Unbound, the stunning new album by Unfathomable Ruination, with each song “plumbing the depths of the deepest mental illness and exploring the primitive violence that lies within us all”.

That description is no exaggeration, as you’ll discover when you listen to “Protoplasmic Imprisonment“, the song we’re presenting today through an official video in advance of the album’s November 22 release by Willowtip Records. Continue reading »

Nov 282018
 

 

(Despite having spent last night in Nottingham running a gauntlet of especially vigorous sonic punishment, our Andy Synn still had sufficient remaining wits about him to deliver this report of the event, with video documentation of the beatings.)

Those of you who know me well, and probably some of those who barely know me at all, will be aware of my general distaste for the whole “brotherhood of Metal” shtick that frequently gets bandied about by certain publications.

Don’t get me wrong, the power of music to bring people together and unite them behind a common cause, a common feeling, still astounds me at times, but the whole cliché about Metal being a “brotherhood” is one that’s too often deployed as a disingenuous disguise for arrogant elitism or a flimsy excuse for chasing the lowest common denominator (and, occasionally, both at the same time).

Still, there are times when even my well-documented cynicism has to be put on hold, and the overwhelming sense of camaraderie and positive energy of last night’s show was certainly one such occasion. Continue reading »

Aug 232017
 

 

The unwelcome intrusion of non-blog life has forced me to truncate my usual verbose reactions to the music I’ve selected in this mid-week round-up (cue the weeping and the gnashing of teeth), but I wanted to be prompt in spreading the word about the following items, all of which appeared either yesterday or this morning.

I picked these five new songs in part because they provide a quite varied array of what metal in the modern era has to offer.

BELL WITCH

The new Bell Witch album, Mirror Reaper, will be released by Profound Lore on October 20, with an album cover by Mariusz Lewandowski that we won’t soon forget. The album consists of one continuous 83-minute piece that unfolds as a single track. Continue reading »

Dec 152016
 

listmania-2016

 

(Andy Synn’s week-long series of year-end lists continues with his personal list of The Critical Top Ten for 2016. Click these links to see his lists of the year’s Great Albums, the Good Albums, and the Disappointments.)

For those of you unfamiliar with how this works, I always wind-up my week-long retrospective with two lists, the “Critical Top Ten” and the “Personal Top Ten”.

Now the second one is probably pretty self-explanatory, in that it’s just a list of the ten albums I’ve loved, lived with, and listened to the most this year. It’s really just a snapshot of my personal listening habits/tastes over the last twelve months.

The idea behind this one possible needs some explaining though.

You see the “Critical Top Ten” is where I try (as best I can) to remove my own personal biases and downplay any favouritism and instead attempt to name the ten albums (unranked) which I feel honestly represent the best of the best from the last year in Metal. Continue reading »

Sep 142016
 

britain-from-above

 

(Andy Synn turns in a trio of reviews for three recent albums of quite different styles and genres, united by their country of origin.)

Well ladies and gentlemen, here we are again, another opportunity for me to fly my nationalistic colours (which don’t run, let me tell you that) and gab on about a triptych of recent (or recent-ish) releases from my beloved motherland. As is traditional, we’ll be starting off the column with a rousing rendition of “Rule Britannia”, so if you’d all please be upstanding…

All joking aside of course, most of you will know by now that I don’t really care that much for nationalist sentiment or blind patriotism, particularly when it comes to music. I like a band because I like their songs, not because we happen to have been born in the same country or geo-political sphere, and I have very little time or patience for the vagaries of scene politics or the type of person that thinks you have to support a band just because they come from the same place as you.

That being said, however, I do realise that such factors as geographical proximity and general exposure mean I’m much more likely to stumble across bands from the UK who are worth blogging about than someone living elsewhere on this big blue/green marble, so I feel a certain sense of responsibility to cover these bands when they pop up on my radar.

So here we go again, once more, into the breach! Continue reading »

Aug 202016
 

Grand Tetons-Jackson Wyoming-2

 

That stunning vista above these words is what greeted my eyes this morning. I’m on a short vacation in the presence of the Grand Tetons in Wyoming. I’m not telling you that to be a dick, but only because I know how vitally interested you are in my every movement, except perhaps for bowel movements.

I did tear myself away from awestruck gazing at the horizon long enough to listen to four new songs, one of which comes with a video. I thought all four were good enough that they would make a nice collection for this Saturday morning, saving me the agony of trying to sift through all the other good stuff that came out since my last round-up.

The first two songs are exceptions to our oft-violated Rule, and the last two open up the extremity throttle in very different ways. Continue reading »

Jun 142014
 

Hey motherfuckers, what up? (I feel I can call you a motherfucker because this is a metal blog and about half the metal bands I’ve seen on stage call me and everyone else in the audience a motherfucker at least a dozen times per set.) I’ll tell you what up with me.

I’m not watching the World Cup, because if I wanted to watch dudes run around for 90 minutes trying to score, I’d rather go to a bar. (I read that on the internet.) Or I’d go outside and set an ant bed on fire (they’d run around faster, though no more intelligibly, and it would all be over sooner). What I’ve been doing is crawling through the interhole finding things to write about on a Saturday morning. In particular, these things:

PANTHEON I

I saw the recent news that this Norwegian band have prepared a new album named From the Abyss They Rise and have signed with Non Serviam Records for its release on August 11. In fact, it’s already available for pre-order (here). From what I read, it appears the album will be a compilation, beginning with an EP’s worth of new songs and ending with music from their first demo. This is their first work in four years, and based on what they’ve done before, it should be worth checking out. Continue reading »