Oct 222025
 

(Andy Synn isn’t shy about declaring himself a fan of the new album from Tombs, out now)

It’s funny, isn’t it, the ways in which we define ourselves? The ways in which “who we are” is so often bound up in the things we like (or don’t like).

It isn’t always healthy of course – toxic fan culture is a continuous blight, as we all know, and choosing to base your entire personality around your obsessive fandom of anything (or anyone) is a recipe for dysfunction and depression – but our likes and dislikes definitely form a distinct part of our self-image.

And yet it’s so easy for this image to become distorted or outdated.

Case in point, I’ve been a fan of Brooklyn-based Black Metal quartet Tombs for a very long time now – if you’d asked me I definitely wouldn’t have hesitated to describe myself as such – but it was only while working on my review of their new album that I realised that you’d have to go pretty far back (possibly even as far as 2017’s The Grand Annihilation) to find the last thing they did that I truly loved.

But, thankfully, with the release of Feral Darkness just last week, you no longer have to go very far at all to experience the band at their very best.

Continue reading »

Jul 252025
 

(written by Islander)

With only one premiere to handle today and nothing else waiting in the queue for our site, I had a combination of opportunity and need, anxiety about us not posting the usual amount of stuff in recent days and the time (barely enough time) to do something about it. So, as a head-start on Saturday’s roundup, I got this four-band collection done, focusing on two old favorites and two brand new discoveries. The cover art for all four was part of the initial attraction.

TOMBS (U.S.)

The first of the old favorites is Tombs. Earlier this week we got the news that they have a new album named Feral Darkness now set for release on October 17th by their new label Redefining Darkness Records. The “FFO” references for Tombs have changed over time. As a clue about this new full-length, which follows 2020’s Under Sullen Skies, it includes Fields of the Nephilim, Samhain, Mayhem, and Goatwhore. The lineup also includes new guitarist Dan Higgins. Sera Timms also provides guest vocals on one song.

And then there’s this from the press release: Continue reading »

Aug 102022
 

(We continue a week-long run of reviews by DGR, and this one takes stock of the latest release by the always-interesting NY crew Tombs.)

Tombs have made a name for themselves as more than just a black metal collective out of the East Coast. Whether through the rotating cast of band members or influences pulled from all around the underground scene, Mike Hill and gang have absorbed a lot more into their sound, evolving Tombs past a post-metal/black metal hybrid and into an art collective where you never fully know what to expect next.

Tombs have kept busy as well, especially in recent years, because, save for 2019, every year has seen some sort of release from them, whether it be an EP, full-length, compilation, or a single. There’s always something to keep them out there and show that maybe the constant refresh works for them.

Mid-June of 2022 saw the release of the latest addition to the group’s collective musical works with the EP Ex Oblivion, which contains one new song, one ambient block of experimentation, a remix/housewrecking of a track from Under Sullen Skies, and two cover tracks – for a combined total of three cover songs within the last year, if you caught their cover of Samhain‘s “The Shift” in 2021 – for twenty-two minutes of music. Continue reading »

Jul 122022
 

 

In the dozen years of this site’s existence we’ve had fewer than a dozen days (including weekends and holidays) when we posted nothing new. Yesterday was one of those. I’ll spare you the excuses, which were numerous, but I still felt guilty about it. So I’m trying to make up for that void today.

In gazing upon my long list of songs I wanted to recommend, it occurred to me that most of them were variations of black and blackened metal, so I decided to focus on those and leave other genre variants for another day.

There’s a lot here, all of them tracks from forthcoming releases, and so I’ve truncated the introductions and mostly omitted the usual artwork. I begin with bigger names and then drift into more obscure ones. Continue reading »

May 172022
 

I have the freedom to do whatever the hell I want with these round-ups, which should mean an absence of any pressure but somehow doesn’t work out that way. No one tells me to pick this song or that song, no one will live or die (or succeed or fail) depending on what I pick, and I guess the only “wrong” choice is one that no one else likes. So where does the pressure come from?

Damned if I know. Some gremlin in my head that gnaws at the wiring and gibbers “You could have done better! You could have done more!” Begone you devil, I’d rather forget about you and listen to these devils instead:

ORNÆMENTAL SHINE (U.S.)

Not too long ago I, Voidhanger Records launched a flurry of new album announcements and advance tracks from each of them. Eventually I hope to touch on all of them. Today I’ll touch on Deima Panikon, the debut album from Ornæmental Shrine, an avant-garde U.S. quintet that includes members of Uada and Black Hate. Continue reading »

Apr 022022
 

 

I had a hellish work-week at my fucking day job, which caused me to fall behind again in listening to candidates for this weekend round-up. I’ve also got an appointment for a second booster jab coming up soon this morning. Putting those two things together means this round-up will be shorter than I’d like. As is becoming something of a habit, I also included a curveball at the end.

JUST BEFORE DAWN (Sweden)

These Swedish favorites of mine have always chosen themes that focus on war, mainly WWII. They’ve repeatedly demonstrated a talent for channeling not just the mad exhilaration and explosive destructiveness of armed conflict but also the pain and grief it brings. It’s not surprising, therefore, that they would record a song for the victims of Russia’s invasion of Ukraine. Continue reading »

Nov 112020
 

 

(This is Wil Cifer‘s review of the new album by Tombs, which will be released by Season of Mist on November 20th.)

I am going to assume that since Mike Hill has been pumping it out with this project for 13 years you know what Tombs is about. If you have read my reviews before, then you know darkness is what I am listening for when it comes to any genre of music. Hill delivers darkness in full here.

Flanked by the same line up that played on the Monarchy of Shadows EP, the band open with the almost thrash-tinged Swedish touch to black metal. In the first song alone (“Bone Furnace”) there are almost all the staples of their sound. A more overt metal chugging powers “Void Constellation”. The songs have a more focused and hooky bite than what I remember coming from the Monarchy of Shadows EP. They have certainly retained the dense guitar sound they have had since The Grand Annihilation. Continue reading »

Sep 072020
 


TOMBS (photo by Dan Higgins)

 

EDITOR’S CONFESSION: Is it possible? Could I have actually failed to post the second installment of this series by our contributor Gonzo on Friday, just like I was late in posting the first one? Even though it’s called NEW MUSIC FRIDAY? Hell yes! It’s true! I fucked up two weeks in a row! But I’m risking covid to visit a tattoo parlor today to have NEW MUSIC FRIDAY tattooed on my forehead so I’ll never forget again. Of course, when looking in the mirror it will read YADIRF CISUM WEN.

 

The show must go on.

Given the quality output so far in a year otherwise mired with seemingly every kind of imaginable strife dominating the headlines, you’d think those words were the mantra of every working band out there.

Some of those themes of the year, as it turns out, make for excellent and timely material to write songs out of. I have no doubt that we’ll start seeing more and more of it start to emerge as we trudge on through this supremely uncomfortable and anxiety-inducing timeline we’re living through. This week [Editor’s Correction: last week!] has dropped a few hints of what’s to come, with spectacular results. Continue reading »

May 192020
 


Bombs of Hades – photo by Susan Wicher

 

(DGR prepared this collection of reviews, focusing on six 2020 EPs across a range of metal genres.)

If you’ve been reading the site recently you might’ve caught fellow writer Andy Synn doing a deep dive on six EPs that had seen recent release (here). Well, that wasn’t the only one of those on the docket, and what you’re looking at is a second collection of EPs: Stuff that I’ve noticed we haven’t dived into in print, stuff that might’ve glanced by us, and one or two that are basically on the DGR radar by proximity alone.

Musically, we’re all over the map – hell, Ovaryrot’s presence alone was likely to have that effect – as we travel through crusty death metal realms, thrashier-death and black hybrids, to black metal itself and all of its post-genre cousins, even making a trip to the tech-death world to say hi to those over-complicated goofballs and their tendency to try to write everything and the kitchen sink into five-minute chunks, before finally winding up on the doorstep of some nightmare music, because who the hell needs to sleep?

So if you saw the previous six EPs and thought, “Wow, what a fantastic idea”, then settle in my oddly specific friend because do we have a treat for you, another six EPs of music that have hit over the past few months for you to check out and bang your head to. Continue reading »

Dec 122019
 

 

It’s been another of those weeks when the rest of life has rudely intruded on my NCS time, and so I haven’t been keeping up very well with new songs and videos. Haven’t even had time to add to my list of things to check out based on what has popped up in the various sources I use. Still, I did pay attention to the following four new songs, and the attention was rewarded.

Be forewarned: If you come to NCS expecting us to rigidly adhere to the site’s title, today’s collection includes a couple of exceptions — two of four.

DAWN OF SOLACE

Fourteen years is a very long time between albums. And in the case of Dawn of Solace, there was no reason to expect a follow-up to The Darkness (released in 2006), because in 2013 the band’s alter ego Tuomas Saukkonen announced the interment of all of his previous bands and projects, and the decision to replace them all with Wolfheart.

But now there will be a second Dawn of Solace album, the title of which is Waves. It’s set for release on January 24th by the new label Noble Demon (who will also be releasing the debut album of Night Crowned, for which we hosted a song premiere last week). Continue reading »