May 212010
 

Back in mid-February, we enthusiastically reported the blessed union of the remarkable Cameron (“Big Chocolate”) Argon and the also-remarkable San Diego death-metal band, Burning the Masses.

The exciting news back then was that Argon was joining BTM as its vocalist, adding his talents not only to the recording of BTM’s next album but also joining the band for an ass-kicking European tour with Suffocation, Annotations of An Autopsy, Nervecell, and Fleshgod Apocalypse. We called it “A Marriage Made in Hell,” because, you know, all involved are hella good.

You can read that extended report, which included an interview with Cam Argon, at this location.

Cam did indeed join BTM, he did indeed track the vocals on the band’s forthcoming release, Offspring of Time (which is scheduled for a July 20 release on Mediaskare Records), and he did indeed front the band on that European tour.

But on May 18, he put up a blog post stating that he would not be performing with BTM on the band’s 3-month, nationwide summer tour — which began the next day. We got in touch with Cam to get more details, and his answers to our questions appear after the jump.

If you’re a fan of Big Chocolate, Burning the Masses, Suicide Silence, Disfiguring the Goddess, or Abominable Putridity, you’ll want to read what he had to say because he touches on all those projects. And if you don’t know what we’re talking about, it’s time you found out!  Oh yeah, Cam also talks about a mysterious new musical collaboration he’s got going on with Mitch Lucker of Suicide Silence (continue after the jump . . .) Continue reading »

Dec 192009
 

wacken10smallVans WarpedYesterday, NCS Co-Author IntoTheDarkness posted a piece on the brutality of German extreme metal bands. In an episode of synchronicity, this morning I saw three news updates about festivals scheduled for 2010 — one in the U.S. and two in Germany. And the comparison speaks volumes. On the one hand, we have the 2010 Vans Warped Tour spreading across the US next summer like a brain-sucking plague. On that tour, you’ll have the opportunity to see such stupifyingly awful bands as Attack! Attack!, Breathe Carolina, and Eyes Set to Kill. There are a few saving graces on the tour — Parkway Drive, Suicide Silence, and Whitechapel. But suffering through the rest of the 67-band lineup for the opportunity to see those dudes would be worse than a garden-hose colonoscopy without anesthesia.

SUMMER_BREEZE_2010On the other hand, next year in Germany we’ll have the latest installments of (a) the Summer Breeze festival scheduled for August 19-21 in Dinkelsbühl; and (b) the Wacken Open Air festival scheduled for August 5-7 in (where else) Wacken, Germany. At Summer Breeze, you could see the likes of Asphyx, Barren Earth, Behemoth, Dark Tranquillity, Despised Icon, Dying Fetus, Hypocrisy, Necrophagist, Obituary, Sepultura, Swallow the Sun, The Crown, and Maroon. And Wacken Open Air will feature bands such as Amorphis, Arch Enemy, Caliban, Immortal, Iron Maiden, and Slayer.

What’s really mind-blowing about the contrast is that those German festivals, each spread over just a few days in a single location, will draw tens of thousands (e.g., 70,000 tickets were sold for the 2009 edition of Wacken Open Air more than 200 days in advance). To get that kind of attendance in the U.S. for metal, you apparently need to have a line-up of largely craptastic bands and a schedule of about 40 dates in 40 cities.

To be fair, the German festivals draw crowds from all over Europe, and the U.S. does have some legitimately extreme festivals that are drawing headbangers in increasing numbers (the Maryland Deathfest, now in its 8th year, comes to mind most prominently). But still, so far, it’s no contest.

For full lists of the bands scheduled to date for these 3 tours, continue reading after the jump.

Continue reading »

Nov 232009
 

Top 40 Hits

A couple days ago, we reported on Decibel magazine’s (premature) publication of its “Top 40 Extreme Albums of 2009” and gave you the list of 40.  Many more “Best of 2009” metal lists will soon be appearing on the netz and the newsstands.  Why do people create these kinds of lists and why do we read them?  Music is a matter of personal taste.  These lists represent the personal tastes of particular critics and fans, no more or less valid than my favorites or yours.  So what’s the fucking point?  I’m not sure there is a fucking point, but I’ll make a stab at it. Continue reading »