Dec 042017
 

 

(This is Andy Synn’s review of an unusual new release composed and performed by… well, you’ll find out.)

Over the weekend some of you may have seen, although doubtless many of you didn’t, a story popping up here and there about an AI algorithm writing a “mindblowing” Black Metal (or Death Metal… the reporting is, as you might expect, a little muddled in this regard) album called Coditany of Timeness.

And while, from a purely musical perspective, Coditany… is really more of an EP than an album, and unlikely to be bothering anyone’s End of Year list, from a scientific standpoint it’s still a fascinating experiment in machine-learning and creativity, and one which I felt deserved some coverage here at NCS. Continue reading »

Dec 032017
 

 

As I’ve mentioned more than once, I’m leaving the country today on a 12-day vacation. I was able to write the two premieres posted earlier today, but ran out of time before I could put together a SHADES OF BLACK feature for this Sunday. As I’ve also mentioned, I made a pact with my wife that I will severely restrict my blogging during this trip. That’s my interpretation of the pact; hers is that I won’t blog at all. This is an ominous misunderstanding.

Before we began the negotiations that led to this pact, I had committed to write three premieres spread over the coming 12 days. I will keep those commitments. I also plan to format and post Andy Synn’s year-end lists, which traditionally kick off our staff’s contributions to LISTMANIA, and I further intend to keep my eye out for the appearance of year-end lists by certain print publications and “big platform” web sites that I usually include in our LISTMANIA series. And I have one more modest goal:

I’m going to attempt to briefly write about one, and only one, new release in order to avoid barrenness on days when we would otherwise have nothing new to post at NCS while I’m gone. It might be a single new song or as much as an entire new album. This post you’re now perusing is an example of that. Continue reading »

Dec 032017
 

 

Slightly more than two years ago we had the pleasure of premiering a crushing track from Calmness of Resolve, the very impressive second album by The Weir from Calgary, Alberta, Canada. And now we’re helping spread the word about the band’s new EP, Detached, which is being released today on tape and as a digital download on Bandcamp.

Calmness of Resolve was a staggering experience, projecting panoramic vistas of blasted landscapes and dragging the listener into deep sinkholes of congealing tar, casting spells of forlorn and heart-aching beauty but also rolling like a massive tank attack, and sometimes bringing down the house (and its foundations) in cataclysms of soul-crushing destructiveness. It was (and is) a sludge/doom powerhouse that should not be missed.

But with Detached, The Weir seem to be even more whole-heartedly committed to methodically beating their listeners into a slurry of fractured bone and jellied organs. It’s as heavy and despairing as anything you’re likely to find in this bleak winter season. Continue reading »

Dec 032017
 

 

The symphonic Greek black metal band Inhibitions was founded in 2008 and since then have released an initial demo, an EP, and two albums. Their third full-length, La Danse Macabre, is now set for release on January 13th by Satanath Records (Russia) and Ira Aeterna (Italy), and today we bring you the third single to be released from the album before its full manifestation next month. The name of the track is “My Journey To Death“.

I had heard the phrase “Danse Macabre” numerous times in the past, but it occurred to me in writing this premiere that I had forgotten whatever I once knew about its origins. Thanks to The Font of All Human Knowledge, I am now reminded that “The Danse Macabre (from the French language), also called the Dance of Death , is an artistic genre of allegory of the Late Middle Ages on the universality of death: no matter one’s station in life, the Dance Macabre unites all”. And so it does. Continue reading »

Dec 022017
 

 

We’re rushing toward the end of the year like an out-of-control car speeding toward a precipice. And I find myself getting a similar panicked feeling, as if it will be a world-ending event for a metal writer and I only have four weeks to finish spouting off about 2017 releases, a task made even more daunting by the fact that I’m leaving on a 12-day vacation tomorrow (as explained here), and by the prospect of all the LISTMANIA stuff we will be doing between now and December 31 as well.

Of course, this is a completely irrational feeling. There’s no law which prevents us from continuing to write about 2017 releases after New Year’s Day, and no doubt we will. Nevertheless, I’m still feeling a feverish compulsion to give as much attention as I can to recent releases (and a few forthcoming ones) before “time runs out”. So I’ve crammed music from five bands into this post, without nearly enough time to say what I want about them, and I also have some hopes of finishing a SHADES OF BLACK post for tomorrow before beginning my 12-day hiatus. Don’t know if that will work out or not….

INQUISITOR

Thanks to a message from Conor O., and then a subsequent e-mail from the Dutch label Hammerheart Records, I learned that after a 22-year hiatus, Inquisitor have returned with a new album, and it’s an explosive resurrection for sure. Continue reading »

Dec 022017
 

 

We’re now slightly more than three weeks away from Christmas, and really, what says Christmas better than a reverent ode named “Fuck Off Jesus Christ“?

No doubt this song will ring from the PA systems of churches near and far and quickly become part of the caroling playlist of shopping malls and elevators. People “in the know” say that the Bible-thumpers who control our own U.S. Congress are planning to make it part of the introduction to their prayer breakfasts. Humble pilgrims trekking to see the face of Jesus miraculously formed by a donkey’s puckered asshole will have it in their heads as they put one foot in front of the other toward the barnyard shrine.

Well, not really. But we can dream, can’t we?

Fuck Off Jesus Christ” may not fill the air waves in churches, malls, or make-shift shrines to imagined miracles, but it’s a damned good song that will pleasure your earholes. It comes from an album named Bellum Est Pater Omnium by the Colombian black metal band Evil Nerfal, an album that will be jointly released on January 9 by GrimmDistribution (Belarus) and Morbid Skull Records (El Salvador). Continue reading »

Dec 022017
 

 

(We invite you to respond to Andy Synn’s invitation to fill in a certain alphabet…)

Unless you’ve been living under a rock recently, you’ll doubtless be aware that a little band called… Morbid fuckin’ Angel… just released their long-awaited and highly-anticipated – albeit with a certain amount of trepidation – new album, Kingdoms Disdained.

And while it’s not a total three-point-slam-dunk-home-run (I don’t know sports…) it’s still a solid album, replete with a bevy of stand-out tracks that go a long, long way towards redeeming the band’s slightly tarnished reputation.

Although I still contend that it should have been called Judas Continue reading »

Dec 012017
 

 

As part of our annual NCS LISTMANIA extravaganza we re-publish lists of the year’s best metal that appear on web sites that appeal to vastly larger numbers of readers than we do — not because those readers or the writers have better taste in metal than our community does, but more from a morbid curiosity about what the great unwashed masses are being told is best for them. It’s like opening a window that affords an insight into the way the rest of the world outside our own disease-ridden nooks and crannies perceives the music that is our daily sustenance.

One of those sites is PopMatters. It has been in existence since 1999. In its own words the site “is an international magazine of cultural criticism and analysis” with a scope that “is broadly cast on all things pop culture”, including “music, television, films, books, video games, sports, theatre, the visual arts, travel, and the Internet”. PopMatters claims that it is “the largest site that bridges academic and popular writing in the world”.

As in past years, today PopMatters published a list of “The Best Metal of 2017” under the by-lines of Dean Brown and Spyros Stasis (in previous years the list was compiled by Adrien Begrand), although Dean Brown explains in his introduction that the “list is a collaborative effort by writers with different tastes”, whose names are identified in the commentary accompanying each selection. Continue reading »

Dec 012017
 

 

Today, Iron Bonehead Productions is releasing the debut album of the Ukrainian one-woman black metal band Ieschure, the creation of Lilita Arndt from Rivne, which is fittingly named The Shadow. We’re helping spread the word through a full stream of the album in this post.

As I listened to the album for the first time, I had a place in my notes where I just jotted words that came to mind, unbidden — words intended to express the atmosphere and emotional sensations conveyed by the music and the voices. And those were: haunting, preternatural, nocturnal, cold, depressive, sinister, hallucinatory, hypnotic, beautiful, and… perhaps most to the point… hopeless. Continue reading »

Dec 012017
 

 

We’re now beginning the final month of 2017, and you know what that means: Now begins the final countdown to the end of the year (and the strengthening onslaught of the annual holiday season). In the world of metal, this month we’ll also start seeing more and more lists of the year’s best releases.

Back in 2009, when this site was just a few days old, I wrote a post about year-end lists and why people bother with them. The best reason still seems to be this: Reading someone else’s list of the albums they thought were best is a good way to discover music you missed and might like.

We don’t do an “official” NCS year-end “best albums” list. However, we publish the picks of each of our regular staff writers as well as a large group of guest writers (which we’ll start doing later this month).

Every year we also invite our readers to share their lists and we’re doing that again right here, right now. If you’ve been pondering what you’ve heard this year and have made your own list of the albums, EPs, or splits released in 2017 that you think are the best of what you’ve heard, we invite you to share it with us in the Comments section to this post. And if you haven’t made a list yet but want to, there’s still plenty of time (read below). Continue reading »