Jul 032018
 

 

This is a SEEN AND HEARD round-up that’s going under a different name today. If the reason for that isn’t already obvious from the title of this post, let me explain:

Below you will find new songs and one new video, plus a news item, from seven bands. One of them is by a band whose last release was 10 years ago. Three are from bands whose last albums came out eight years ago. Two more are by bands whose last albums were released six and four years ago, respectively. And the video for the last one is set in a time when if you wanted to watch a movie at home, you went to the VHS store.

I can’t take credit for the Robin WilliamsJumanji meme or the post title. That was suggested by DGR, and actually it was he (with an assist from Andy Synn) who foisted all these new songs and videos on me. Basically, today I’m just a marionette whose strings are being pulled by others. Let’s get this over with so I can go back to listening to really disgusting death and black metal. Continue reading »

Jul 102014
 

(Our man BadWolf recently interviewed Landphil, who is a member of Cannabis Corpse, Municipal Waste, and Iron Reagan. Here’s what happened.)

In less than a month, Islander and myself will be waist-deep in filthy metal once again at this year’s Denver Black Sky Festival, and while that fest boasts more than a handful of great grind, crust, hardcore, and death metal acts, it’s a joke band that has me stoked.

Well, not exactly a joke band. Cannabis Corpse is no laughing stock—the group’s grasp on old-school death metal fundamentals is strong. But the band’s sense of weed-pun-based humor is proudly dispalyed on every album cover and in every song title. I’d expect nothing less from another project featuring Landphil, the powerhouse Virginian who also does time in Municipal Waste and Iron Reagan.

In anticipation of the fest, and Cannabis Corpse’s new album, From Wisdom to Baked, we chatted a bit about what it takes to be a funny man in metal, as well as the loss of GWAR’s David Brockie. Oh, and a bit about weed. But that should go without saying. Continue reading »

Aug 202012
 

Here are two new tours that metallic denizens of the U.S. and Canada should know about, both of which were announced today. One is co-headlined by Napalm Death and one by Converge. And what a nice coincidence that is, since not long ago we got a Napalm Death / Converge split release, from which we’ll play some music after coughing up the tour details . . . Also, both tours are stopping in Seattle, which makes me all smiley.

NAPALM DEATH / MUNICIPAL WASTE / EXHUMED

This tour is actually billed as a co-headline gig by Municipal Waste along with Napalm Death. I decided to put only Napalm Death in the headline mainly because it fit better with the recent release of that split. Exhumed is also along for the ride as direct support, which makes this tour even more awesome. But that’s not all! Depending on the dates, one of the following four bands will also be performing:

Sci-fi Arizona thrashers Vektor, Canadian punk band Dayglo Abortions, Bay Area crossover band Attitude Adjustment, and Colorado speed thrashers Speedwolf.

But wait, there’s still more!

Again depending on the locations, fans will also get to see guest sets from U.S. grindcore bastards Repulsion, Chicago punks Dwarves, and Seattle’s Martha Splatterhead’s Revenge. Continue reading »

Apr 242012
 

(BadWolf provides this report of a show at Headliner’s in Toledo, Ohio, on March 23, 2012, featuring Legacy of Disorder, Ghoul, Municipal Waste, an GWAR.  All photos were taken by Nicholas Vechery.)

Every large metal show in Toledo rolls through Headliners—bands like The Black Dahlia Murder or Between the Buried and Me play the small drive-friendly stage. Bands like GWAR, however, play the big stage, which looks like a whole lot of nothing, just a big concrete floor splaying out in front of a stage with a few industrial beams holding the roof up. In other words, spartan. The place practically begs to be coated in fake blood.

I’ve seen some of the best and worst shows of my life here: one side of the equation, I saw Lamb of God, Trivium, and Machine Head here in 2007 with a little-known band called Gojira opening for them; on the other hand I saw The Red Jumpsuit Apparatus here. (Don’t ask. It’s a shitty story. I punched a 12 year old boy.) I rank this show in the middle of the pack overall—two winners, one check, and one dud.

I arrived before Vechery, Vokillist, and d00shc00gr to interview Municipal Waste. I tried to interview GWAR and failed to penetrate a layer of bureaucracy—yes, such things exist in the world of metal. I accept this failure as an even trade for a rarer sight: a team GWAR staff meeting.

Opinions on the band aside, I have never seen such professionalism backstage. The band’s Tour Manager showed zero-tolerance for bullshit on the part of local staff and the band alike while displaying absolute reverence for the security team. Continue reading »

Jan 062012
 

December and 2011 are both over, and with the end of the last month, it’s time to round up what we saw over the last 30 days about forthcoming albums.

We usually try to post these updates on the first of the month, but the first of this month was New year’s Day, and I was moving kinda slowly that day. Plus, I’ve been focusing on year-end lists from a variety of sources, and, well, I’m late with this. I have more excuses, if you’d like to hear them.  No?  Okay, I understand.  I’ll just shut up and get going with this list.

So, here’s the deal:  In these METAL IN THE FORGE posts, I collect news blurbs and press releases I’ve seen over the last month about forthcoming new albums from bands we know and like at NCS (including occasional updates about releases we’ve included in previous installments of this series), or from bands that look interesting, even though we don’t know their music yet. In this series, we cut and paste those announcements and compile them in alphabetical order.

Remember — THIS ISN’T A CUMULATIVE LIST. If we found out about a new forthcoming album before December, we wrote about it in previous installments of this series. So, be sure to check the Category link called “Forthcoming Albums” on the right side of this page to see forecasted releases we reported earlier.

This month’s list begins right after the jump. It includes some real eye-openers. In fact, it’s not too soon to say that 2012 is already looking like yet another royally skull-fucking year for metal. But as usual, this list is half-assed rather than comprehensive. I confess that in December I was even more half-assed than usual in keeping my eyes open for news about new albums. So, feel free to leave Comments and tell all of us what I missed when I put this list together. Let us know about albums on the way that  you’re stoked about, even if you don’t see them here! Continue reading »

Dec 072011
 

(The METAL SUCKFEST that took place in NYC on Nov 4 and 5 was a milestone event — the first U.S. metal festival organized and co-sponsored by a metal blog, and Metal Sucks pulled together a fucktastic line-up to boot. So, NCS decided to document the event up-close and personal by sending two emissaries — NCS writer BadWolf and photographer Nicholas Vechery.  They returned intact, and this is BadWolf’s report of the festival’s first day, along with Nick’s photos. BadWolf’s Day Two report will be tomorrow, and we’ll have interviews to come after that.)

Blogs will control the entertainment industry within our lifetimes (if the industry lasts our lifetimes). TMZ will overtake Entertainment Tonight. In some ways, Pitchfork has already taken Rolling Stone’s place.  Case in point: MetalSucks just threw the first (to my knowledge) blog-driven extreme music festival on US soil, Suckfest, and NCS was there to cover it.

On November 4, 2011, suckalos—yours truly included—flocked to the Grammercy Theater in Manhattan for seven hours of thrash. NCS photographer Nicholas Vechery and I rolled in sleep-deprived and sore after a 20+ hour bus trip from Ohio. The venue –the Grammercy Theater—was indeed a theater once and remains dark and sparse.

Initially, I thought the Grammercy would be too small to fit a decent crowd, but the first day was poorly attended.  Attendees shouted “Occupy Grammercy!” between songs, but otherwise behaved themselves too well by my standards. New York headbangers seem more reluctant to mosh than when I lived in the Big Apple. I smelled a division between lineup and audience—the first day’s bands all shared a background in hardcore punk, but in general MetalSucks caters to a more technical/progressive metal loving audience. The lineup was strong, but perhaps suited for a more intimate venue. After all, who wants to see Magrudergrind behind a security barrier?

Audience aside, the first day’s bands exploded over the lower-east side with white-knuckle intensity. Continue reading »