Jan 222018
 

 

Abyssal Vacuum’s new EP reveals a distinctive musical vision and “voice”, the three songs offering a conception of atmospheric black metal that manages to be both mesmerizing and strikingly intense. It’s described by the label that’s releasing it as emanations from a deep and cavernous abyss, “like exploring the darkest caves of Earth”, but the experience it creates might also bring to mind the mysteries of the cosmos lurking in a hostile off-world void.

Abyssal Vacuum is the solo project of French creator Sebastien B. (of Dyslumn and Ominous Shrine), and the project’s first release, which was recorded around the end of 2017, is being made available this week, both digitally and on cassette tape, by the French label Solar Asceticists Productions. What we have for you today is the premiere stream of all three tracks that appear on the EP. Continue reading »

Jan 222018
 

 

(Wil Cifer turns in this review of the new album by Tribulation, which will be released by Century Media on January 26th.)

 

The new album from this Swedish band is labelled by my iTunes as “gothic metal”. This is a bit of a misnomer as it sounds nothing like Type O Negative or My Dying Bride. They have been wearing a bit of make-up for some time now, but that affects their complexion more than their sound. The bells and whistles giving them a layer of atmosphere have multiplied. There are more synths on this album, but it makes it more melodic not darker.  But I have a high bar for what I call “goth”. If there are not less than six degrees of separation between a band and The Cure’s Pornography album it’s not “goth”.

What seems to have occurred in the time that has passed since they released The Children of the Night is this band has listened to a ton of classic metal from the ‘70s and ‘80s. While a logical progression for their sound, this makes for a much more streamlined version of their already melodic take on death metal. Continue reading »

Jan 222018
 


Necrophobic

 

(DGR has stepped into the round-up void left by our editor this past week and has produced a three-part collection of recent songs and videos. Parts 1 and 2 are here and here.)

 

Three weeks into January, and judging by the handful of massive Seen and Heard and Overflowing Streams posts we’ve had to put up, you could say that we’ve managed to the get ourselves into gear as our beloved musical genre has already offloaded numerous news bits upon us in the new year.

I, your ever-faithful servant, have also been doing my best to go along with my ragged fish net and catch everything that might’ve slipped by us — which in the case of this post dates back to last week and then some. Continue reading »

Jan 212018
 


Robert Venosa: “Ayahuasca Dream”

 

(DGR has stepped into the round-up void left by our editor this past week and has produced a three-part collection of recent songs and videos. Parts 1 is here; Part 3 will be presented on Monday.)

 

Three weeks into January, and judging by the handful of massive Seen and Heard and Overflowing Streams posts we’ve had to put up, you could say that we’ve managed to the get ourselves into gear as our beloved musical genre has already offloaded numerous news bits upon us in the new year.

I, your ever-faithful servant, have also been doing my best to go along with my ragged fish net and catch everything that might’ve slipped by us — which in the case of this post dates back to last week and then some. Continue reading »

Jan 212018
 

 

(Andy Synn presents our first Rearview Mirror post in many moons. For those who may have forgotten, the column is a rare instance in which we look at metal’s past rather than its present and future.)

 

Even though we’ve been running these “Rearview Mirror” columns for quite a while now it appears that this is only my third contribution to the series.

Whether that’s simply because I’ve been too busy, or because I like to have a rest on the seventh day (make of that what you will…), the fact remains that this particular corner of NCS has largely been left to Islander (and occasionally DGR) to run.

But today it’s my turn behind the wheel, and I’ve decided to take this opportunity to highlight one of the most overlooked albums in the discography of the legendary Testament! Continue reading »

Jan 202018
 


Dagon (photo credit: Chuck Marshall)

 

(DGR has stepped into the round-up void left by our editor this past week and has produced a three-part collection of recent songs and videos. Parts 2 and 3 will be presented on Sunday and Monday.)

The first couple weeks of the new year often feel like a machine slowly lurching back to life as people wake up from their respective holiday binges and try their damndest to shake the rust off, kick the tires, and get things back to into gear.

Both the news and the writing fronts often have that same year-opening feeling of machines lurching back into life after a couple weeks of dormancy — in the case of NCS it’s because we buried ourselves in the yearly Listmania event in which numerous lists of albums toppled over each another like the zombie anthills from the World War Z (in name only) film.

Three weeks into January, and judging by the handful of massive Seen and Heard and Overflowing Streams posts we’ve had to put up, you could say that we’ve solved the getting things into gear issue as our beloved musical genre has already offloaded numerous news bits upon us. I, your ever-faithful servant, have been doing my best to go along with my ragged fish net and catch everything that might’ve slipped by us — which in the case of this post dates back to last week and then some. Continue reading »

Jan 192018
 

 

I don’t have any special insight into what Slumlord had in mind when they named their new album Preview of Hell, but I’ll make a guess that they were talking about life in the here and now. At a minimum, they sure bring the hell with their music.

Preview of Hell is set for release on March 7th, and today we have our own preview of their brand of metallic hardcore hell through the premiere of Slumlord’s video for a track named “Patiently Waiting“. Continue reading »

Jan 192018
 

 

I can’t say there was really an organizing theme or strategy that motivated my decision to group together these three new additions to our Most Infectious Song list. They simply happened to be close together on my master list of candidates, which is alphabetized by band name. And they also happened to be easy choices for me… though all three tracks had serious competition among others on the albums from which they came.

IMMOLATION

It was a given. in my mind, that something from Immolation’s new album would be on this list. With Atonement, they proved again (as they have over and over) that they “are one of those untouchable bands”, to quote from TheMadIsraeli’s review of the album. They were pioneers, and they remain inimitable… and they just never give up, never surrendering to the weight of years or the burdens of expectations. Continue reading »

Jan 192018
 

 

(Andy Synn reviews the new album by the Austrian band Harakiri For the Sky, which will be released by AOP Records on February 16th.)

If you’re a long-time follower of the site you may have picked up on an ongoing war of words between some of our writers about how to properly categorise the music of the Austrian duo Harakiri for the Sky.

And while I agree that how you choose to describe their sound doesn’t directly affect the quality of their material one iota, I still think it’s important that we use the right terms and the right language when writing about the band (or any band), as it can definitely have an effect on how people judge and perceive them.

All of which is a very long-winded way of saying that Arson is one damn fine slab of punchy, pulse-quickening Melodeath… and I won’t hear a single word to the contrary! Continue reading »

Jan 192018
 

 

Almost five years to the day after the release of their debut album, Edge of the World, the New York melodic death metal band Last Legion have returned with a new full-length, and in a word, it’s glorious. Although the album was officially released earlier this week, we’re bringing you the first full album stream today, preceded by a few more words of praise (okay, more than a few).

As signified by the new album’s title — Muspelheim — Last Legion have drawn on the timeless tales of Norse myth for the lyrical subject matter of their songs, and they’ve created music that matches the epic scale of their subject matter — music that’s explosively powerful, persistently adrenaline-inducing, and quite memorable. Without taking anything away from Last Legion’s own creativity, you may well conclude that you’ve found an American Amon Amarth, one that could hold their own, side-by-side, with that most obvious reference point. Continue reading »