Mar 122013
 

(NCS writer DGR brings us a round-up of new music from The Ocean and Robots Pulling Levers.)

Here’s a couple of things that caught my eye over the weekend and yesterday.

A couple days ago The Ocean premiered a new song off of their upcoming two disc album Pelagial (one with vocals – the other an instrumental version) entitled “Bathyalpelagic II: The Wish in Dreams”, and it is a solid piece of metal for those who enjoyed the group’s heavier aspect from their two-part release Heliocentric/Anthropocentric back in 2010.

It’s been three years since those two discs hit, and so far this intro song proves that the band have not decided to rest on their laurels during this passage of time. It’s not as moody and introspective as the stuff on Heliocentric – instead going for the much more straightforward bombast and powerful chorus work of something like “She Was The Universe”. Continue reading »

Sep 152011
 

(NCS interviewer deluxe BadWolf turned in this revealing interview of Robin Staps from that mind-bending multinational collective The Ocean.)

The struggles that met The Ocean on their 2011 Spring tour supporting Between the Buried and Me and Job for a Cowboy have been well-discussed, but perhaps not well-documented. This interview I conducted on the Toledo date of that tour on May 28 supplies a missing piece of the puzzle.

Now that The Ocean are returning to the U.S. next month with Devin Townsend, it’s the perfect time to bring the mind of The Ocean’s mastermind, writer/guitarist Robin Staps, to light.

Do yourselves a favor and SEE THAT TOUR. The Ocean are a heady, proggy band, but they put on a visceral stage show with stage diving and, apparently, an intense light show which wasn’t present at Headliner’s in Toledo. Staps and his friends deserve your support!

INTERVIEW

BadWolf – This is the first time you’ve played this part of the country [Toledo].

Robin Staps – We played Chicago last time, I think.  We were here three years ago with Kylesa, Lair of the Minotaur and Withered.

d00shc00gr [Badwolf’s compatriot] – Man we should have seen that one!  (more after the jump . . .) Continue reading »

Nov 122010
 

[EDITOR’S NOTE: Today’s guest post comes to us from Dan, who apparently is now called The Artist Formerly Known As Dan. Dan is an American temporarily transplanted to Adelaide, Australia. He has a list for you.]

So, I realize it’s cliche to make one of these lists (and maybe a bit premature?), but they’re usually useful for several reasons.  Firstly, it allows me to shamelessly plug the bands I like and push my agenda on you.  Secondly, it allows you to post lists of the records I forgot and tell me why my first list was wrong.  I can then subsequently go back to the records I may have forgotten or never owned in the first place.  Everyone should theoretically win here, since there is always music overlooked or forgotten about throughout the year.  So, let’s begin.

10. The Tony Danza Tapdance Extravaganza – Danza III: The Series of Unfortunate Events

Technical, but so brutal.  A perfect recommendation for someone who listens to too much vanilla-breakdown deathcore (and, for some of you, “too much” implies listening to any deathcore at all).  I highly recommend seeing them in concert; they bring tons of energy.  Yippie-Kay-Yay-Motherfucker.

(more after the jump . . .) Continue reading »