(A Los Angeles band whose 2020 release hit the No. 5 spot on DGR’s year-end list has already returned with a follow-up, and he gives it an enthusiastic review below.)
If you were one of the unfortunate victims to cross paths with my end of the year tome/list – which somehow still managed to happen in the face of 2020 as a whole – then you likely caught my sincerely held belief in the final issue of the list that people had fucked up by letting Choke Me‘s debut release The Cousin Of Death fly under their collective radars.
All joking aside, as a piece of punk-fueled grind, The Cousin of Death was a furious album that wrapped up as shockingly fast as it started. Even were it just a proof-of-concept style release, it showed that there was a lot of potential to whatever spark ignited the Choke Me sound. That is why – even with reservations about the year-over-year churn when it comes to music – it was exciting to learn that the group had issued a follow-up release. We even gave it a brief shout-out in one of our weekend round up posts which archives everything that manages to hit in the back half of the week.
Entitled Hauntology, it consists of six songs and is still very much in line with what worked for the Choke Me crew in their debut. With six new songs – most around two minutes plus – Hauntology only comes in a couple of minutes shorter than its predecessor yet still manages to strike with the same sort of righteousness that blazed through that initial twenty-minute outburst.