Andy Synn Archives - Page 51 of 151

THINGS YOU MAY HAVE MISSED (BUT SHOULDN’T)

Mar 032022

(Andy Synn catches up with a few things you may have missed last month)

Is it just me or – after two years where time itself seemed to grind to a soul-crushing halt – does 2022 seem to be trying to throw everything at us all at once?

Honestly, it feels like I’ve barely had time to turn around and two months have already passed me by, leaving a ridiculous number of artists and albums unremarked and unreviewed.

Heck, I didn’t even do one of these columns for January (though if I had, it would probably have included Directional, Dysnerved, Mathan, and Wiegedood) so I’m even more behind than I thought.

It doesn’t help that February was absolutely packed with impressive new releases – including a number of unexpected surprises – so picking what and who to feature in this article was more difficult than usual this time (though, don’t I say that every time?).

Still, I hope you’ll like at least some of what I’ve chosen to feature today, which includes two bands from a little bit outside our usual spectrum, and two more overtly extreme artists making their long-awaited comeback after an eight year absence!

THE SYNN REPORT (PART 143): NON EST DEUS

THE SYNN REPORT 2 Responses »

Feb 282022

Recommended for fans of: Spectral Wound, Uada, Woe

I don’t know whether it makes me a hypocrite (but, then again, aren’t we all?) but while I retain a more than healthy scepticism about any sort of so-called “supergroup” (sure, some of them are great, but most of them are just famous – and sometimes not-so-famous – musicians trading solely on their names to sell you their latest mediocre side-project) I have a lot more time for solo artists with multiple projects.

Actually, to be more accurate, I have a lot more time for those solo artists I actually like – as I am famously very picky when it comes to projects which are the product of just a single individual – which is why, upon learning that Non Est Deus was another artistic endeavour by the same person behind both Kanonenfieber and Leiþa, I knew I had to check it out.

As it turns out, not only is Non Est Deus a predictably excellent slab of sleekly savage, mercilessly melodic Black Metal – one that’s not afraid to groove, or gallop, as the situation dictates, while also being willing to throw in the occasional unexpectedly esoteric curve-ball just to keep you on your toes – it’s also actually an older and more prolific project that either of the other two, having already released both The Last Supper (2018) and There Is No God (2019), with a third album, Impious, set to be unveiled this Friday via Avantgarde Music and Noisebringer Records.

All of which, obviously, makes Non Est Deus a prime candidate for The Synn Report, so let’s cut to the chase and get to the music, shall we?

BEYOND THE STYX – SENTENCE

Album Reviews No Responses »

Feb 242022

(Andy Synn goes a few rounds with France’s Beyond the Styx and their new album, Sentence)

As I’ve said several times before, my journey into Metal began with my discovery of Punk/Hardcore.

Beginning with bands like Thrice, AFI, and BoySetsFire I eventually gravitated towards more overtly “metallic” Hardcore groups like Earth Crisis, Zao, and Vision of Disorder, and it wasn’t long until I fell/dived headlong into the even heavier side of the Metal scene.

The thing is, while I never really felt like I fit in as a Hardcore kid – I wasn’t really into the fashion (I probably wear more basketball vests now than I ever did back then), I wasn’t vegan or straight-edge (I do about one non-meat day a week these days, and have been known to drink the entire NCS crew under the table), and always felt like karate-dancing in the pit was stupid (and even, arguably, contrary to what “the scene” was supposed to be about) – I never lost my love of the music.

And while recently this has manifested itself in a series of reviews of some killer Death Metal/Hardcore crossover albums (check those out if/when you have time), it was the release of Sentence by French Metallic Hardcore crew Beyond the Styx, which really took me back to my roots this month.

BROOD OF HATRED – THE GOLDEN AGE

Album Reviews 1 Response »

Feb 232022

(Andy Synn opens his mind to the new album by one-man Prog-Death prodigy Brood of Hatred)

So, let me think, what do I know about Tunisia?

Well, I know it’s the Northern-most country in Africa, and predominantly Muslim, and I’m pretty sure I went on holiday there once with my parents when I was a kid… but other than that I don’t really know too much about it.

I know even less about its Metal scene, which appears to be extremely small and extremely underground, to the extent that the only two bands I’m really familiar with – Vielikan and Omination – are primarily written and recorded by the same individual!

As it turns out, Brood of Hatred main-man Mohamed Mêlki was also a member of Vielikan at one point, but has since branched out to craft his own particular brand of engagingly immersive Prog-Death, with The Golden Age (set for release this Friday) being by some margin his best work yet.

HATH – ALL THAT WAS PROMISED

Album Reviews 2 Responses »

Feb 172022

(The highly-anticipated new album from Hath is scheduled for release on 04 March via Willowtip, and Andy Synn has the inside scoop on what you can expect from this rollercoaster of a record)

Hath‘s first album, Of Rot and Ruin, was one of the most hyped albums of 2019, to the extent that (if memory serves) a number of people were extremely keen to label it a “masterpiece” before they’d even heard it.

As much as I enjoyed the record, however, I couldn’t help noticing that much of the music was heavily indebted – a little too heavily indebted, if I’m going to be totally honest – to some of its more obvious influences and inspirations, especially the varied and viscous works of beloved UK Prog-Death duo Slugdge, something which most other reviews seemed to either massively downplay or totally disregard for fear of rocking the boat.

But despite the fact that I was, shall we say, somewhat more critical than most (though still, overall, pretty positive) about their debut, the band still actively reached out to us here at NCS asking if we’d be willing to give their new album a listen and share our honest opinion about it, whatever that might be.

Now, if nothing else, this tells me one of two things about Hath. Either they’re extremely confident about All That Was Promised… or they’re simply gluttons for punishment.

Let’s find out which, shall we?

ACRANIUS – MERCY DENIED

Album Reviews 1 Response »

Feb 162022

(Andy Synn lays down the gauntlet with the new album from Germany’s Acranius)

Sometimes, to really understand how a band got to where they are, you have to take a close look back at where they came from.

In the case of Germanic brutes Acranius this is particularly revealing, as in hindsight it’s clear that 2017’s Reign of Terror marked a major turning point away from their more Slam-influenced early work towards what’s best described as more of a “Brutal Deathcore” sound.

Sure, there were still several recognisable elements still hanging over from their first two albums – especially the slamtastic snare and the largely unintelligible gurgling monotone of the vocals – but it was clear even then that the band were in the process of becoming something else… something which has finally achieved its final, fearsome form on Mercy Denied.

LIFESICK – MISANTHROPY

Album Reviews 3 Responses »

Feb 142022

(Andy Synn gets bruised and bloody with the new album from Denmark’s Lifesick)

Here’s a question for you – are Danish misanthropes Lifesick a Death Metal band playing Hardcore, or a Hardcore band playing Death Metal?

It’s ok, you don’t have to answer straight away. Just give their new album (which was released last Friday) a listen and let me know once you’re done picking your teeth up off the floor.

CULT OF LUNA – THE LONG ROAD NORTH

Album Reviews 6 Responses »

Feb 092022

(Andy Synn takes a journey with Cult of Luna on The Long Road North, out Friday on Metal Blade)

Like I said in my review of the new Immolation album yesterday, writing about a band with a long and much-loved career comes with several inherent complications.

In the case of Cult of Luna, the band are so beloved by their fanbase that it’s hard to get people to admit that they’re not infallible, as I found out when I suggested that both their last two releases, 2019’s A Dawn to Fear and last year’s The Raging River EP, had some significant (although not insurmountable) flaws.

The thing is, I’ve always tried to be as honest and objective as I can be with all my reviews – while acknowledging, of course, that true objectivity is an impossible goal – which means providing as clear and as complete an impression of the music, its highs and its lows, its good points and its bad points, and it seems to me like it would be doing the band a disservice to treat them any differently than anyone else.

So let me state this clearly – The Long Road North is not a perfect album. Nor is is “the best album of the band’s career”, as I’ve seen it described elsewhere (in some cases seemingly before they’d even heard it). But it is still, for all that it occasionally loses its way, a road well worth taking.

IMMOLATION – ACTS OF GOD

Album Reviews 5 Responses »

Feb 082022

(Andy Synn passes judgement on the new album from Immolation, out Feb 18 on Nuclear Blast)

If there’s one thing we’re known for here at NCS it’s our focus on celebrating and supporting the underdogs.

So when the promo for Acts of God, by up-and-coming New York death-dealers Immolation dropped into our inbox I quickly snatched it up, as I’m all about giving struggling young bands a helping hand.

What’s that?

Eleven albums, you say?

Over thirty years as a band?

Well, that changes everything…

BEST OF BRITISH: KUROKUMA / TORCHBEARER / VENOM PRISON

RANDOM FUCKING MUSIC 3 Responses »

Feb 022022

(Andy Synn once again turns his attention to a trilogy of new albums from the UK)

It’s kind of weird being part of the UK Metal scene… but also somewhat apart from the UK Metal scene.

On the one hand, it means I don’t always get to know what’s going on, who’s popular, or which artists/albums I should be covering.

On the other… it’s also kind of freeing precisely because means there’s no one telling me who or what I should be writing about (for whatever reason) and no pressure to try and fit in with the crowd.

So while today’s edition of “The Best of British” covers a good mix of styles – Sludge, Hardcore, Death Metal – and runs the gamut from the relatively unknown to “the next big thing”, the truth is that, as much as I like to think I have a positive impact, these articles aren’t really written for “the scene”. Or even for the bands themselves.

No, they’re written for our readers, first and foremost. Because there’s a lot of really good Metal coming out of the UK these days, and I don’t want them to miss it!

Older Entries Newer Entries