Jun 292018
 

 

(Andy Synn delivers a SYNN REPORT for the month of June, focusing on the discography of the Icelandic band Kontinuum — including their new album, set for release next week.)

Recommended for fans of: Sólstafir, Foscor, Katatonia

It may surprise you to learn (or it may not) that there’s no strict plan or grand design which guides the production of The Synn Report each month. Each entry is largely dependent on my own ever-shifting whims, and, at this point, there are some bands who I’ve been meaning to write about ever since the column started but who, for various reasons, have kept getting pushed back and postponed. Still, I’m sure I’ll get to them eventually…

Every now and then though there’s a certain amount of method to my madness, in that I’ll sometimes try and line up a new entry to coincide with the release of a band’s new album, so that I can mix and match the review and retrospective formats into one (hopefully) cohesive whole.

Such is the case with today’s edition, as Icelandic post-progsters Kontinuum are set to release their third album, No Need to Reason, next Friday, meaning that now seemed like the perfect time to introduce you all to their intricate, atmospheric blend of brooding swagger and moody melancholy. Continue reading »

Jun 252018
 

 

(In this post Andy Synn discusses the phenomenon of metal bands releasing remastered or re-recorded versions of older albums, and recommends two recent examples of the practice, by Vader and Hetroertzen.)

For all that we’re supposedly in another “Golden Age” of television, I know there are quite a few people out there (thousands upon thousands of them) who are becoming a little tired of the seemingly constant stream of reboots and remakes of supposedly “classic” (and some not-so-classic) shows from previous eras, under the assumption that some sort of ingrained sense of nostalgia will help sell them more than something like, say, quality writing or a new, interesting premise, would.

Don’t get me wrong. Some of these new versions of older shows are absolutely fantastic, and benefit greatly not only from the new and improved technology of today, but also a greater freedom to reimagine things which comes from a more modern idea of what television can be, when given the chance to do more than simply entertain. It’s just that, as you might expect, the number of lazy remakes vastly outweighs the more creative ones.

The same sort of thing goes on in the music world too, particularly in the Rock/Metal world, where artists with long-running, wide-ranging careers often feel the need to at least remaster, if not entirely re-record, material from their early days, if only because they feel that the technology or budget available to them at the time simply wasn’t sufficient to allow them to properly capture what they were really trying to convey.

And, let me tell you… I’m not entirely against this process. Continue reading »

Jun 232018
 

 

(For this week’s edition of Waxing Lyrical, Andy Synn reached out to lyricist/vocalist Mathieu Nogues of the French band Eryn Non Dae.)

To quote my review of Abandon of the Self, the new album by French quintet Eryn Non Dae:

“…to dismiss them as ‘just’ another Post Metal band would be a mistake [as] the group’s enigmatic blend of apocalyptic atmosphere and caustic catharsis has just as much in common with the distorted, post-human visions of Godflesh, Meshuggah, and Nero di Marte as it does with Neurosis, Isis, and their ilk…”

As a matter of fact, the band’s distinctive brand of proggy complexity and extreme emotion is one which defies easy categorisation (which is possibly why they still don’t have an entry on Metal-Archives).

With this in mind I decided to reach out to their vocalist Mathieu Nogues and get him to participate in this edition of Waxing Lyrical as a way of (hopefully) learning a little bit more about what makes the band tick. Continue reading »

Jun 222018
 

 

(This is Andy Synn’s review of the debut album by Denver-based Mire.)

As you may (or may not) have noticed, over the last several days I’ve covered quite a few “major” (or, at least, relatively major) albums/artists here at NCS, and left the more underground stuff to my colleagues, co-writers, and contributors.

However, in an attempt to redress that balance somewhat (as well as to salve my stinging conscience) I’ve decided that my final review of the week should be dedicated to something new, but much less well-known, which is what brings us to this perfect little piece of prodigious Prog-Death wizardry courtesy of Denver duo Mire. Continue reading »

Jun 212018
 

 

(In this post Andy Synn combines reviews of the new albums by the Swedish black metal bands Funeral Mist and Marduk.)

One of the commenters on one of my recent columns made mention of our avoidance of the tabloid-esque, clickbait culture which seems predominant among so many blogs/sites these days. And while I generally agree with (and appreciate) that sentiment, I would like to clarify one thing.

Because while we do our best to avoid sensationalising or proselytising, that doesn’t mean we’re ignorant of, or afraid to address, the various issues, questions, and controversies, which frequently permeate and surround our beloved scene.

My own approach, which is still being refined with every review and every article I write, is to inform, rather than dictate, so that our readers are given the right context in which to make their own decisions. I, for one, don’t believe that listening to a band is necessarily the same as endorsing their worldview, but I also don’t believe that there’s anything wrong with making a personal choice not to support a band either.

Whatever your decision, though, I can say that both these albums offer some extremely  good Black Metal, although both are successful for different reasons. Continue reading »

Jun 192018
 

 

(We present Andy Synn’s review of the new album by Colorado’s Khemmis, which will be released on June 22nd by 20 Buck Spin in North America and by Nuclear Blast everywhere else.)

I’m more than happy to admit that I’m a very late joiner to the Khemmis train.

Oh, sure, I’d heard the name around, I knew they were pretty well liked and that there was a fair bit of hype building behind them, and had even caught a glimpse of their eye-catching artwork here and there, but – for whatever reason – I’d just never found the time to actually listen to one of the band’s songs/albums.

Thankfully, their brilliant performance at this year’s edition of Maryland Deathfest made me an immediate convert to their cause, and I’ve spent the time since then immersing myself in the band’s back-catalogue and catching up on everything which I’ve been missing, just in time for Desolation to drop into my inbox with a resounding (digital) boom. Continue reading »

Jun 162018
 

 

(Andy Synn brings us another edition of this series devoted to metal lyrics, and his guest this week is Josh Thieler of Pittsburgh-based Slaves BC.)

I hope you’ve all been enjoying this series of columns so far. I certainly have, and it seems like a lot of the writers/vocalists I’ve spoken to have too, and have really appreciated the chance to talk about this particular part of their work.

Today’s edition comes courtesy of Josh Thieler of Slaves BC, who provides us with an insight into his past, his process, and the roles which both faith and suffering have played in his development as a writer (and as a person). Continue reading »

Jun 152018
 

 

(Andy Synn offered the following thoughts about his conception of our mission here, plus recommendations of three new albums.)

Why are we here? That’s the big question which has been playing on my mind for a while now.

Not in the philosophical or religious sense though, more the very concrete, very real question of why are WE, the people who make up NoCleanSinging, actually here? What is our purpose? What are we trying to achieve? Continue reading »

Jun 132018
 

 

(This is Andy Synn’s review of the recently released new album by the Polish death metal band Deathstorm.)

Let’s be honest about something, shall we? For all that we might claim to love music which is progressive and challenging and which seeks to push the envelope, sometimes we just need to hear something which grabs us by the balls through the virtue of its sheer, unapologetic heaviness alone.

Sometimes, we need a Deathstorm. Continue reading »

Jun 092018
 

 

(After a brief hiatus, Andy Synn’s WAXING LYRICAL series resumes today with the results of Andy’s interview of God Dethroned’s Henri Sattler.)

Those of you who’ve been paying attention may have noticed that there was no new “Waxing Lyrical” column published last weekend, largely because Islander and co. were busy with Northwest Terror Fest (and also because I was at a wedding all weekend).

Thankfully normal service can now resume, and today’s entry is particularly special to me, as it features insight and input from Henri Sattler of the resurrected God Dethroned, who just so happen to be one of my all-time favourite bands! Continue reading »