(Andy Synn reviews the great new album by Austria’s Harakiri For the Sky.)
A rose by any other name, would smell as sweet. Or so they say. But when it comes to musical genres… is that really the case?
Now I’m sure some of you are already sharpening your claws ready to declaim that all genres are bullshit, and that you’re above such petty concerns… but for the rest of us who live in the real world, genre terms remain a useful way of tagging and identifying music – though I’m more than happy to admit that once we start getting bogged down in arguing about sub-sub-sub genres things start to get a little silly.
I’d contend that tagging a band with the right term remains important though, particularly when you’re introducing them to a potential new fan. Because, like it or not, using the wrong genre when talking about a band can give a new listener a false impression of what to expect, and sometimes it can be a real uphill battle to overcome this and and get them to judge it for what it is, not for what it isn’t.
Such is the case with Austrian angst-merchants Harakiri for the Sky.