THINGS YOU MAY HAVE MISSED (BUT SHOULDN’T)

 Album Reviews  2 Responses »
Jun 092022
 

(Andy Synn offers up four more recommendations of albums you may have overlooked last month)

Boy howdy, did we ever miss a lot of stuff last month.

But, then, you could say that about every month really, as I’ve come to accept (after many, many years in denial) that it’s impossible for us (that’s the royal “us”) to catch and cover everything that’s released.

Accepting this fact, however, has definitely helped me to relax a little bit, as while I still feel a smidgen of guilt that I’m/we’re not covering more bands (or, at least, more underground bands, because, let’s face it, the big dogs don’t need our help or attention quite so much) I’m more at ease with the fact that whoever we do end up writing about will definitely/maybe/probably/hopefully benefit from it.

And, if worst comes to worst, there’s always my annual series of year-end round-ups to help bring attention to some of the more unsung artists and albums.

Speaking of… here are four albums from May that you might just have overlooked (but really shouldn’t).

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TERMINAL NATION/KRUELTY – THE RUINATION OF IMPERIALISM

 Album Reviews, SHORT BUT SWEET  No Responses »
Jun 062022
 

(Andy Synn drops some heavy thoughts about the heavy new split EP from Terminal Nation and Kruelty)

Let me tell you something, I have always wanted to do a split with another band. I’ve just never been able to get the timing right or find the right collaborators.

And “collaborators” is certainly the key word here, because the very best of these sorts of releases (and some are definitely better than others) have a real collaborative spirit to them – whether that’s in the form of bands covering each others’ songs, guesting on each others’ tracks, or simply inspiring each other to be better.

Case in point, the new split from the USA’s Terminal Nation and Japan’s Kruelty certainly showcases both bands at their very best, offering up five phenomenally heavy tracks of caustic, crushing and cathartic “Hardcore-influenced Death Metal” (or “Death Metal-influenced Hardcore”… the difference is largely academic) which are practically guaranteed to inspire both neck-wrecking bouts of headbanging and some serious civil unrest.

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ASTRONOID – RADIANT BLOOM

 Album Reviews, Exceptions to the Rule  No Responses »
Jun 022022
 

(Andy Synn makes another well-deserved “exception to the rule” for the new album by Astronoid)

Before we get started with this review, allow me to take you on a quick trip down memory lane.

To say that the dreamy, yearning vocals, euphoric, soaring melodies, and irrepressible, irresistible energy of Astronoid‘s debut full-length were “a breath of fresh air” (pun intended) would be an understatement.

Not only did it quickly become my favourite album of the year but it’s also remained one of my “go to” records for whenever I’ve needed a quick pick-me-up and a jolt of refreshing energy ever since.

Sadly, as has been previously documented here, the band’s self-titled seemed to abandon much of what made their previous album so unique, in favour of a more familiar and – barring a few stand-out tracks – largely forgettable take on the predictable Post-Rock formula.

As you might imagine then, I approached the release of Radiant Bloom (which is set to come out on 3DOT Recordings this Friday) with a fair bit of trepidation.

Would it be able to recapture that same lighting-in-a-bottle magic as Air, or would it follow in the faded footsteps of its eponymous predecessor?

Well, let’s find out.

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THE SYNN REPORT (PART 146): ARTIFICIAL BRAIN

 THE SYNN REPORT  1 Response »
May 312022
 

Recommended for fans of: Gorguts, Demilich, Wormed

So I’ve finally found a chance to break my streak of writing about Black Metal bands for The Synn Report, and what better way to do that than with the mind-melting Death Metal madness of Artifical Brain?

And what better time to do so than now, with the band’s self-titled third album (the culmination of their ongoing sci-fi trilogy which began with 2014’s Labyrinth Constellation) due for release at the end of this week?

Those of you already familiar with the group will obviously need no introduction to their sound, and are probably just here to glean a little bit of advanced insight into what their upcoming new album has in store.

But those who are a little more, shall we say, unprepared for the oncoming onslaught of extravagant technicality, extra-terrestrial vocalisations, and extinction-level heaviness, may find themselves a little overwhelmed by what will probably – at first listen – seem like the very epitome of “organised chaos”.

Thankfully, I can reassure you that there most certainly is a method to the band’s musical madness, it just takes a little while to fully acclimatise and tune into the right frequency in order to truly get what’s going on here.

But when you do… things will never be the same again.

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HYRGAL – HYRGAL

 Album Reviews  1 Response »
May 232022
 

(Andy Synn brings you a review of the new self-titled Hyrgal album)

In my experience, self-titled albums can often make or break a band’s career.

Let’s face it, evidence suggests that there’s about a 50/50 chance that such albums either serve to truly define a band’s distinct identity, or symbolise a total lack of ideas.

Thankfully, Hyrgal is a triumphant example of the former, and serves as a perfect jumping on point for anyone unfamiliar with the French foursome’s particularly blistering brand of Black Metal.

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COME TO GRIEF – WHEN THE WORLD DIES

 Album Reviews  2 Responses »
May 192022
 

(Andy Synn is stricken by the new album from New Hampshire nihilists Come to Grief)

Do you know Grief?

I don’t mean that in the metaphorical, metaphysical sense of “have you experienced great sorrow and loss”, I’m talking about the band, whose four albums played a pivotal role in defining the unforgivingly brutal Sludge/Doom sound of the late 90s.

If you’re not familiar with their work, well, that’s partially our fault, as we haven’t really written about them very much (the fact that they formed, broke up, re-formed, and re-broke up all before this site even existed certainly doesn’t help) though we’ve certainly recognised and remarked upon the heavy (and I mean that in all senses of the word) influence they’ve had on many, many other bands we’ve written about over the years, including Hvrt, Mastiff, Body Void, and more.

I ask this because, as some of you might have guessed, Come to Grief is the new (well, not that new, they’ve been going since 2017) project by former Grief members Chuck Conlon (drums) and Tony Savastano (guitars), and while familiarity with their former band isn’t a pre-requisite to enjoying When the World Dies, it might help prepare you for the brutal barrage of bitterness and spite which you’re about to experience.

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BLUT AUS NORD – DISHARMONIUM – UNDREAMABLE ABYSSES

 Album Reviews  3 Responses »
May 172022
 

(Andy Synn gazes into the undreamable abyss of the new album from Blut Aus Nord)

Call me an elitist if you will (though I think my track record would prove otherwise), but it’s both amusing and exasperating in equal measure to see people whose knowledge and awareness of Black Metal is… let’s say, limited… suddenly acting like an authority on the genre simply because their favourite rock star decided they wanted to dabble a little.

Don’t get me wrong, I actively welcome new blood, new voices, new ideas – the last thing I want is for the genre, or any genre, to become creatively stagnant – but maybe try and actively learn something about the scene, and all the bands who’ve been actively innovating within it over the years, before making wild, misinformed declarations that make you sound like an ignorant jackass?

Also, let’s face it, a lot of the time when people say “best” they really just mean “most accessible”, and while “accessible” doesn’t necessarily mean “bad” (I can give you umpteen examples of bands who actively got better once they started producing their more “accessible” material) it’s also worth pointing out that just because something is easy (or easier) to listen to that doesn’t necessarily make it good either.

This album, however, is most definitely not an easy listen… but, then, anything this good rarely comes easy.

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BEST OF BRITISH: ANTE-INFERNO / MAMMOTH WEED WIZARD BASTARD / TYRANNUS

 Album Reviews  1 Response »
May 122022
 

(Andy Synn is here again to serve as ambassador for some of the mightiest Metal from his homeland)

If it seems like I haven’t done one of these in a while… that’s because I haven’t.

Partially because I’ve been pretty busy so far this year and partially because, to be honest, I haven’t been massively blown away by a lot of UK bands recently.

Of course, I dare say I’ve missed out on quite a few things over the last several months, and there’s a number of upcoming albums from the home scene that I’m looking forward to hearing in the future, but for the most part I just haven’t felt particularly inspired to do many “Best of British” posts so far in 2022.

Thankfully I recently came across three excellent albums – one from the end of March, one from the end of April, and one set for release tomorrow – which, together, have done a lot to restore my flagging faith in this year’s crop of home-grown metallic morsels.

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RIP TREVOR STRNAD (1981 – 2022)

 Metal News  9 Responses »
May 122022
 

Hey everyone, Andy Synn here.

I’m sure, by now, you’ve all seen/heard the awful news about Trevor Strnad.

And while I’m not usually one for hero worship, nor am I a fan of overly-performative emotional outbursts, I felt like I needed to write and share a few things to acknowledge his passing.

Because, whether or not you were a fan of his band, he was a huge part of our scene and touched a lot of lives in his all too brief time on this earth. And all of us here at NCS are saddened by his loss.

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