Jun 102017
 


Daniele Valeriani: “Vexilla Regis Prodeunt Inferni” (2017)

 

(Andy Synn wrote this thought piece — and provides some musical recommendations at the end.)

 

As part of a new initiative here at NCS, designed to give Islander some time off over the weekend (as well as serve as an intervention for his crippling blog addiction), I’m planning to put together a little something every Saturday – be it a review, an interview, or an opinion piece – to help tide over our readers until the inevitable Monday (editor’s intrusion: and Sunday!) rush of content comes back around.

So here goes nothing… Continue reading »

Jan 082017
 

 

I was again torn between writing a “That’s Metal!” post, which I foolishly promised to do on the first Sunday of each month and still haven’t done for December — or January — and compiling another collection of recent music in a blackened vein. You can see how that internal struggle ended.

KJELD and WEDERGANGER

This split by these two distinctive Dutch bands was released on December 16 by Ván Records and is now available on Bandcamp. It includes three tracks by Kjeld and two by Wederganger. I had intended to write about it prior to release, but failed. It’s very good, and deserves more extensive discussion than I’m able to give it now. But with a full stream now available, it can speak quite well for itself. Continue reading »

Jul 292015
 

Horna-Hengen Tulet

 

Once again, I decided to compile a group of new songs I discovered over the last 24 hours and liked a lot. As it happens, the ones I liked the best turned out to be in the poisoned vein of black metal — and so, we have another edition of Shades of Black.

HORNA

It is true, as stated in the press release I received today, that Horna are a “Finnish black metal institution”. Their ninth album is named Hengen Tulet, and it’s now scheduled for release by W.T.C. Productions on September 22. I’m amazed by the cover art, which was prepared by Pahapasi.

The press release also states that the new album “carries forward a similar songwriting aesthetic” to the band’s last album Askel lähempänä Saatanaa, “but reinvigorates a foul, fetid primitivism”. Of course, I immediately searched to see if any music from the album was available for me to share with you, and discovered that, yes, there is — and that I somehow missed the song when it debuted in June.

The name of this new piece is “Amadriada“, and it’s the album’s opening track. Continue reading »

Nov 052014
 

 

In my daily searches for news and new music that I think would be worth your time, sometimes I come across so many exciting new discoveries that it feels like the flood gates have been opened, or that I’ve opened Pandora’s box thinking that it was my underwear drawer, or that a pack of wolves have materialized in my skull and started devouring its meager contents.

That happened over the last 24 hours. I found so many new things worth recommending that I’ve split this round-up into two posts. By chance, many of them all involve the same label — Daemon Worship Productions — so I’m collecting those in this first post.  More info about all the releases discussed below and related merch can be found here.

ISRATHOUM / CHALICE OF BLOOD

Our last mention of Israthoum on the site occurred almost two years ago when Andy Synn reviewed the band’s second album, Black Poison and Shared Wounds. That is now being followed by a new Israthoum split with the Swedish black metal band Chalice of Blood, which was originally announced at the beginning of this year. Like that preceding album, the split is adorned with spectacular artwork by Held (Ubertragic Art).  (Click the image to view a larger version.) Continue reading »