Dec 072018
 

 

(As we do every year, we’re beginning the roll-out of year-end lists by our own writers with Andy Synn‘s six-day series of selections, which begins today and continues next week.)

Next week, as is traditional, I’ll be deploying my regular barrage of year-end lists, beginning with a round-up of what I thought were the most “Disappointing” albums of the past twelve months, followed by my selections of the “Good” and “Great” records of the year.

Now, the point of these lists, as opposed to a traditional “Top Ten” (which I’ll be finalising for the end of the week) is not to “rank” the albums contained therein (beyond the wider “Disappointing”, “Good”, “Great”, categorising) or to show-off how many albums I’ve listened to (as I’ve been accused of before) but to provide our readers with a sort of “one-stop shop” (including, wherever possible, Bandcamp links) for music which they might not have had chance to check out over the course of the year.

So, to whet your appetites a little bit, I thought I’d kick things off with an alphabetised list of the various EPs (seventeen in total) which have grabbed me by the metaphorical cojones in 2018. Continue reading »

Dec 072018
 

 

(Today our premiere is introduced by Andy Synn, and features a new video for a single from the new album by Endolith. The album will be released on January 18th by Rob Mules Records. The single is available digitally today.)

It’s been well-documented that Voyager, the astonishingly good debut by Norwegian Prog-Metallers Endolith, is one of my favourite albums of the last ten years, and one which I’m constantly trying to get more people to listen to… hint, hint.

However I’m just as hopeful that the band’s upcoming second record, the blood-pumping, brain-teasing, Chicxulub The Fossil Record, is going to become one of your favourites too once it finally hits the streets (and the internet) on the 18thof January.

Having heard the entire album already I can offer a few minor spoilers to help get your juices flowing, such as letting you know that it’s a warmer, more organic sounding affair than its predecessor, and while it’s also more melodic in many ways, it’s still just as groovesomely heavy and, arguably, a few shades darker too.

The band released the first taste of Chicxulub (whose title refers to the impact crater of the same name in Mexico where an asteroid or comet hit the earth precipitating an extinction-level event that wiped out the dinosaurs) back in July with the video/single “Rex”, and now we’re lucky enough to be able to present you a second helping of metallic magic in the shape of the new video by Steffen Normark for “Ichthys”. Continue reading »

Dec 052018
 

 

(This is Andy Synn‘s review of the new album by In the Woods…, which was released on November 23rd by Debemur Morti Productions.)

While this will most likely be my last review before I unveil my annual end-of-year onslaught of lists and lurid opinions, that doesn’t mean it’s going to be my last review of the year, as I already have several items earmarked for further coverage during the post-Listmania come-down.

I didn’t want to sit on this article any longer though, as this particular collection of words has been burning a hole in my brain for several weeks now, and I was starting to worry that I was risking permanent damage if I waited much longer.

So here’s a few thoughts, and maybe even a “hot take” or two, about the magical new album from In The Woods… Continue reading »

Dec 042018
 

 

(Andy Synn wrote this review of the new album by the Trondheim black metal band Whoredom Rife, which was released by Terratur Possessions on November 30th.)

While the prevailing narrative may be that 2018 has been “a Death Metal year” (and not without good reason), to dismiss the plethora of thrilling, chilling, and blistering Black Metal albums released over the last twelve months would be a huge mistake.

I’ll be saying more about these next week, when I’ll be rounding up the multitude of meaty metallic morsels which I’ve had the chance to sink my teeth into this year (and highlighting some of my favourites) but, in the meantime, I thought I might try and bring a little bit of extra attention to Nid: Hymner av hat, the second album by Norwegian duo Whoredom Rife, which was released last week. Continue reading »

Dec 032018
 

 

(Andy Synn reviews the new album by the Swedish band Memfis, which was released through all digital platforms on November 30.)

Exactly one week from today I plan to commence my annual Year End Round Up, kicking off with my traditional three-day binge of “Disappointing”, “Good”, and “Great” albums, which will primarily serve as a way for our readers to catch up on, or to reassess, various things they may have (dis)missed over the course of the last twelve months, followed by the publication of my highly-anticipated (by me, anyway) “Critical” and “Personal” Top Ten lists at the end of the week.

That doesn’t mean I’m done writing/reviewing just yet though. In fact I plan to spend the rest of this week highlighting a couple of new (or, at least, new-ish) albums, and will be following up next week’s listrionics with a few articles aimed at giving certain hand-picked artists some extra, post-list coverage.

So, without further ado, allow me to (re)introduce you to proggy metalloids Memfis, and their brand new album Imperium. Continue reading »

Nov 302018
 

 

(In this November edition of The Synn Report, Andy combines reviews of the four albums released to date by UK devastators Spearhead, including their new album Pacifism Is Cowardice, released one week ago by Invictus Productions.)

Recommended for fans of: Vader, Witchery, Goatwhore

Pulling no punches and taking no prisoners, Spearhead have been weaponising their particular brand of Blackened Death-Thrash for almost fifteen years now, and have produced four utterly ferocious albums during that time, the most recent of which – Pacifism Is Cowardice – came out just one week ago, following a seven-year gap between records.

And while the quartet – now made up of founding bassist/vocalist Barghest, long-time guitarist Invictus, and new members Typhon (drums) and Praetorian (guitars) – clearly have a deep, abiding affection for the classic, old school style(s) of Extreme Metal, you’ll soon see/hear that their latest record in particular aims for more of an ageless, enduring sound than some sort of uninspired throwback.

So gird your loins, brothers and sisters, and follow me once more into the breach! Continue reading »

Nov 282018
 

 

(Despite having spent last night in Nottingham running a gauntlet of especially vigorous sonic punishment, our Andy Synn still had sufficient remaining wits about him to deliver this report of the event, with video documentation of the beatings.)

Those of you who know me well, and probably some of those who barely know me at all, will be aware of my general distaste for the whole “brotherhood of Metal” shtick that frequently gets bandied about by certain publications.

Don’t get me wrong, the power of music to bring people together and unite them behind a common cause, a common feeling, still astounds me at times, but the whole cliché about Metal being a “brotherhood” is one that’s too often deployed as a disingenuous disguise for arrogant elitism or a flimsy excuse for chasing the lowest common denominator (and, occasionally, both at the same time).

Still, there are times when even my well-documented cynicism has to be put on hold, and the overwhelming sense of camaraderie and positive energy of last night’s show was certainly one such occasion. Continue reading »

Nov 262018
 

 

(Andy Synn prepare this review of the new album by Svartidauði.)

As a fan of this weird and wonderful sub-genre we call “Extreme Metal”, you’d have to have been living under a rock for the past several years not to be aware of how impressive and influential (not to mention incestuous) the rapidly developing Icelandic Black Metal scene has become over the last several years.

But even though the scene is, in terms of wider international exposure at least, still relatively young, such is the prolific nature of the various bands and artists involved that a recognisable hierarchy of heretics has already begun to take shape.

And right at the top of the totem pole, in my opinion at least, are Svartidauði. Continue reading »

Nov 242018
 


Gorod (in Prague, not Birmingham)

 

(Andy Synn spent last night at the Asylum in Birmingham, England, enjoying performances by Beyond Creation, Gorod, and Entheos, and has quickly provided the following report and videos.)

Despite how stultifyingly stressful this week has been for the most part, yesterday turned out to be a pretty good day all in all, as things at work took a major turn towards the positive, while the evening found me taking a trip over to Birmingham to catch three (out of four) great bands of the “technical” persuasion. Continue reading »

Nov 222018
 

 

(We present Andy Synn‘s review of the new second album by A God or an Other, released on November 15th and available now through Bandcamp.)

Continuing along the dark road that this week has driven me down we come to the second album by Olympia, Washington’s own Black Metal mystics A God or an Other, which offers up six tracks of riveting atmosphere and ravenous aggression under the pitiless banner of Chaotic Symbiosis. Continue reading »